Created by Robert Kanigher and Sheldon Moldoff, Poison Ivy first graced the comic page back in the historic year of 1966, when The Sound of Music won Best Picture and England somehow won the World Cup. Her first appearance was in Detective Comics #181, and since then the character has remained a constant thorn in the Dark Knight's side.
Cameron Stewart - Page 2
The impending relaunch of Archie is almost upon us, and that can mean only one thing: variant covers, including retailer exclusives from some of the country's most prominent comic shops. Yes, when Mark Waid and Fiona Staples kick off their new take on Riverdale's favorite son next month, their story will be wrapped up in not one, not two, but seventeen different covers, each one made for a specific store.
Within hours of Mad Max: Fury Road hitting theaters, Tumblr, Twitter, and Instagram exploded with fan art featuring the neon wasteland desert and its high octane inhabitants. One character, though, inspired artists like no other --- Imperator Furiosa, the steely warrior of Immortan Joe's army. ComicsAlliance has compiled a collection of our favorites, including a brand-new piece by the talented Greg Ruth, and an exquisite black and white sketch by Jamie McKelvie.
I have weird feelings about Fight Club, both the 1996 novel and 1999 movie adaptation. On the one hand, they're clever. Exceedingly clever, and I love clever. They have great dialogue and a twist that can really get you. The movie is visually stunning. And yet, there's the big question: "What exactly is this trying to say?" Is it a satire and indictment of macho behavior, or a (perhaps unwilling) endorsement of it?
The first issue of author Chuck Palahniuk's comics sequel to his book with artist Cameron Stewart (though in some ways, it seems to be more of a sequel to the movie) is in every way a continuation of that. It's clever, it's gorgeous, and it isn't entirely clear what it's trying to get across.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.
Things got interesting over the past few days for comics folks who keep their ear to online skirmishes over how welcoming comics is or isn't --- and how welcoming comics should be in the first place. Between the new Killing Joke-inspired and tonally jarring cover to Batgirl #41 (which was just pulled at artist Rafael Albuquerque's request, and in line with the creative team's wishes) and Erik Larsen going on a Twitter rant about comics pandering to a "vocal minority" that in his mind wanted superheroines covered up, it would be easy for readers interested in the new world order of "comics for everyone" to feel discouraged. After all, if some of the decision-makers at DC and one of the owners of Image Comics don't get it, how can we expect everyone else to get it? The answer is easy: we move on without them.
Last year at San Diego, Dark Horse announced that Fight Club would be joining Dredd and Serenity in that rare pantheon of non-comics stories with official sequels in comics form. Written by Fight Club's creator, novelist Chuck Palahniuk, and drawn by Cameron Stewart, the comic takes place ten years after the events of the original Fight Club, when the unnamed narrator of the film is married to Marla Singer and suffering through the exact sort of tedious existence that he and his alter-ego railed against.
Now, thanks to our smoking-jacketed friends at Playboy, we can finally see exactly what the comic is going to be like in a six-page preview, where it is revealed that Palahniuk and Stewart are actually the same person. Uh... spoiler warning, I guess?
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Sex Criminals co-creator Chip Zdarsky and Infinite Kung Fu author Kagan McLeod plan to take readers to colorful, strange, and rather gay new worlds with their new Image ongoing title Kaptara this April. Announced by Zdarsky himself and Image publisher Eric Stephenson at the one-day Image Expo in San Francisco on Thursday, the book sees a waylaid earthman sent on an odyssey through peculiar worlds inspired by the action figures of the 1980s, on a mission to save his home planet.
The two Toronto-based writer-artists have known each other for years, and as they told ComicsAlliance, the roots of this collaboration go back to the studio they once shared. Kaptara is written by Zdarsky and illustrated in full color by McLeod, an acclaimed magazine illustrator making his return to comics. The story offers echoes of Flash Gordon and John Carter, and of Brian K. Vaughan and Fiona Staples' Saga, only... gayer. More gay. ComicsAlliance met with the team to find out just how gay, and to get the ball rolling on Motivational Orb mania.
The fourth issue of Multiversity, Thunderworld Adventures, with art by Cameron Stewart, colors by Nathan Fairbairn and letters by Steve Wands, was initially described by Morrison as taking the All Star Superman approach to Captain Marvel. Set on Earth-5 — previously Earth-S in the pre-Crisis on Infinite Earths DC Multiverse — it's far more evocative of the original Fawcett Comics incarnations of these characters than any versions that have been in the DC Universe since.
Lighthearted and fun, with gorgeous art by Stewart and Fairbairn and a lettering style from Wands evocative of the neo-C.C. Beck take Jeff Smith took in his recent Monster Society of Evil prestige miniseries, it's the anti-Pax Americana in tone, subject matter and symbolism, while maintaining a consistency of message and intent.