Marvel is getting back into the cosmic book business with its next epic crossover event (between the current one and the one after, I mean); The Black Vortex. Announced at New York Comic-Con this past weekend, the event bring together the Guardians Of The Galaxy with all of Marvel's current outer space books -- plus increasingly frequent visitors the All-New X-Men.
The event was devised by Legendary Star-Lord writer Sam Humphries, who also kicks things off with Black Vortex: Alpha in February, with art by Ed McGuinness. ComicsAlliance spoke to Humphries to find out more about the ancient artifact at the heart of the story that will pit heroes against heroes and spark up a different kind of space race.
Marvel is planning its first big cosmic event since the end of the Dan Abnett/Andy Lanning-penned Annihilation/War of Kings cycle that ran from 2006 to 2010. (Or last year's Infinity, if you count that, but that was all about Earth, so we don't.) Black Vortex will cross over between Guardians of the Galaxy, the space-bound All-New X-Men, Cyclops, Legendary Star-Lord, Nova, Captain Marvel, and more.
Marvel also announced Operation S.I.N., by Kathryn Immonen and Rich Ellis, which serves as both a prequel of sorts to the recent Original Sin event and a tie-in to Marvel's Agent Carter TV show; and Kanan: The Last Padawan, a five issue mini series also written by Greg Weisman and illustrated by Pepe Larraz, tying in to the Star Wars: Rebels animated series.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
August offers a feast of shape and color, with striking covers by Scott Fischer, Victor Santos, Chrystin Garland, and Tula Lotay, some bold juxtaposition, and a quirky take on a pulp archetype or two -- including a Nazi airship and some poor sap being held in a giant hand. It's a classic!
We like diversity here at ComicsAlliance. We've said it before, and we'll say it again. We're also big fans of superheroes, and that probably goes without saying.
We especially like diversity with our superheroes. Diversity broadens the genre's reach, encourages respect and understanding of people's differences, and gives minority audiences more chances to see themselves in fiction, and those are all great things. Because of this, we've come up with a new way to look at diversity in superhero comics - particularly team books. We call it the Harvey/Renee Index.
Getting all the way to issue #25 without a relaunch is a legitimate accomplishment for a Marvel Comics series in 2014, so the publisher and writer Brian Michael Bendis are doing it up big for next month's All-New X-Men #25, with a more than formidable list of contributing artists.
When Marvel announced the concept of All-New X-Men, we were sceptical. A comic book about the original teenage X-Men in the present-day Marvel Universe felt like a crazy idea for a miniseries, much less an ongoing. Yet Brian Michael Bendis and Stuart Immonen won us over; All-New X-Men is solid entertainment, earning a spot in ComicsAlliance's list of the Best Comic Books of 2013.
And yet, 15 months and 24 issues later, Marvel Girl, Beast, Iceman, Cyclops and Angel are still with us, and we're still kind of waiting for the other shoe to drop. Is this really the new status quo? Is it really sustainable to have two different versions of so many major characters rocking around the Marvel Universe?
Back in 1997 Toy Biz released the first-ever Classic X-Men box set modeled after the team's debut 1963 appearance in Stan Lee and Jack Kirby's X-Men #1. I loved that set so much that I managed to go through two of them (Angel lost his wings after some dangerous aerial maneuvers, Iceman accidentally shed a few arms, etc.). Some 17 years later Hasbro will assemble action figure versions of the team yet again with its own All New X-Men Marvel Legends Box Set, putting a more modern 6" spin on the blue and yellow-suited lineup of Cyclops, Jean Grey, Iceman, Angel and Beast.
Coming off the "Battle of the Atom" storyline, the All New X-Men are entering "The Trial of Jean Grey." A crossover between Guardians of the Galaxy and All-New X-Men, the story features the original X-Men, brought into the present from the past, dealing with an alien race that has decided to put Jean Grey on trial for the crimes of the Phoenix, which she has yet to commit in her own timeline.
For the variant covers to the series, Marvel has enlisted veteran artist Dale Keown. Perhaps best known for his work on The Incredible Hulk in the early '90s, Keown is not quite as prolific with interior comics art as he once was, but he's still occasionally producing cover work for Marvel, in addition to his creator-owned comics. For this series, Keown has produced variants for each issue -- taking place in All New X-Men #22-24 and Guardians of the Galaxy #11-13 -- with each piece spotlighting a member of each team. And, yes, Angel and Angela are paired up, because of course they are.
You can check out the first five covers, courtesy of Marvel, below.
In the current arc of All New X-Men, the team's resident big brain Hank McCoy uses his time machine (hey, Henry, could you have mentioned you had that before?) to bring his past self to the present day (in apparent violation of Marvel's own time travel rules, but rules are totally bor
With their Marvel NOW initiative set to start this fall, Marvel is beginning to roll out interior art for some of its most anticipated titles, including the November 7 release of All-New X-Men #1. Written by Brian Michael Bendis with art by fan-favorite artist Stuart Immonen, All-New X-Men features the original team -- Cyclops, Marvel
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