When Marvel first announced an ongoing Scarlet Witch series from writer James Robinson, there was a conspicuous lack of an artist attached. On the one hand, it was a bad sign; announcing books without artists tends to devalue the role of artists. On the other hand, it was also a good sign; it spoke to Marvel's efforts to put the right artists on the right books, and perhaps specifically to assign diverse talent to diverse books, like artist Natacha Bustos on Moon Girl & Devil Dinosaur, and writer Jose Molina on the Santerians revival.
To that end, a lot of fans were hoping Wanda Maximoff's first solo series would not come from an all-male creative team. The good news is that those fans have got their wish, with Vanesa R. Del Rey now joining Robinson on the title. The bad news is that it's only for one issue.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
This weekend at New York Comic-Con, Marvel unleashed a host of announcements, revealing new series and projects galore. One of the most fascinating bits of news came out of Sunday's 'Axel-In-Charge' panel, where the Marvel editor-in-chief announced a new ongoing Hawkeye series launching in March 2015, from the creative team of Jeff Lemire and Ramón Peréz.
The book follows hard on the heels of the current critically acclaimed run on the title by Matt Fraction, David Aja and Annie Wu, and while the new series will continue to focus on the characters of Clint Barton and Kate Bishop, Lemire and Perez are determined to tell their own story in their own way. We spoke to the creative team to find out more.
In the process of writing my article about muscles vs curves, and how the big dudes of superhero comics typically fail to represent the tastes of most androphile women, I gathered a collection of images and recommended artists from my correspondents that illustrate the sort of art they'd love to see more of -- but which there's sadly very little of compared to all the T&A fan-service targeted at straight men.
I had far too many recommendations to put in the article, so I've compiled the collection (and a few personal favorites) into a very special one-off post. The collection includes pin-ups, fan art, sketches, and some traditional superhero art from artists who aren't afraid to put a little male eye candy in their work!
Hawkeye is building ever closer to its apparent end (next month's issue is "The Finale Part 1"), and from the looks of the issue coming out this week, things are building to a head.
Hawkeye Kate Bishop, who took off to start her own private investigation firm in L.A. a few issues back, is looking for a way back to New York in issue #20 to help out also-Hawkeye Clint Barton, who readers last saw in the jam of all jams, and trying to assemble all the help he could get. But, of course, it isn't going to be easy. She's got cops breathing down her neck and one very angry supervillain in a mask attempting to bring her down.
Check out four pages (plus a recap) from the issue by Matt Fraction, Annie Wu and Matt Hollingsworth, plus a cover by David Aja, below.
This week, Chris and Matt gush about the amazing work Matt Fraction, David Aja, Matt Hollingsworth and Chris Eliopoulos do on the highly experimental and enjoyable Hawkeye #19. Then they talk about the Brian Buccellato-written Detective Comics Annual #3, which features collaborations with a whole slew of artists. Speaking of big groups of artists, they then pivot to talking about the new Vertigo series Bodies, which is written by Si Spencer and has art by Meghan Hetrick, Dean Ormston, Tula Lotay and Phil Winslade.
The 2014 Will Eisner Comic Industry Awards ceremony took place Friday 25th July in the Indigo Ballroom at the Hilton San Diego Bayfront, as part of San Diego Comic-Con. It was a good night for Saga, Hawkeye, and the Hernandez brothers. Presenters included Orlando Jones, Reginald Hudlin, Matt Fraction and Kelly Sue DeConnick, Sergio Aragonés, Phil LaMarr, and Kevin Eastman. ComicsAlliance has a full list of winners, as well as the other nominees in each category.
Last month, ComicsAlliance launched its first ever Reader Choice Awards. We spend all year telling you what we like (and don't like), but we wanted to hear from you. We had seven different polls, asking voters to make their choices for best editor, colorist, writer/artist, cover artist, design, artist and writer for the previous year in comics.
Voting concluded this morning, and the results are in. Thanks to all of you who voted, and otherwise spread the word. You can check out a list of the winners below.
On sale this week from BOOM! Studios is the first issue of Day Men, a new series that introduces readers to the human helping hands of the violent vampire elite who rule the world in secret. Written by Matt Gagnon (Freelancers) and Michael Alan Nelson (Supergirl), Day Men is a cool organized crime-tinged take on the enduringly popular vampire genre, but the major selling point for the series is that it marks the return to monthly comics of one of the American industry’s most talented but elusive artists: Brian Stelfreeze. Does the final product live up to the auspicious occasion? Yes and no, but that it exists at all might be more important.
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