Our judges have adjudicated; our readers have voted. We’re proud to present to you the outstanding creative team of 2015 — and four great runners up.
jamie mckelvie - Page 2
Some weeks ago, a tweet from Jamie McKelvie, artist on the tremendously popular series The Wicked + The Divine and Phonogram, caught my eye. Writing about the physical difficulties of a heavy drawing schedule, McKelvie said he felt he could keep drawing for only 15 more years. Just a few tweets away on my timeline, graphic novelist Faith Erin Hicks, author of Friends with Boys, Superhero Girl, and The Nameless City, commented that a full day of drawing had left her with sore wrists.
Being a comic book artist is a physically taxing job. Long hours sitting at the literal drawing board (whether drawing on paper or digitally) can strain muscles in the back, neck, and shoulders; repetitive motions inflame tendons in the arms. Combine this demanding work with the life of a freelancer, which, in the United States, does not come with any form of health care, and you’ll realize that many comics artists are living one injury away from economic disaster. An injury will not only cost money to treat, it will also cost time as it heals --- time that could be spent drawing --- resulting in lost income.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
The second volume of The Wicked + The Divine, Kieron Gillen and Jamie McKelvie’s cult hit comic about a pantheon of pop stars, will hit shelves on July 1st compliments of publisher Image Comics, and ComicsAlliance is pleased to have an exclusive first look at the trailer that ushers its way into the mortal world. The title of the volume, which collects issues #6-11 of the series, shows off writer Gillen’s well-known penchant for puns: Fandemonium. (Volume 1, which centered on Lucifer, was The Faust Act.)
Fandemonium, the second arc of The Wicked + The Divine, is the work of creators at the top of their games. Jamie McKelvie gets more room than ever to showcase costume designs that tell you everything you need to know about a character at a glance, and expressive facial acting that tells you everything else. Kieron Gillen writes dialogue packed with wordplay and puns – and if they don't make you groan, the plot's gut punches will. Clayton Cowles' letters grant each god a distinct visual voice to match the way they're written and drawn, and Matt Wilson's colors add unique pyrotechnics, at one point reinventing his style between pages to create a convincing drug trip.
The sheer talent on display in these pages is enough to make you jealous and, if you haven't read previous Gillen/McKelvie collaborations Phonogram and Young Avengers, you might wonder where this team got their powers. What makes The Wicked + The Divine especially interesting is that this is exactly what the comic is about.
Kieron Gillen and Jamie McKelvie's The Wicked And The Divine, published by Image Comics, has been optioned as a possible TV series by Universal Television. The show will be produced by Milkfed Criminal Masterminds, the shingle recently launched by Kelly Sue DeConnick and Matt Fraction. Milkfed signed a two-year development deal with Universal in February that also included an option to develop Fraction and Chip Zdarsky's Sex Criminals.
Within hours of Mad Max: Fury Road hitting theaters, Tumblr, Twitter, and Instagram exploded with fan art featuring the neon wasteland desert and its high octane inhabitants. One character, though, inspired artists like no other --- Imperator Furiosa, the steely warrior of Immortan Joe's army. ComicsAlliance has compiled a collection of our favorites, including a brand-new piece by the talented Greg Ruth, and an exquisite black and white sketch by Jamie McKelvie.
Thumbnail is a new recurring feature on ComicsAlliance in which we invite our writers to reflect on comic book details that deserve a little extra attention, whether it’s a favorite character, and artistic choice, or a striking page. For this installment, Steve Morris looks at the meaning behind Jamie McKelvie and Matt Wilson's The Wicked & The Divine covers — and the cruel joke they've been building up to.
For day four, we look at the high-ranking uniforms of the Captains Marvel, with our pick of the best costume for each major character to bear the title --- four of them from Marvel and one from Fawcett (via DC). How does Carol Danvers' cosplay-favorite flight-suit stack up against the big red cheese's fancily embellished union suit?
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.