To say that Greg Rucka had a profound impact on DC Comics in the 21st Century is underselling things quite a bit. After arriving on the scene in the late '90s, he became one of the few writers to have written all three of DC's biggest characters, with critically acclaimed runs on Action Comics and Wonder Woman. It was on Batman, however, where he made his biggest impact, as one of the writers for the year-long No Man's Land crossover, the relaunched "New Gotham" era of Detective Comics, and cowriter of the enduringly influential Gotham Central.
In part one of our in-depth interview, Rucka discussed his arrival in Gotham with the popular "No Man's Land" megaseries. In part two, the writer detailed his involvement in the "New Gotham" revamp of 2000, including the Bruce Wayne: Fugitive saga, the introduction of Sasha Bordeaux, and the difficult transition from longtime Batman group editor Dennis O'Neil to Bob Schreck. Today we finish our three-part interview series with a look at Gotham Central, the book that focused on the non-superhero police detectives of Gotham City. Rucka speaks at length about how looking at Batman from the outside changes how the character works, the nature of collaboration with series co-writer Ed Brubaker and artist Michael Lark, and how the book produced one of the greatest Joker stories of all time.
If you were paying attention to the Internet while you were watching Agents of S.H.I.E.L.D. on Tuesday night, then you saw the latest volley in the ongoing war between DC and Marvel for control of mass media. This time, it was an announcement, perfectly timed to coincide with S.H.I.E.L.D.'s debut, of a new television series focusing on the origin story of Gotham City's Commissioner Gordon. And as you might expect, like a lot of people, I've got an opinion on the matter.
Look: We all know that there's nothing that says "entitled Internet fan" more than rushing to breathlessly praise or angrily condemn a piece of media that does not technically exist yet, but as long as people are going to be talking about it, we might as well take our shots. And since I'm someone who clearly hates everything, I'm going to go ahead and take my position: doing a TV show about Jim Gordon in the years before he meets Batman is not a very good idea. Now let's fight about it!
Whenever music cognoscenti talk about sixties art-rockers The Velvet Underground, there's a saying they like to throw around: "The Velvet Underground didn't sell that many records, but everyone who bought a record started their own band
You can't recommend a comic to someone without context -- a broader sense of what they enjoy, in both comics and other media. In the Rec Room, ComicsAlliance uses the graphic novels, books, television and movies that you do know as a gateway to the great comics that you don't.
It appears that you already have an account created within our VIP network of sites on . To keep your points and personal information safe, we need to verify that it's really you. To activate your account, please confirm your password. When you have confirmed your password, you will be able to log in through Facebook on both sites.
*Please note that your points, prizes and activities will not be shared between programs within our VIP network.
Welcome back to Comics Alliance
It appears that you already have an account on this site associated with . To connect your existing account with your Facebook account, just click on the account activation button below. You will maintain your existing profile and VIP program points. After you do this, you will be able to always log in to http://comicsalliance.com using your Facebook account.