The Arkham Sessions, hosted by clinical psychologist Dr. Andrea Letamendi and Brian Ward, is a weekly podcast dedicated to the psychological analysis of Batman: The Animated Series. Nostalgic, humorous, and even a little educational, each episode promises to lend some insight into the heroes, villains, and classic stories of the Dark Knight.
As a special exclusive for ComicsAlliance visitors, new episodes of The Arkham Sessions will stream on CA several days in advance of their syndication to iTunes.
This week, we discuss the highly acclaimed, Emmy-winning episode of Batman: The Animated Series, "Robin's Reckoning." We cover Part 1, in which we're shown Robin's origin story. We discover who killed Robin's family and how he joined forces with Batman.
You would think that with the announcement of Omega Ruby and Alpha Sapphire, the updated remakes of the Generation III titles, would've been enough big news about Pokémon for this year, but you, my friends, would be wrong. Today, it was revealed that Namco Bandai, the creators of the Tekken fighting games, were hard at work on Pokken Tournament, a new arcade style fighting game using theTekken engine, starring Pokémon.
Andrew MacLean is an illustrator and comics artist we've been admiring for a long time. Part of the uniformly excellent stylists at Brand New Nostalgia, MacLean has appeared in our Best Art Ever (This Week) feature and earned couple of solo spotlights as well for his great work, which is an uncanny blend of a kind of simple, airy animation style with detailed manga, woodblock art, sci-fi Eurocomics and old fashioned American adventure comics. In storytelling, MacLean's biggest claim to fame has been the self-published Head Lopper -- which is, blissfully, precisely what it sounds like, a swords-and-scorcery type comic that affords MacLean to show off his talent for action and humor. Additionally, his work is featured in Brand New Nostalgia and Out Of Step Arts' kaBOOMbox anthology, a particularly cool-looking collection funded with Kickstarter that will be available at conventions later this year and online soon.
But MacLean's going to make a much bigger splash in the comics scene in 2015, when Dark Horse releases his debut graphic novel ApocalyptiGirl: An Aria For End Times. The 96-page book features story, art, color and lettering by MacLean, who, based on the preview pages provided exclusively to ComicsAlliance, has leveled up in a big way since beginning work on Head Lopper.
When you're trying to spotlight an artist like Ale Giorgini, it's difficult to figure out what to focus on. He's done so much great stuff built on so many themes, from minimalist portraits of celebrities (a roster that includes both Charlie Brown and David Lynch) to pairing off some of cinema's greatest couples in a series called "That's Amore," and it's all worth seeing.
In the end, though, it was the pieces inspired by some of my favorite movies that hooked me, full of sleepy-eyed characters from The Big Lebowski, Ghostbusters, The Goonies and more.
Ever since Bloom County became a sensation in the early '80s, Berkeley Breathed has had an incredibly varied career. He followed Bloom County's initial success with two more popular comic strips, Outland and Opus; he won the 1987 Pulitzer Prize for editorial cartooning; he wrote and illustrated best-selling children's books; he adapted his own stories into a pair of animated TV specials, and he provided art for various environmental and animal-wellfare charities.
In recent years he's shifted his primary focus to film (production art and original projects), while also overseeing IDW's comprehensive collected editions of his strips. He recently teamed with IDW again for Berkeleyworks, a retrospective volume collecting a number of his paintings, sketches, and illustrations – and last month, he made a rare convention appearance, playing to a packed room at San Diego Comic-Con. ComicsAlliance spoke with Breathed about his career in cartooning, his work in other media, and his upcoming projects.
A Twitter user by the name of Ryuuchan spotted something you don't see every day on the roadways of Japan's Chiba Prefecture last weekend: Batman, in broad daylight, riding around on a Batpod similar to the one from The Dark Knight and The Dark Knight Rises.
The Batman costume looks spot-on, and while the Batpod isn't quite the design from the movies (it's got three wheels instead of two), it does look pretty doggone cool.
Emily Carroll’s collection of horror comics, Through the Woods, operates largely on the alienation of the inexplicable experience. More specifically, with one exception, it explores that alienation in women, particularly young women. The struggle for many of these characters is the insidious horror of trauma, and all of the ways that trauma pulls you apart, both from yourself and your community, and leaves you susceptible to further terrors.
This trauma that suddenly makes you unreliable to the world around you, and indeed unreliable to yourself, provides much of the claustrophobia that characterizes the slowly closing trap of Carroll’s flashlight-whispered tales. These are spellbound stories through which every strength of the comics medium is put into employ. There are frankly very few writers in comics who can go toe-to-toe with Emily Carroll in this regard. The totality of these comics is a testament to the largely untapped potentials inherent in this medium.
The subgenre of woman-led spy comics seems to be making a healthy surge right now, and Archaia is adding another title to the mix.
Butterfly, a new, four-issue series written by Marguerite Bennett (Angela: Asgard's Assassin) and Arash Amel (Grace of Monaco), and drawn by Antonio Fuso (G.I. Joe: Cobra), will start up Sept. 24 with a Phil Noto cover. It'll follow a deep cover agent who is a complete ghost--no birth certificate, no Social Security number--meeting her long-lost dad after being set up for murder. Turns out her dad was a spy, too.
Listen: I love Robin Hood. Outside of Dracula, who I think we can all agree is pretty great, he's probably my favorite public domain character in the history of fiction, and between the sidekicks, the secret headquarters, the recognizeable costume and the uneasy relationship with local law enforcement, he's pretty much a direct ancestor to the kind of superheroes that we have today. So really, if there was anything that was going to get me back to being excited about the hardcovers reprinting Floyd Gottfredson's Mickey Mouse strips after the last volume left such a bad taste in my mouth, Mickey going on an adventure with Robin Hood was going to be the thing that did it.
Which, as it turns out, is exactly what they did. The latest Mickey volume from Fantagraphics is a collection of Gottfredson's full-color Sunday strips from 1936 to 1938 -- plus a whole bunch of bonus features from his later career -- that includes "The Robin Hood Adventure." And folks, this one isn't just a great story from a great creator, it's the kind of story where I want to just start grabbing people on the street and telling them they have to read it, because it's one of the weirdest things I have ever read.
"My name is Miles Morales, and I'm Spider-Man." With those words, Donald Glover takes his place among the ranks of official on-screen Spider-Men.
It's been known for a while now that Miles Morales, the Ultimate Universe version of Spider-Man, would make his screen debut in an upcoming episode of the Disney XD series Ultimate Spider-Man: Web Warriors, but only now do we know that the part will be voiced by actor and Spidey fan Donald Glover. It's a brilliant casting decision that we choose to interpret as the first step towards more Miles in other media, rather than an end in its own right.
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