Doctor Doom first appeared in Fantastic Four #5 by Stan Lee, Jack Kirby, Joe Sinnott and Stan Goldberg, published on April 10 1961. One of the most iconic villains in comic book history, Victor Von Doom has always remained steadfast in his goals: Take over the world for its own benefit, and kill Reed Richards along the way, if there's time.
Jonathan Hickman’s creator owned work is known for tackling big, often metaphysical concepts such as the nature of media as propaganda, the transcendence of humanity beyond the limitations of the human form and the death and destruction of the entire world at the hands of the Horsemen of the Apocalypse.
His new series The Black Monday Murders with Tomm Coker, Michael Garland and Rus Wooton, announced today at Image Expo, takes things a bit simpler and is all about rival schools of magic, but instead of magic they are financial institutions battling for supremacy following the global stock market crash of the late eighties.
The United States has split into separate sovereign territories who uneasily co-exist side-by-side as population grows, food supplies decrease and the world slowly creaks towards death. Oh, and three of the four horsemen of the apocalypse have returned to usher in the end a whole lot sooner, and the one person that stands against them is their brother, Death.
That’s the premise of Jonathan Hickman, Nick Dragotta and Frank Martin’s East of West, published by Image, which has been running since 2013. It presents a very American apocalypse, as politicians plot and scheme their way through another day while the literal end of the world is right around the corner.
Back in March of 2015, a full-page advert appeared in the back of various DC comics, which asked; “Would you sacrifice another world so yours can live?” If you were following Jonathan Hickman's Avengers titles around the same time, you might have asked yourself, just for a moment: since when does Batgirl run ads for Marvel's next big event That question presents essentially the same set-up as Marvel's Secret Wars, which saw Reed Richards, Black Panther, and their Illuminati friends facing the threat of alternate Earths on a collision course with their own. Eventually, it all went wrong, and Dr Doom had to take the remnants of the multiverse and combine them into a single multi-dimensional world.
Turning the page, the ad was revealed to be promoting Convergence, DC's own big event for 2015, and an entirely different story. In Convergence, an omnipotent villain pitches characters from disparate realities against one another in a multiversal battle royale. Each reality co-exists on a planet apparently of the villain's creation, a kind of 'battle-world'. Oh, hang on...
Starbrand & Nightmask. It sounds like a two-stage rejuvenating skincare treatment, but it's actually the title of Marvel's newly announced ongoing series from writer Greg Weisman and artist Dominike 'Domo' Stanton, starring former Avengers writer Jonathan Hickman's young Marvel Universe versions of two New Universe concepts. These are characters who used to spend their time wiping out alien armadas with a blink of an eye, now they'll be enrolling on university courses and going on adventures.
It's all a little unexpected. Settle in, and I'll try to explain.
The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
Not everyone can make it to San Diego Comic-Con to see what's happening in person, but ComicsAlliance has you covered! We know that it's not just about the news that comes out of the biggest con of the year --- it's also about seeing the booths, checking out new collectibles, and putting faces to names of your favorite creators. Thankfully talented photographer Pat Loika is on hand to document as much as he can for your enjoyment.
Everything changes and nothing will ever be the same again. At a live filmed announcement at Midtown Comics in Manhattan on Thursday afternoon, Marvel editor-in-chief Axel Alonso and executive editor Tom Brevoort announced a new status quo for the Marvel Universe, with worlds colliding to form a mish-mash of continuities that will be the setting for all Marvel comics from May 2015 onwards.
Most of what Alonso and Brevoort announced was already known or guessed at; Secret Wars, an eight-issue series by Jonathan Hickman and Esad Ribic, marks the culmination of the incursion story that Hickman began at the outset of Marvel NOW with Avengers #1 and New Avengers #1 back in late 2012, and will brings together multiple continuities and alternative universes in a single "Battleworld". What's new in all this is the confirmation that this event reshapes -- some might say 'reboots' -- the Marvel Universe for the (foreseeable) future.
If you've been wanting to read a comic that emphasizes a "long-withheld sneering contempt for our miserable species, with its self-serving, sentimental, suicidal self-delusions and its greedy, willful ignorance," then folks, I have got some good news for you. We are only a few short weeks away from the release of Nameless, the new six-issue Image Comics series from Grant Morrison, Chris Burnham and Nathan Fairbairn, described by Morrison as a straight-up horror comic about the worst that humanity has to offer.
To celebrate that fact -- uh, the release, I mean, not the thing about greedy ignorance and suicidal self-delusions -- Burnham revealed three variant covers for the first issue today, featuring the art of Tony Moore, Nathan Fox, and Jonathan Hickman. A fourth variant has also been commissioned, but they're keeping that secret for now.
Debuting later this month from Image Comics, The Dying & The Dead is the latest collaboration between Jonathan Hickman and Ryan Bodenheim, following A Red Mass For Mars and Secret. I was able to read issue #1 in advance, in the form of a lettered "first draft," and it is immediately notable for three reasons in particular: The Dying & The Dead takes a decidedly more personal approach to the theme of mortality that Hickman's been exploring in epic fashion in his New Avengers and East of West projects; the artwork by Bodenheim is his career best, not just in terms of technical drawing ability, but in the sense of pure graphic storytelling; and the huge page count makes a compelling case for big first issues.