In theory, Judge Dredd: Day of Chaos should be everything I hate about big event comics. It goes out of its way to be grim and dark even by Dredd standards, boasting a body count over 300 million, features a protagonist who's often powerless to stop the terrible things that are going on, and the only person who really comes out of it with anything that remotely resembles a victory is a mass murderer. It's almost thoroughly devoid of hope, with a focus on brutality and horror that's telegraphed from the opening. Half of it's built like a zombie story, and in true 21st century event comic fashion, there's even a dude who gets his arm cut off.
Taken all together, that's essentially a checklist of things I never want to see again in superhero comics. In Day of Chaos, however, that all comes together to form a textbook example of how to do event comics right.
Launched earlier this month in the pages of the weekly 2000 AD anthology, "Sláine: The Book of Scars" is an all-new serial celebrating the 30th anniversary of writer Pat Mills' Celtic myth-inspired barbarian fantasy hero whose adventures have made stars of some Britain's best comics artists including Mike McMahon, Glenn Fabry and Simon Bisley. All three are returning to the pages of 2000 AD for a special stor
When it comes to San Diego Comic-Con, every publisher approaches the show a little bit differently. Whether they house cosplay contests, interactive displays, photo ops with talent, creator signings and/or a whole lot of purchasable product, SDCC booths are an opportunity for the publishers that can attend to make a big impression on one of the most attended pop culture gatherings of the year. You can get a sampling of what publishers like Marvel, DC, Archie, Boom!, IDW, 2000 AD, Dark Horse, Image, Fantagraphics, Oni and others were up to on the show floor of this year's SDCC after the cut.
Following theunfortunate box office performance of Dredd (which CA's own Chris Sims liked quite a bit), fans have appropriately been full of... dread... about the possibility of seeing their favorite futuristic judge doling out vengeance on the big screen. Luckily, it looks like John Wagner
We enjoyed 2000 AD's cheeky salutation to Marvel Comics as the superhero publisher enters the world of weekly comics, as announced recently at South By Southwest. But as the promo above correctly indicates, 2000 AD's been at the weekly comics game for 36 years and maybe everybody should just calm down a bit. Fair point to 2000
I've been meaning to get more into Judge Dredd for a while now. I picked up a few of the classic stories back in October with the beautifully designed collections of The Dark Judges and The Cursed Earth, and I've read bits and pieces from the issues of 2000 AD that I come across, but to be honest, it can be difficult to figure out a place to really jump in.
But then, a copy of the new printing of John Wagner and Carlos Ezquerra's Origins showed up at my house courtesy of 2000 AD, and
Considering that he's an extremely strict dude in head-to-toe black leather with a penchant for dealing out harsh punishments, I think it's safe to say that Judge Dredd has always been more than a little fetish-y. This month, though, things are finally going to be taken to their logical extreme, as Mega Ci
A ComicsAlliance favorite for his super inky, wildly expressive style in Dark Horse books like Abe Sapien: The Devil Does Not Jest, B.P.R.D. Hell on Earth, and Conan the Barbarian, James Harrenis going to make his 2000 AD debut next mont
Let me be the first to apologize to you, on behalf of the entire comics press. We screwed up. We were too focused on the wrong events in 2012. We spent tens of thousands of words on Avengers vs X-Men, Before Watchmen, Night of the Owls, and we missed the fact that there was a bigger, better, and extremely satisfying crossover sitting right under our noses. Not all of us -- a few of
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