If you've been keeping up with the events of Bloodshot Reborn, then you already know that Ray Garrison isn't the only person to ever be modified into the unstoppable soldier known as Bloodshot. In the current "Bloodshot Island" story arc, readers have seen prototypes that date back almost a hundred years --- including a dog named Bloodhound, which is a pretty solid contender for the Sensational Character Find of 2016.
But in October, it seems that writer Jeff Lemire and artist Doug Braithwaite are taking that idea to the next level with Bloodshot USA, a four-issue miniseries that finds Project Rising Spirit releasing its nanites on New York City --- and turning the entire island of Manhattan into Bloodshots.
Okay, first of all, that's not what we mean by "adult." Get your mind out of the gutter.
No, these are variant covers for DC's January titles that are jumping on the hot new trend of coloring books marketed to adults. It might sound a little childish, but the act of taking crayons to a piece of paper can be really soothing and help manage anxiety. The only real problem with them is that unlike their kid-oriented counterparts, the ones marketed towards grown-ups tend to suffer from a distinct lack of superheroes, instead relying heavily on boring ol' geometric patterns and shapes. Shapes! Who in the world is relaxed by shapes?!
It seems NBC’s unusual attempt to get back into the comic business after Constantine was just the tip of the iceberg, and the latest will literally have you seeing red. Calling all retired geriatric super-spies: Red is officially coming to TV with a new hourlong drama from the star-studded films’ creators.
If there's one great thing we've gotten out of DC's Convergence event, it's that it has provided a unique and welcome opportunity for creators to return to characters from a very specific time, giving them one more opportunity to set a few things right and give readers a little bit of fanservice along the way. For me, the most anticipated part of that was being able to see Greg Rucka return to Renee Montoya alongside artist Cully Hamner in Convergence: The Question.
To mark the occasion, I spoke to Rucka about his return to the Question, following up on our in-depth interview about Batman and Gotham Central. In the second part of our two-part interview we talked about Renee Montoya's unraveling life, her transformation into The Question, and her search for inner peace, as well as her disappearance in the New 52 and her return in Convergence. This interview contains spoilers for Convergence: The Question.
That sound you just heard is the sound of one million Tumblrs updating.
On Tuesday morning DC announced titles, teams, and plot outlines for ten of its forty planned two-issue Convergence mini-series, which will coincide with the publisher's big event comic next spring and take the place of its regular monthly output. From the looks of it, there's plenty of fan-service involved for people who loved pre-New 52 DC continuity.
Not only is Renee Montoya getting her own two issues as The Question, written by Greg Rucka -- who initially put Montoya in that role -- and drawn by Cully Hamner; but there's a Stephanie Brown Batgirl series, a Nightwing/Oracle wedding story, a Wally West story, a Superman/Lois Lane marriage series, a Bruce/Damian Batman & Robin series, and so on.
In the process of writing my article about muscles vs curves, and how the big dudes of superhero comics typically fail to represent the tastes of most androphile women, I gathered a collection of images and recommended artists from my correspondents that illustrate the sort of art they'd love to see more of -- but which there's sadly very little of compared to all the T&A fan-service targeted at straight men.
I had far too many recommendations to put in the article, so I've compiled the collection (and a few personal favorites) into a very special one-off post. The collection includes pin-ups, fan art, sketches, and some traditional superhero art from artists who aren't afraid to put a little male eye candy in their work!
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
The Retired, Extremely Dangerous agents and assassins of the world are back for another absurd action comedy this summer, as the first trailer for RED 2 -- the sequel to the surprise hit movie based on Warren Ellis and Cully Hamner's 2003 comic -- hits the Internet...
Comics writer Mark Waid (Daredevil, Irredeemable) has been uncommonly evangelic about the prospects of digital comics for a while -- I know because I had the privilege of joining Waid for an extended chat on the subject last year, when he was already talking about experimenting not just with digital comics business models but also digital comics storytelling...
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