If you've been to a comic book convention sometime in the past two decades, odds are pretty good that you've seen a grainy bootleg copy of Roger Corman's 1994 Fantastic Fourmovie up for sale. It's a staple of cons, largely because that's the only place you can get it -- the movie was never actually released in any format (aside from the odd YouTube upload), and remains that way to this day, even when Marvel movies are raking in the cash, which begs the question of why?
Convention wisdom is that they canned it because it's not very good, but let's be honest here: If you've ever seen that 1992 Captain America movie, you already know that's never stopped anybody before. Now, there's finally something that's set to answer the question: Doomed, a full-length documentary examining Corman's Fantastic Four and why it never actually made it to the screens.
Fox just signed a three-year, first-look deal with Simon Kinberg, a writer and producer on X-Men: Days of Future Past and the upcoming Fantastic Four movie reboot. That deal gives Kinberg the go-ahead to start up a shared universe similar to the one Marvel Studios has developed, and that DC/Warner Bros. is trying to get going.
Whether she's applying her artistic skills to expanding the land of Equestria, or illustrating Chris Sims riding on the shoulders of Batman, we're big fans of Katie Cook. Known primarily for her work on IDW's My Little Pony: Friendship is Magic, Cook is a versatile cartoonist, whose illustrations can bring a lightness and joy to any project.
And that's exactly why Marvel commissioned Cook to do Animal variant covers for three of their upcoming All-New Marvel NOW titles: Thunderbolts 20.NOW, Fantastic Four #1, and X-Force #1. You can check them out after the jump, and witness Cook finally give us the version of the Thing we never knew we always wanted -- the one where he's a train conducting bear.
Fantastic Fourends in January 2014 with issue 16. In related news, Fantastic Four kicks off with a brand-new No. 1 issue in February.
As has been the case in recent months, Marvel is starting the numbering anew as a fresh creative team comes on board. And according to USA Today, that team will be writer James Robinson and artist Leonard Kirk.
Marvel and Disney did quite a bit of work to build a cinematic universe that culminated into one big shared movie in The Avengers, and promises to do the same many times over in the years to come.
But Disney doesn't have the film rights to every Marvel character. The X-Men and The Fantastic Four are still securely under the umbrella of Twentieth Century Fox, and if Mark Millar, the creative consultant to Fox's Marvel movies has his way, they'll have a shared movie universe of their own.
"It sucks for me, too" is all Matt Fractionhad to say about the news that he's prematurelyconcluding his well regarded work on Marvel's Fantastic Four and FF titles, as revealed in the publisher's solicitations for November (which will be published later today but were sent to the comics press early yesterday). The demands of Fraction's work on Inhumanity and Inhumans are such that "something had to give," according to editor Tom Brevoort. The news is a serious bummer.
Replacing Fraction on FF will be writer Lee Allred, who according to solicits will co-write with his brother, series artist Michael Allred. That FF will remain indelibly Allred is good news, as is the fact that Fantastic Four will welcome back cartoonist Karl Kesel, whose contributions to Mark Waid and Mike Wieringo's work on the title circa 2002-2005 helped make it a classic run. Kesel will collaborate with ongoing artist Mark Bagley.
Deadline is reporting that Matthew Vaughn will produce the new Fantastic Four film for 20th Century Fox. Based on the classic Marvel Comics superheroes created by Jack Kirby and Stan Lee, the film is to be directed by Chronicle's Josh Trank and is a reboot and unconnected to the studio's previous efforts, Fantastic F
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