In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
Batman - Page 4
Q: Beyond the whole "kid's POV" character thing, why do we love Robin so much? We should be horrified by his existence. -- @TheDwightSteel
A: All right, first of all, if you're going to be horrified by the kind of child endangerment that's necessary for Batman to take a kid sidekick along to fight murder clowns and crossword robberies, then I have some bad news for you about pretty much every other adventure story that involves children. The sheer number of criminal charges over Scrooge McDuck's dubious employment of his nephews would keep Duckburg's courts busy for a decade, and Hogwarts? That place is a deathtrap just based on the idea of sending ten year-olds onto staircases that move of their own volition, let alone the part where they've got magic death snake hiding in the plumbing. And if we ever get around to Pokémon, well... You're probably going to want to sit down for that one.
But really, that danger ends up being a pretty big part of what makes Robin work, although there's a little more to it than that.
DC's current “The Final Days of Superman” crossover, taking place across the entire line of Superman titles, has produced some really great comics. Written by Peter J. Tomasi with art by Doug Mahnke and Mikel Janín and others, the crossover has Superman putting his affairs in order ahead of his impending death due to a terminal condition he recently developed.
The most recent installment of the crossover in Batman/Superman sees Superman, Batman and Wonder Woman on the trail of an imposter Superman who believes himself to be the real deal, and their trail leads them to China. Once there, they’re confronted by The Great Ten, and we get our first glimpse of a new hero we’ll be seeing more of very soon as part of DC Rebirth.
When I was writing a 1200-word attempt to define the proper length of Batman's ears earlier this week, I mentioned that comic book readers love details. It's true of every fandom, I suppose, whether it's memorizing sports statistics or listening for the differences between the demo and album versions of your favorite song, but with superhero comics, it tends to be a little different. These are, after all, stories that are meant to go on forever, where every story is meant to feel important to the ongoing narrative. Exploring and examining the details is one of the best ways to add significance, giving a deep and complicated history to every single element that makes up a character. Every now and then, though, I think we can all agree that it goes a little overboard.
I mean, it's been a few years since it happened, but I'm still not sure that we ever needed an origin story for Barry Allen's bowtie.
With the release of last week's Batman #50, Scott Snyder and Greg Capullo's tenure as the creative team behind the Dark Knight's flagship title has come to an end. It was a run that had some of the biggest, weirdest stories in Batman's history, uprooting the history of Gotham City, sending Batman's origin story through an apocalyptic disaster ruled over by the Riddler, and pitting Batman against an entire city full of Jokerized Gothamites. And, of course, it also gave us some pretty great covers from Capullo, Danny Miki and FCO Plascencia.
But if you ever looked at those covers and thought "Huh, I wonder what that would've looked like if it happened on Batman: The Animated Series," a thought I have about literally everything I see, then artist Rick Celis has your answer.
Some of the most intense debates over minor comic details often come from one single element of the superhero genre: Batman's costume. Yellow oval or black bat? Belt pouches or capsules? Blue and grey or all black? With as many variations as there have been on one of the most iconic looks in history, there's no shortage of things to argue about, and today, we're going to settle one of the most long-lasting debates: How long should Batman's ears be?
So on the one hand, the "Premium Format" figures from Sideshow are sculpted with a realism that's almost frightening. If you're not expecting to see them lurking on a bookshelf, you can very easily glance at them and think that your home is currently being invaded by foot-tall versions of Batman and Catwoman who stepped right off the television screen. But on the other hand, having a home that's being attacked by tiny Batman characters is kind of everything that I've ever wanted in my life.
It's a good thing, then, that Sideshow just released photos of their newest Premium Format figures: Batman, based on Adam West, and Catwoman, based on Julie Newmar, going up for pre-order this week.
Batman: The Killing Joke is notable for being an adaptation of Alan Moore’s seminal graphic novel and for adapting that work without losing any of the brutality of the source; it was the first Batman movie to be rated R by the MPAA. Sadly, that’s about all it looks notable for based on this new trailer, which looks pretty awful.
Despite every attempt I've made to stop it, there's still a discussion that crops up every now and then about Batman's methods. There are people out there, people that I will never understand, who for some reason think it would make for a better story if Batman gave all of his money to charity instead of spending it on bat-shaped airplanes and rocket cars, as though there are problems that can't be solved by owning a bat-shaped airplane.
But even though I definitely don't agree, I will concede that the Dark Knight's crimefighting methods are occasionally a little dubious. Like, say, that time that Batman investigated an attempted murder by pretending to be a ghost and then yelling at someone about a bad review in the latest issue of Consumer Reports. That one was pretty weird, even if it's hard to argue with the results.
Ever since he made his debut in 1940's Batman #1, the Joker has been the arch-criminal among arch-criminals, the one villain who can truly lay claim to being Batman's nemesis. As a result, he's made quite a few appearances across other media, serving as the antagonist in movies, television, and even a handful of video games.
Now, with Jared Leto set to take the role with a new interpretation rooted in questionable tattoos and on-set method-acting antics, it's time for us to finally sit down and figure out where we stand. For that, we turn to you, dear reader, as we ask that you cast your vote to tell us which mass media Joker performance is the undisputed best!