If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of five or ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile lists of everything you could ever want to know about comics.
All month long, we've been devoting our lists to spoooooky topics, from great horror stories to scary villains and the greatest stories about a certain fanged count. So today, with Halloween finally upon us, we've put them all together for your trick-or-treating enjoyment!
Whether there's ever going to be an official sequel to 2012's Dredd is up in the air, but in the meantime, producer Adi Shankar is doing his best to keep the franchise going with a series of "bootleg" short films. The latest of the bunch is an animated miniseries called Superfiend, and it looks bananas.
In all of comics, is there a villain more suited for Halloween than Judge Death? I mean, not only is he a spoooooky skeleton who has committed spoooooky genocide (which, on reflection, might be a level of horror that requires more than five Os), but he's essentially wearing a Halloween'd up version of the hero's costume. It's great.
Unfortunately, the citizens of Mega-City One aren't quite enjoying his presence as much as I am, largely because he's been rampaging through the city with the rest of the Dark Judges, racking up a massive body count. The one thing he hasn't done is kill Judge Dredd himself, and in this week's Judge Dredd #24, the American-made IDW Publishing series by Duane Swierczynski and Nelson Daniel, it turns out that there's a reason for that.
Sorry, 'Dredd' fans. We all know how much you've been rooting for 'Dredd 2' to get the green light, but that's one project we'll only believe will happen when we see it. But, hey, how about a 'Dredd' online miniseries to hold you over for the time being?
There are a lot of things that happen regularly in comics that I've never really understood, and chief among them has been the sheer number of superhero crossovers with Aliens and Predator. I mean, I understand wanting to see Aliens and Predators fight each other because they're both these mysterious, lethal alien enemies, where one's a cunning, vicious hunter and the other's an almost mindless biologically driven killing machine, a natural contrast that makes them cool opponents for each other and a deadly combination for anyone who gets trapped between them. The thing I don't get is why you'd want to throw Superman or Batman in there, if only because of the sheer amount of storytelling gymnastics you have to do to make it work. And yet, they happen all the time, and I have long since accepted that it's Just Not My Thing.
And then I read Predator vs. Judge Dredd vs. Aliens, and now I get it. Mostly because the first story in this collection ends with Dredd taking off his shirt (while leaving his helmet on, of course), and fighting the Predator with a knife.
The way I've always understood anthology series is that you never want every story to end at the same time, because the idea is that by chaining everything together, the reader never has a chance to jump off. That might sound mercenary, but really, it's just simple economics: If everything you're into ends all at once, then you've got a lot less incentive to come back for the next issue. Right? Right.
Well, it seems that last week's issue of 2000 AD went against that little bit of conventional wisdom by capping off every story that they had going so that they could set up this week's offering: Their 1900th issue, which celebrates the milestone by launching three new stories, and provides a perfect jumping-on point. If you haven't been reading 2000 AD and want to see what all the fuss is about, this is the issue to get -- and you should definitely get it, because all three stories are pretty awesome.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
I'm going to go out on a limb here and guess that you, the discerning ComicsAlliance reader, like to get good comics without paying a lot of money for them. That's a pretty safe bet, right? I mean, who doesn't like getting comics on the cheap, especially when they're critically acclaimed titles -- specifically, titles that have been critically acclaimed by us, America's Most Beloved Comics Reviewers?
That's why we're keeping an eye on the sales over at Comixology to help you find the best comics that you can grab on the cheap, and spend your weekend with some great stories. This week: Ed Brubaker and Sean Phillips' Fatale and IDW's line of Judge Dredd titles!
Comics have seized center stage at the venerable British Library in London this summer in an exhibition celebrating the history of British comics and the work of British creators. Subtitled, 'Art and Anarchy in the UK', the Comics Unmasked exhibition places an emphasis on protest, outsider culture, and anti-authoritarian voices.
Curated by Adrian Edwards, Paul Gravett, and John Harris Dunning, Comics Unmasked draws heavily on the British Library's own collection to establish and define Britain's relationship to the comics art form -- stirring up nostalgia, scandal, and some surprising discoveries along the way. And Kieron Gillen's giant head.
2012's Dredd, based on the long-running comic about the stone-faced lawman of the future from the pages of 2000 AD, was essentially Die Hard in one of Mega City One's towering city blocks, which is to say that it was completely awesome. Karl Urban and Olivia Thirlby's performances as Judges Dredd and Anderson, respectively, were fantastic, and left both long-time Dredd readers and new fans wanting to see more from them, which is why Arthur Wyatt and Henry Flint provided a comic book sequel set in the world of the movie called Underbelly, where Dredd had to tackle a new drug that gave crooks the ability to see into the future.
Underbelly was a pretty huge success. The first and second printings both sold out at the distributor level, and this October, it's getting a third, featuring a new cover by artist Trevor Hairsine.
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