October traditionally marks the end of the summer con season, when retailers, creators and exhibitors return to their caves for hibernation, secure in the knowledge that they have done everything they can to promote their wares. But before we all get our rest, the fitful sleep before the rattling of chains in January that signals the first email about registering for San Diego, there's one last stop: New York Comic-Con, coming at you on October 8 through 11, complete with a very fun roster of variant covers!
In addition to getting Andy Kubert's art for Dark Knight III on the cover of the con program, DC is marking the occasion by offering up six exclusive variants that you can grab at the Javits Center next month. But if you're not going to be there, don't worry too much: You can check 'em out right here.
Not everyone can make it to San Diego Comic-Con to see what's happening in person, but ComicsAlliance has you covered! We know that it's not just about the news that comes out of the biggest con of the year --- it's also about seeing the booths, checking out new collectibles, and putting faces to names of your favorite creators. Thankfully talented photographer Pat Loika is on hand to document as much as he can for your enjoyment.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at the best Catwoman comics.
Image Comics held its now traditional pre-San Diego one-day show on Thursday at the Yerba Buena Center for the Arts in San Francisco, and unveiled an impressive roster of new titles for the coming year that includes new work by familiar names such as Warren Ellis, Jason Aaron and Gail Simone; plus an encouraging number of relative newcomers and unknowns. Check out our rundown of all the news and announcements.
Created by Robert Kanigher and Sheldon Moldoff, Poison Ivy first graced the comic page back in the historic year of 1966, when The Sound of Music won Best Picture and England somehow won the World Cup. Her first appearance was in Detective Comics #181, and since then the character has remained a constant thorn in the Dark Knight's side.
The impending relaunch of Archie is almost upon us, and that can mean only one thing: variant covers, including retailer exclusives from some of the country's most prominent comic shops. Yes, when Mark Waid and Fiona Staples kick off their new take on Riverdale's favorite son next month, their story will be wrapped up in not one, not two, but seventeen different covers, each one made for a specific store.
Within hours of Mad Max: Fury Road hitting theaters, Tumblr, Twitter, and Instagram exploded with fan art featuring the neon wasteland desert and its high octane inhabitants. One character, though, inspired artists like no other --- Imperator Furiosa, the steely warrior of Immortan Joe's army. ComicsAlliance has compiled a collection of our favorites, including a brand-new piece by the talented Greg Ruth, and an exquisite black and white sketch by Jamie McKelvie.
I have weird feelings about Fight Club, both the 1996 novel and 1999 movie adaptation. On the one hand, they're clever. Exceedingly clever, and I love clever. They have great dialogue and a twist that can really get you. The movie is visually stunning. And yet, there's the big question: "What exactly is this trying to say?" Is it a satire and indictment of macho behavior, or a (perhaps unwilling) endorsement of it?
The first issue of author Chuck Palahniuk's comics sequel to his book with artist Cameron Stewart (though in some ways, it seems to be more of a sequel to the movie) is in every way a continuation of that. It's clever, it's gorgeous, and it isn't entirely clear what it's trying to get across.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.
Things got interesting over the past few days for comics folks who keep their ear to online skirmishes over how welcoming comics is or isn't --- and how welcoming comics should be in the first place. Between the new Killing Joke-inspired and tonally jarring cover to Batgirl #41 (which was just pulled at artist Rafael Albuquerque's request, and in line with the creative team's wishes) and Erik Larsen going on a Twitter rant about comics pandering to a "vocal minority" that in his mind wanted superheroines covered up, it would be easy for readers interested in the new world order of "comics for everyone" to feel discouraged. After all, if some of the decision-makers at DC and one of the owners of Image Comics don't get it, how can we expect everyone else to get it? The answer is easy: we move on without them.
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