Developed by Kabam, mobile game Contest of Champions follows a galactic tournament where everyone from Marvel's vast catalog is duking it out for bragging rights. The game has proven to be so successful that a new comic series spinning out of Secret Wars takes place within that universe, from Al Ewing and Paco Medina.
Along with that new series comes an entirely new character, Guillotine. Making her debut both in-game and in the pages of the monthly Contest of Champions book, Guillotine is one of the first entirely new characters from a Marvel video game to make the leap to the page. While at New York Comic Con, we talked with Contest of Champions' art director Gabriel Frizzera about the game, creating a new character for Marvel, and the advantages of working in Marvel's mobile space.
Mighty Avengers is getting a new #1 and a new title this November. At the Avengers NOW panel at San Diego Comic-Con on Friday, Marvel announced that the series will relaunch as Captain America & The Mighty Avengers -- with former Falcon Sam Wilson taking point as the new Captain America. That means a second title series for Wilson's Cap, and a second chance for readers to discover the book.
Al Ewing continues as writer, with former Captain America artist Luke Ross taking over as regular series artist. ComicsAlliance spoke to Ewing to find out why the book is relaunching, how he plans to handle Sam's promotion, and what it means to write the only Avengers book with a predominantly non-white team.
Some sites give you the story, some sites give you the story behind the story, but only Original Spin gives you the story behind the story behind the story, because only Original Spin takes the time to really make it up.
This week on our exclusive, thorough, slightly inaccurate recap of the events of Marvel epic crossover event Original Sin, we dig deep into the bickering in Original Sin #4 by Jason Aaron and Mike Deodato, and we take a side-trip through Mighty Avengers #10 and #11 by Al Ewing and Greg Land. Here be spoilers.
It wasn't so long ago when no-one gave a toot about Loki. He was the most generic of Marvel villains, a scowling horn-headed heel who was evil for the sake of being evil. Marvel even turned him into a woman for a while in a desperate bid to give him a new dimension.
He's come a long way since. The old Loki would have been a terrible choice for a solo title, but in 2014 he's an obvious candidate -- a rising rockstar character with a passionate fanbase who flood the convention floors with cosplay of all his incarnations. Loki: Agent of Asgardis a book whose time has come.
Good news; Marvel is launching a new ongoing series with an LGBT lead character. Loki: Agent of Asgard debuts in February from the creative team of writer Al Ewing and artist Lee Garbett, and Ewing confirmed via Tumblr that the lead character will not only be portrayed as bisexual --but be able to change gender. Bad news; Loki is not exactly a good guy. He's a trickster, a manipulator, a supervillain. He's also the second bisexual male to get his own ongoing book at Marvel, and here's the problem; the other one was Daken, son of Wolverine, and he was also a trickster, a manipulator and a supervillain.
As it is prone to do perhaps more often than some of its American competition, British sci-fi weekly 2000 AD has designed its latest issue to be especially welcoming to new readers. Four brand new stories begin in this week's 2000 AD Prog 1850, each meant to introduce audiences to the unique blend of art, attitude and insanity that can typically be found every week in "the galaxy's greatest comic." Among them, a new Judge Dredd strip as well as new work by Al Ewing (Mighty Avengers), Pat Mills (Marshal Law), Ian Edginton (Victorian Undead), and INJ Culbard (The New Deadwardians).
The new-reader-friendly prog is part of a concentrated effort to raise awareness of 2000 AD and Judge Dredd in particular so as to persuade the powers that be that a Dredd movie sequel is something they should put into production at once. That effort includes an official Dreddsequel petition and the latest issue of Judge Dredd Megazine, which introduces a new strip that will continues the continuity of the cult favorite Karl Urban film.
Depending on who you ask, Mighty Avengers #1 is either a big deal or completely unnecessary. To some, it represents a significant moment: Marvel putting sincere thought and effort into publishing a super hero title starring a cast of characters who are mostly persons of color. To others, it's an idea that's "contrived" or "forced," taking away jobs from hardworking, honest, god-fearing, and completely fictional white people. That, or it's yet another Avengers title from the publisher, and there are some who already complain that there are far too many.
But wherever your feelings lie, what matters most -- what should matter most -- is whether or not Mighty Avengers is a good comic. Written by Al Ewing and with art by Greg Land, Jay Leisten and Frank D'Armata, Mighty Avengers #1 is, in many ways, a very promising start.
After days of teaser images from Marvel hinting at some kind of new series, this morning the publisher finally announced a relaunch of Mighty Avengers. Written by Al Ewing with art from Greg Land, the new series features a team led by Luke Cage, with Falcon, White Tiger, She-Hulk, Spider-Man, Blue Marvel, Monica Rambeau (now named Spectrum), a new Ronin, and the new Power Man as members. Notably, the team is comprised mostly of heroes who are people of color and/or women.
Mighty Avengers has been championed by Executive Editor Tom Brevoort, who in the past has gone on record as describing the idea of an Avengers team comprised of all or mostly black characters as being "contrived," but now says, "people who are interested in these characters and want to see heroes that reflect them have a genuine point."
Let me be the first to apologize to you, on behalf of the entire comics press. We screwed up. We were too focused on the wrong events in 2012. We spent tens of thousands of words on Avengers vs X-Men, Before Watchmen, Night of the Owls, and we missed the fact that there was a bigger, better, and extremely satisfying crossover sitting right under our noses...
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon...
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