This week DC kicks off the crossover event story "Robin War" in a comic book entitled, appropriately enough, Robin War #1. The storyline will wind through this month's issues of Grayson, Detective Comics, We Are Robin and Robin: Son of Batman, while this month's issues of Gotham Academy, Red Hood/Arsenal and Teen Titans will all tie-in to the events of the storyline. It all wraps up in next month's Robin War #2.
To help you tell your Red Robin from your Red Hood, and your Robin, singular, from your The Robins, plural, we've assembled a handy guide to the major players in "Robin War"...
Many of comics’ most popular characters have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most significant characters decade by decade. This week, we’re taking a look at the best Joker comics.
One of the most pleasant surprises of the New 52 relaunch was Francis Manapul and Brian Buccellato's run on The Flash. With clever, Will Eisner-inspired titles pages and chaotic compositions that emphasized movement rather than structure, Manapul's layouts were impressive without being superfluously...flashy. Eye-popping, complex designs weren't slathered across every page; they were saved for the moments when it best served the story. So it's not too much of a surprise that his work on Detective Comics looks completely different.
Where The Flash was colorful and kinetic, the current story in Detective Comics is a dark mystery, and appropriately, Manapul takes a different approach.
Earlier this week, Matt Maxwell posted the cover of Detective Comics #426 on the always-fantastic Intrapanel Tumblr, and ever since, I've gotten a a few people asking just what exactly is going on in that story. It makes sense that they would, too -- as Maxwell quite rightly points out, it's one of the best examples of the "I Have Got To See What's Happening In This Story" school of cover design that served DC so well in the Silver and Bronze Age.
Still, as much as those comics usually made the reader ask questions, very few of them went as far as having Batman sitting there holding a loaded gun to his head with a suicide note, apparently getting ready to blow his own head off. It's a hell of a cover, but as you might expect, it's not exactly what happens in the actual story. It turns out, what happens there is even weirder.
With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2001, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.
This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview, and today, we start off with a look back at the writer's work on Batman and Detective Comics, discussing how he got the jobs, how Batman got him back into reading superhero comics, and the surprising character he picks out as a favorite.
If you've been wondering why people have been asking you "a/s/l?" all day and then following it up with a friendly "haha nice," it's because it's Cyber Monday! Today, we all set aside a little time for the tradition of shopping as our ancestors did so many snowy winters ago: on the internet in pajamas. Truly, it is the most wonderful time of the year.
To that end, a lot of your favorite online retailers are having sales today, including the digital comics retailers at Comixology! In fact, there's so much on there that we have decided to take it upon ourselves to guide you to the best of Comixology's Cyber Monday Sale!
To say that Greg Rucka had a profound impact on DC Comics in the 21st Century is underselling things quite a bit. After arriving on the scene in the late '90s, he became one of the few writers to have written all three of DC's biggest characters, with critically acclaimed runs on Action Comics and Wonder Woman. It was on Batman, however, where he made his biggest impact, as one of the writers for the year-long No Man's Land crossover, the relaunched "New Gotham" era of Detective Comics, and cowriter of the enduringly influential Gotham Central.
In part one of our in-depth interview, Rucka discussed his early Batman work including the epic "No Man's Land" megaseries. Our chat continues today as he looks back on becoming the regular writer of Detective Comics, speaking very candidly about trouble with DC editorial, his creation of Sasha Bordeaux, and the comic he and Rick Burchett created that he considers to be a perfect done-in-one issue.
If you need an incentive to help a two-year-old boy with his leukemia treatment beyond basic human decency, how about an original page from one of the best Batman stories of the past decade?
An eBay seller is auctioning off the above page from Detective Comics #871, the first part of the acclaimed "The Black Mirror" storyline by Scott Snyder and Jock, to help a little boy named Nathaniel, who has acute lymphoblastic leukemia. Jock himself donated the art for the auction.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
This week, Chris and Matt gush about the amazing work Matt Fraction, David Aja, Matt Hollingsworth and Chris Eliopoulos do on the highly experimental and enjoyable Hawkeye #19. Then they talk about the Brian Buccellato-written Detective Comics Annual #3, which features collaborations with a whole slew of artists. Speaking of big groups of artists, they then pivot to talking about the new Vertigo series Bodies, which is written by Si Spencer and has art by Meghan Hetrick, Dean Ormston, Tula Lotay and Phil Winslade.
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