Q: Why aren't the Wildstorm characters a comfortable fit in the modern, edgier DC Universe? — @jdkrach
A: With Warren Ellis and Jon Davis Hunt reviving it in the pages of The Wild Storm --- and with characters like Midnighter and Apollo experiencing some of their best stories ever in the core DC Universe right now --- it seems like the WildStorm characters have been on everyone's mind lately. And Real talk? I kinda love the WildStorm Universe.
It's a universe built on an interesting twist on what it means to be a superhero, shaped by creators like Alan Moore, Warren Ellis, Ed Brubaker, and Adam Warren, a roster of world-builders that somehow came together beautifully to make it all work. But the flipside to that is that a lot of what I love about it comes from the nature of the universe itself, and when you remove them from that kind of thematic setting, it makes it a lot harder for them to fit anywhere else.
It's Music Week here at ComicsAlliance, and I wanted to take some time to dive into a very particular relationship between music and comics. Comics obviously are silent, so musical numbers are particularly tough to pull off. Getting the actual sound across, the lyricism, the melody - it's a challenge.
I want to take a look at three examples of music in comics that all use a particular approach with notation. By using the staves of sheet music, and placing notes on the page, these three comics manage to provide an extra depth to their storytelling.
We live in politically charged times, and it seems that more people are finding their voice and speaking out about the very many negative aspects of modern politics and politicians. If you have someone in your life that seeks to shake up the system and speak truth to power, we've assembled a holiday gift guide packed with comics perfect for the dissident in you life.
Everyone loves comic book trivia, but with over 75 years of superhero comics behind us right now, there’s always some new obscure fact to learn. That’s why ComicsAlliance is going deep into the minutiae of your favorite names in comics in our continuing video series. You think you know comics? Well, here’s a few things you might not know!
This week we're taking a look at perhaps the most critically acclaimed writer in comics history, Alan Moore!
Alan Moore and Brian Bolland’s classic and controversial Batman: The Killing Joke is making waves once again after the the animated adaptation debuted at San Diego Comic Con and reportedly doubled down on the damseling and objectification of Batgirl. Without spoiling the changes (you can read about them here), Barbara Gordon’s reliance on men’s approval is a big theme of the film, and only serves to give Batman more angst when the events of the comic play out.
Fans of The Killing Joke will often defend it by pointing out that without the story, Barbara Gordon would not have become Oracle, the Batman family’s computer whiz and one of the most prominent disabled superheroes in comic books. However, crediting The Killing Joke for the creation of Oracle is wholly inaccurate and does a disservice to the true creators of the reinvention, John Ostrander and Kim Yale.
The polls are closed and it's official, the United Kingdom has decided --- by a narrow margin --- that it wants to leave the European Union. I mean, who could blame them? Aside from the worker's rights, trade agreements and the opportunity to travel between member states, what does the EU even do? I mean, aside from the funding provided to the areas of the UK that London often neglects, environmental legislation and education and research funding.
So you've voted Leave, and you want to treat yourself to a nice comic to spend the weekend with. We've picked out five of our favorite independent comics to peruse while you wait for Article 50 to be enacted.
Stories set in an alternate history or reality are built from a "point of divergence," a moment at which the fictional reality veers off from our own. Germany wins World War II, Kennedy survives the assassination attempt, etc. In Watchmen that point comes in 1938. Shortly after the publication of Action Comics #1, costumed heroes begin appearing in the real world, the "factual black and white of the headlines," as Hollis Mason puts it, and history changes course.
In our reality, comics books experienced their own point of divergence on June 5, 1986, with the debut of the first issue of Watchmen by Alan Moore, Dave Gibbons, and John Higgins. Ever since then, the entire medium has been permanently altered by its startling vision and precise execution.
DC Comics’ big summer event one-shot DC Universe: Rebirth #1 goes on sale this week, and the internet is abuzz with news, reveals and spoilers concerning one of the biggest comics of the year. The one-shot by Geoff Johns, Ethan Van Sciver, Gary Frank and Ivan Reis sees the return of familiar faces from inside and outside the DC Universe, and DC is already publicizing those revelations in the press, so we’ve rounded up the biggest developments from this blockbuster story from DC-approved sources like USA Today, IGN and CBR, for those readers who want the full rundown.
If you don't want to be spoiled for any of the events of DC Universe: Rebirth #1 before the book comes out on Wednesday, go learn about some other comics you could be reading instead. Spoilers for the future of the DC Universe follow.
Dave Gibbons, born on this day in 1949, has spent over forty-five years in the comics industry and crafted a career without equal. Known for his masterful layouts and exceptional character acting, Gibbons has been an ambassador for the UK comics scene around the world, and is truly a living legend in the industry.
On this day in 1971, DC Comics published House of Secrets #92 which featured, among such stories as “After I Die and “Trick or Treat”, the debut of the soon-to-be iconic character Swamp Thing. Created by Len Wein and Bernie Wrightson, Swamp Thing is one of DC’s most recognizable horror characters, and over the years he has been used as a vessel to tell some of comics most unique stories.
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