Since the launch of the New 52 reboot in 2011, DC Comics has seemingly gone out of its way to find new ways to make its superhero darker. Its current Futures End weekly comics event is one in which everything has become even more dour and depressing in the span of five (narrative) years, for example.
But there's one character that DC writer Geoff Johns simply can't view as dark, however: The Flash. In an interview with Nerdist, former Flash comics writer Johns answered a question about the lighter tone of the new The Flash TV series by saying that Barry Allen simply can't be a gloomy character.
Last week there was talk that a Supergirl TV show was in development from Arrow and Flash executive producer Greg Berlanti. This week CBS has jumped straight to a series order for the show, meaning Supergirl is just about guaranteed to make it to air (or else the network pay a hefty kill fee) -- and we can all start wildly speculating about who they'll cast as the lead and which version of the character will make it to the screen.
If you were hoping to see Arrow's Stephen Amell make an appearance as the emerald archer in Batman V Superman: Dawn of Justice or in the upcoming Justice League movie, DC Comics Chief Creative Officer Geoff Johns has some bad news for you.
"We will not be integrating the film and television universes," he said at the Television Critics Association press tour for The Flash. Seems pretty cut and dried.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week, Chris and Matt talk at length about the five concurrent stories in Geoff Johns and Doug Mahnke's Justice League #31, using Superman #32, by Johns and John Romita Jr., as a measuring stick for comparison. Once that examination is all over, they pivot to Michel Fiffe's Copra #15.
To say that I've been a pretty vocal critic of a lot of the stories that Geoff Johns has written over the past decade is putting it pretty mildly, but I was holding out a lot of hope for what he and John Romita Jr. would do on Superman when they took over the book with this week's issue. I mean, the last time Johns was the writer of a Superman book, it was with a run on Action Comics that had a thrilling cross-time adventure with the Legion of Super-Heroes; one of the best Brainiac stories ever; and a story where Superman briefly got the power of Superman Vision, a red-blue-yellow beam from his eyes that turned whoever it hit into Superman. It was fun, exciting and new in a way that Superman stories are always criticized for never being, and if Johns could return to that kind of storytelling alongside an artist that I love as much as I love Romita, I wanted to be there to read it.
With Superman #32, Johns and Romita have in fact captured a little bit of that magic. This inaugural issue is loud, it's bright, it's honest in the way that Superman needs to be, and it's definitely exciting.
The only real problem is that while it does its level best to be new, a lot of what this first issue does feels like it's going back over ground that we've already been walking on pretty recently.
Influential Marvel Comics artist John Romita Jr. begins his run on Superman with writer Geoff Johns this week, and while you'd expect this would just be another notch in the incredibly accomplished artist's belt (he's drawn popular runs with virtually every major Marvel character you can think of) he's apparently pretty intimidated by the prospect of taking on the very first comic book superhero.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he sits in his living room under a framed portrait of Destro, drinking a cup of coffee and sharing his opinion on comic books.
On this week's show, a viewer asks Chris to explain Hawkman and ends up sparking a journey through one of the most complicated histories in comics, trying to answer one simple question: Why isn't a dude who fights dinosaurs with a mace while not wearing a shirt the coolest guy ever?
So what have you been up to the ast three months? If you're penciller David Finch or inker Richard Friend, you were probably drawing liking a maniac, while avoiding daily, shouty phone calls from editors, as the seven-issue, "monthly" series Forever Evil finally shipped its final issue this Wednesday, a good three months after its sixth issue dropped. The delay has caused some trouble in DC's line, as it delayed the release of tie-in issues, and created some glitches in storytlines (Perhaps the most notable was that two issues of the series Justice League United, which picks up where Justice League of America ended, shipped before the final issue of JLoA).
To paraphrase the immortal Xzibit, "Yo dawg, we heard you like DC Comics, so we put DC Comics in your TV so you can watch comics while you read comics."
Two different networks announced today that they're picking up three different shows based on DC and Vertigo properties: Constantine on NBC,iZombie and The Flash on The CW. With Arrow headed into its third season at The CW and Gotham already in production at Fox, this fall will be filled with hour-long dramas based on DC Comics. Industry scuttlebutt is that DC Chief Creative Officer Geoff Johns is the primary force behind getting these shows this far, making today a pretty good day for the longtime superhero writer.
DC Comics' event series pitting its bad guys again some even worse guys from another universe reaches its penultimate installment this week, as the home team of villains finally takes the fight to the evil invaders from Earth-3, the evil universe! Which of course means our super-close reading of this superhero epic also reaches its penultimate installments.
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