Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions.
In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
This Monday night, the world of comics lost one of its finest: Herb Trimpe, the legendary artist best-known for his work on innumerable Marvel titles of the '70s and '80s. He was the first person to draw Wolverine for publication, he launched Marvel's iconic G.I. Joe title, he pencilled long runs on offbeat titles like Godzilla and Shogun Warriors, and he defined the look of The Incredible Hulk for a generation of readers.
In today's polls: Tough love. Whether it's Jessica Jones and Luke Cage breaking through each other's tough shells, or the Baroness finding her way under Destro's skin, sometimes the best love stories happen when someone learns to let their guard down and invite someone else in. Of course, these can be high pressure relationships, especially when that special someone is the only man on the island or the last man on Earth.
On the one hand, the live-action G.I. Joe movies that we've already gotten are, to put it charitably, not very good. On the other hand, the first one gave us President Zartan and a straight up brutal ten minute fight scene between two nine year-olds, and the second had the RZA from the Wu Tang Clan shouting "STORM SHADOW! JINX! PREPARE FOR BATTLE!" and ended with Cobra Commander hanging out in South Carolina. At the end of the day, as bad as they are, I can't bring myself to not kind of love them, if only because they insist on being as weird as they possibly can.
Now, it seems like the third one is slated to get even weirder. HissTank.com, owners of the best possible URL for a G.I. Joe site, are reporting courtesy of FilmDivider that the villains for the third movie will be none other than the psychically linked twin commanders of the Crimson Guard, Tomax and Xamot. And if that's not enough, it's also rumored that the movie will feature Matt Trakker, leader of the Mobile Armored Strike Kommand, M.A.S.K., from the beloved (by me) but also pretty terrible '80s cartoon of the same name. In other words, G.I. Jo3 is gonna be bonkers.
There are a lot of amazing things about Tom Scioli and John Barber's Transformers vs. G.I. Joe, and one of the most amazing is that it somehow keeps getting weirder. I mean, it's been a pretty wild ride since day one, to the point where the fact that it even exists continues to be surprising, but next week, it looks like the bizarreness of a book that's already brought us the Serpentress is going to hit critical mass in an issue that opens with Snake Eyes and Duke -- who is wearing a t-shirt that says DUKE -- battling it out against Robothulhu.
Yes: The Joes are fighting a multi-faced tentacle monster floating in hot pink space, and it is amazing. Check out a preview below!
Listen, there was no way that Snake Eyes: Agent of Cobra wasn't going to be my favorite comic of the week. I mean, my love of G.I. Joe has been chronicled pretty extensively here at ComicsAlliance, and the two parts of that franchise that I love with an almost overwhelming fervor are Destro and Snake Eyes, the two characters who take the spotlight in this issue. The only way it could be closer to what I wanted out of a comic would be that if it involved Batman and pro wrestling, and since DC already put one of those out last month, it's as close as we're going to get.
But while I've been in the tank for this series since it came out, I can tell you that it's great for reasons that go beyond the starring characters. It's the continuation of a smart, slick take on the G.I. Joe franchise that kicks off with a premise that's inherently exciting. It just happens to also involve two of the best characters ever.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile Top Ten Lists of everything you could ever want to know about comics.
Under normal circumstances, I don't think that even I could recommend a $20 hardcover collection of one (1) 22-page comic book. Fortunately for me -- and unfortunately for my wallet -- "Silent Interlude" is a comic that has nothing to do with normal circumstances.
Originally released back in 1984 as G.I. Joe #21, the story is pretty uncontested as one of the all-time classics of modern comics, a "silent" story told with no dialogue, where Snake-Eyes infiltrated Destro's castle on a deadly mission to rescue Scarlett, who was busy breaking out at the same time. It's a pivotal moment for the series, setting up connection between Storm Shadow and Snake-Eyes that would become one of the driving forces of the franchise, but more than that, it's a really great comic, and this week's IDW's putting it out in a special hardcover, along with Larry Hama's original breakdowns.
Q: Hey Chris, what's the worst story from the best writer? -- @starr226
A: I've gotten this question a few times over the past few weeks, and it's one that's really interesting to me for a few reasons, the most important of which being that nobody in the history of comics has a perfect record. Once you put out more than, say, four comics, everyone from Jack Kirby on down has stunk up the room at least once in their career, and it can be really fun looking at something to try to figure out exactly why something doesn't work, when everything else from that particular creator works so well.
For me, though, as easy as it would be to hit a soft target like Alan Moore and Scott Clark's Spawn/WildC.A.T.S: Devil Day, the biggest and most surprising drop will always be Larry Hama and Scott McDaniel's surprisingly terrible run on Batman.
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