Over the past year, Kieron Gillen, Jamie McKelvie and Mike Norton's Young Avengershas been one of the most consistently enjoyable comics on the stands. The thrilling, completely unsubtle adventures that take teenage problems and blow them up into world-threatening monsters have revived Marvel's teenage heroes and put them back to the forefront in a way that fits perfectly with their position that universe.
At New York Comic-Con, I spoke to Gilllen about the first year of the comic, his approach to capturing the feeling of being a teenager, and, of course, those first four drumbeats of "Be My Baby."
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
On sale this week from BOOM! Studios is the first issue of Day Men, a new series that introduces readers to the human helping hands of the violent vampire elite who rule the world in secret. Written by Matt Gagnon (Freelancers) and Michael Alan Nelson (Supergirl), Day Men is a cool organized crime-tinged take on the enduringly popular vampire genre, but the major selling point for the series is that it marks the return to monthly comics of one of the American industry’s most talented but elusive artists: Brian Stelfreeze. Does the final product live up to the auspicious occasion? Yes and no, but that it exists at all might be more important.
We at ComicsAlliance have never been shy about our love for Kieron Gillen and Jamie McKelvie's excellent indie Phonogram. We named The Singles Club the fifth-best comic of 2010, broke the story about Phonogram's end, and wondered hopefully at the teasing implications of a return. When The Immaterial Girl was announced in 2012, we celebrated, and when we heard it was pushed back to 2013, we were a little crestfallen. But when it was announced that Gillen and McKelvie would be the creative team on the relaunch of Young Avengers, we figured we could probably wait a little longer. We were right. Five issues in, the creative team has made Young Avengers one of the most exciting and experimental books on the stands, and one of the few comics about youth that actually captures the energy and potential of it.
In 2005, as part of an overhaul of Marvel's Avengers line in the wake of Avengers Disassembled, writer Allan Heinberg and artist Jim Cheung launched Young Avengers, a new title with a cast of kid heroes inspired by established characters. The series -- and its central gay
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
Young Avengers artist Jamie McKelvie showed off some custom Adidas made to resemble Captain Marvel, the superheroine whose costume he recently redesigned to great acclaim (particularly from cosplayers). McKelvie availed him
This January, Kieron Gillen and Jamie McKelvie are set to relaunch Marvel's Young Avengers, blending established characters from the original Allan Heinberg/Jim Cheung run with a few new faces and a direction featuring battles that Gillen has described as "superheroes clubbing."
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