Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
DC Collectibles kicked off San Diego Comic-Con 2015 with a preview event highlighting many of the bigger figures and series we'll be seeing over the course of the next 12 months. From continued support for the Icons and TV series lines to new Designer Series figures and Batman vs. Superman: Dawn of Justice pieces, there's a little bit of something for everyone in DC Collectibles' plans.
As cool as it was to see many of the new items on hand, the stars of the show were the characters getting the Darwyn Cooke touch as part of his Designer wave. Cooke's long been a favorite of mine, and his New Frontier figures from way back when are still some of the most stylish in my collection. Now that he's adding new takes on Batman, Supergirl, Adam Strange and Harley Quinn, I couldn't be happier. Combined with the expansion of the Batman: The Animated Series line to more obscure characters, 2015 and 2016 are shaping up to be a good time for clean, simple designs.
The headline of this article is kind of a minor spoiler already, but DC itself let it out in its June solicitations; Scott Snyder and Greg Capullo's Batman #41 will feature a brand-new Batman who kind of looks like a robot with bunny ears carrying a giant handgun.
Who is this mysterious figure? Apparently, DC's Free Comic Book Day offering, Divergence #1, has the info, and word has spread across the comics Internet. Click through if you want to know, and plug your ears now if you would like to be surprised when the issue comes out May 2.
If you've been keeping up with "Endgame," the current story raging through Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia's Batman, then you've seen a lot of stuff going on. I mean things are apocalyptically bad in Gotham City on a scale that they haven't been since... well, since the last big Batman story. Still, it's pretty rough out there, what with the millions of zombie-like citizens infected with airborne Joker toxin. But in all the action of the latest issue, you may have missed the most important part: Jim Gordon's ringtone.
It might seem like a minor detail, but it's actually a pretty significant piece of the ongoing Batman mythology -- mainly because I suggested it on Twitter back in November, and now that it's canon, I will never, ever shut up about it.
If there's one thing we've learned from our series of in-depth reviews and interviews about Batman: Zero Year, it's that the creative team of Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia set out to do a lot more than just re-tell Batman's origin for a modern audience. That might've been the stated goal, but along the way, it became clear that the team wanted to use that bombastic superhero background to tell a story that was incredibly personal, using the trauma that made Bruce Wayne a hero to explore feelings of isolation, fear and, eventually, triumph.
In our final Zero Year interview, Snyder tells us about the interactions with other Batman creators while it was coming out, how he identifies with both Batman and the Riddler, and how much of the story was inspired by his own very personal experiences with overcoming panic and despair.
For the past year, I've spoken to Scott Snyder for a series of in-depth interviews about Batman: Zero Year, the new origin story that he, Greg Capullo, Danny Miki and FCO Plascencia have produced for DC Comics. In the final act, "Savage City," Batman was confronted with a Gotham City that had been destroyed by a super-storm, was overrun by plants that had grown out of control, and was being held in the iron grip of the Riddler, all while confronting the trauma that inspired him to become a hero.
With the full story completed, I spoke to Snyder for the first part of a two-part interview about how he felt he'd achieved his goals with the bestselling story, the inspiration for the dynamic visuals, and his meeting with Frank Miller, possibly the most definitive Batman author, who had one very specific note about the story.
There was a lot to be wary of when Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia's "Batman: Zero Year" was announced. The most obvious reason was that it was the story that was set to replace my all-time favorite comic, Batman: Year One, going back to cover ground that had been stomped into concrete by one of the most influential stories of all time. Even the name was a response to Year One, and the expansion of what Frank Miller and David Mazzucchelli had done so elegantly in four issues to a full year of comics felt like it could've easily been symptomatic of the trend towards decompression that drags everything out for the bookstores. Why sell one hardcover when you could sell three, right?
At the same time, I liked what Snyder and Capullo had been doing on Batman enough that I was looking forward to reading it, and from that first shot of Batman on a dirtbike, something that I am genetically hardwired to love on sight, I was hooked.
This week, the final issue came out, and while we're still too close to it to really tell how well it'll stand the test of time, what I know right now is that I love it, and there's a good chance that it'll end up not only as my favorite version of Batman's origin, but as one of my favorite comic books of all time.
In case you don't mark your calendar solely by events related to Batman -- which is increasingly difficult since Year One was 22 years before Zero Year, with Zero Hour somewhere in between -- you might need a friendly reminder that DC has declared July 23 to be Batman Day, part of its celebration of 75 years of the Dark Knight. To mark the occasion, the publisher's putting out a free special edition of Detective Comics #27, containing material from both the 1939 original and the New 52 offering from earlier this year.
What makes this issue really significant, however, is that to my knowledge, it's the first time Batman's co-creator, Bill Finger, has received a cover credit for the original Batman story.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes
In the pages of Batman, Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia are retelling the origin of Batman for the modern DC Universe with "Zero Year." Told over the course of a year, "Zero Year" is divided in to three arcs, each representing a facet of Gotham City and Batman's growth into a superhero, and it's been wild right from the start. For each arc, ComicsAlliance is going in-depth with Snyder to find out more about how the story came together and what these elements mean, and with "Dark City" finishing just a few weeks ago, it's time once again for our conversation to resume.
In the second part of our interview (you can read the first part here), Snyder and I discuss Batman's relationship with Jim Gordon, the Riddler's role as Batman's first major foe, and just why he has those mutton chops.