Next year will be the year of the Iron Fist, as Netflix launches its final solo Defenders series of the same name starring Finn Jones, and to capitalize on that, Marvel is launching a new Iron Fist ongoing next March.
Written by Ed Brisson with art by Mike Perkins, the series sees Danny Rand picking up the pieces after K'un Lun was destroyed, and discovering there's more than he ever knew to the history of the Iron Fist.
Yesterday, Fabian Rangel Jr and Javier Caba launched a Kickstarter for their upcoming original graphic novel Blood Brothers (Los Hermanos Sangre); today we learn that the comic is just the first part of a much larger plan, as a number of popular independent creators have come together to launch self-publishing imprint Two-Headed Press, or 2HP.
If you’d told me a few years ago that outstanding science fiction could be spun out of a reboot of an old Rob Liefeld comic with that one guy with the swords who grimaces a lot and has padding glued to his face, the first question I’d have to ask is, "Which one guy with the swords was that? There were a couple."
The answer would be Prophet, one of the most fruitful experiments to come out of the 2012 retooling of the defunct Extreme Studios line, and one of the most genuinely enthralling sci-fi comics of the past decade.
Marvel's next big line launch was formally unveiled this week via a special edition of Marvel Previews, including new #1s for Avengers, Venom, Captain Marvel, and Star-Lord, new launches for Champions, Jessica Jones, Kingpin, Bullseye, Slapstick, and Solo, and new concepts in Occupy Avengers, Iron Fists, Mosaic, Infamous Iron Man, and Unstoppable Wasp.
Following our roundtable discussion of DC Rebirth, the ComicsAlliance team got together to break down the highs and lows of the new Marvel NOW. Join Elle Collins, James Leask, Katie Schenkel, Kieran Shiach, and Andrew Wheeler as they pick out the books they're most excited about and the books they're concerned about, and discuss Marvel's approach to legacy heroes and the state of diversity at Marvel today.
This week marked the final issue of Batman & Robin Eternal, and while we're still close enough to it that the honeymoon has barely even started, let alone ended, I'm pretty sure that I can declare it to be my all-time favorite weekly DC project.
The shorter run benefited the project, but it was the story that made this comic great. It weaved its way through Batman's long history of sidekicks --- a history that pretty much introduced the very concept of sidekicks to the world of superhero comics --- and ended up looking at Batman, Robin, and what those characters mean, in a way that I'm not sure any other story has.
Since the first issue hit stands earlier this year, Joe Keatinge and Leila del Duca's Shutter has established itself as one of Image's most popular new titles. The tale of Kate Kristopher, a world-famous ex-explorer who gets embroiled in all manner of mystery and adventure, it's been winning over readers with its idiosyncratic blend of science fiction, urban fantasy, and good old-fashioned derring do.
With the first paperback collection released this week, ComicsAlliance sat down with the series' creators to talk about developing the world's characters, the story so far, and pushing the limits of their self-created reality.
One of the best things about digital comics is that you can read them online pretty much anywhere, but sometimes, every now and then, you want to read them in print. Whether it's the extra features that inevitably come with a printed collection, the texture of paper or just the comforting reminder that physical objects exist and you are therefore not alone and isolated in a formless void, printed webcomics have a lot to offer today's discerning reader, and Dark Horse is stepping up to give you three of the most exciting collections of the year.
Set for release next spring, Eisner winning digital comic Bandette and the webcomic Polar: Eye For An Eye are returning to Dark Horse for the book trade customers, but the third, Murder Book is a newcomer, and it looks awesome.
Canada is comics’ secret super-power. As far back as 1938, when Toronto-born Joe Shuster created Superman with Cleveland’s Jerry Siegel, Canada has been a vital partner -- a Wild Child to America's Sabtretooth. (Age of Apocalypse version.)
”We have so many great artists and writers to choose from, it’s such an embarrassment of riches,” says Ty Templeton, a writer and artist who has worked for most major publishers and on most big name characters, and who knows just about everyone in the business. When he says Canada's creative community boasts an embarrassment of riches, he knows what he's talking about. So on this beautiful and proud Canada Day, we at Comics Alliance have to ask; why hasn't a Canadian creative team ever taken on Canada's best-known superhero team, Alpha Flight?
Image Expo is over, but that doesn’t mean the publisher is out of announcements. If you just finished getting caught up on all the upcoming projects revealed at the show (no judgment on taking two weeks – it was a long list), then you’re just in time for the latest Image announcement: The Field. A four issue miniseries from creators Ed Brisson and Simon Roy, The Field promises to feature, among other things, an ex-bible salesman, dirty sex, meth, and at least a murder or two.
The first six serialized issues of Helheim by writer Cullen Bunn, artist Joëlle Jones, colorist Nick Filardi and letterer Ed Brisson wrapped up in August, but Oni Press has good news for all you trade-waiters out there. Helheim Volume 1: The Witch War will collect the full series into a single trade paperback this March, wrapping it all in a brand new battle-worn cover. Oni's given us a first-look at the upcoming tpb artwork by Jones and Filardi, which you can see in full after the cut.
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