The Diamond Retailer Summit is underway in Baltimore this weekend, timed to coincide with Baltimore Comic Con, and Marvel has taken the opportunity to unveil more new titles for the All-New All-Different line relaunch, including ongoing series for two former West Coast Avengers, Moon Knight and Mockingbird.
If there’s one thing we’ve learned from our years on the Internet, it’s that there’s no aspect of comics that can’t be broken down and quantified in a single definitive list, preferably in amounts of five or ten. And since there’s no more definitive authority than ComicsAlliance, we’re taking it upon ourselves to compile Top Five lists of everything you could ever want to know about comics.
They say imitation is the sincerest form of flattery, and if that's the case, Marvel seems determined to make DC and Batman blush, because the number of copycats, clones, and knockoffs of the Dark Knight that Marvel has created is bordering on the ridiculous.
With Avengers: Age of Ultron just around the corner, interest in these heroes has never been greater, so we’ve decided to pit all the official comic book Avengers against each other in a battle for your affections. Who is the greatest, best, favorite Avenger of all time? Only you can decide.
We’ve created voting groups that mix up different eras of Avengers membership. Group H includes a couple of captains, some ex-villains (including a Doom?), a Jack and a knight, and one of Magneto's kids (don't believe the retcons). The top two or three Avengers from each group will go through to the next round, so vote tactically. Or just vote for Carol. We're pretty sure you're going to vote for Carol.
We're into the last days of our poll series, so if you have any last minute nominations that absolutely, positively, must be included in the poll for it to have any legitimacy at all, you can add your suggestions in the comments. In the meantime, today we're looking at the classic Spider-Man costume, and the outfits worn by a few of his peers. No, not Iceman and Firestar, but the other big name street-level heroes of the Marvel Universe.
Marvel’s recent relaunch of Moon Knight saw the white-clad vigilante pare things down to a bare minimum as he stalked the streets by night, taking down gangs, gunmen, and anything else that posed a threat to innocent people. In the hands of Warren Ellis, Declan Shalvey and Jordie Bellaire, the character was reinvented, stepping away from past characterizations to form a new identity. Across just six issues the creative team stamped a brand on the book that may mark how people approach the character and concept from here onward.
From The Dead collects the entirety of Ellis, Shalvey and Bellaire's run on the book. It features a series of deft action sequences, and builds a convincing new world for Moon Knight to walk in, though Ellis's sparse and low-key scripts effectively cede the floor to the artists, allowing penciller Shalvey to create that world and colorist Bellaire to establish the tone. The series is a methodically structured exercise in comics storytelling, with Shalvey excelling in his depiction of a run-down, black and white world of straggling criminals.
We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that's making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.
Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don't even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do -- and the special skills required to do it.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week, Chris and Matt start off by gushing about Grayson #2 by Tim Seeley, Tom King, and Mikel Janin. Then, they do pretty much the opposite to Genius #1 by Marc Bernardin, Adam Freeman and Afua Richardson. Then, it's back to gushing about Moon Knight #6 by Warren Ellis, Declan Shalvey and Jordie Bellaire!
This week, Chris and Matt are talking at length about Futures End #1 by Brian Azzarello, Keith Giffen, Dan Jurgens, Jeff Lemire and Patrick Zircher, which continues the killing trend set off by the Free Comic Book Day #0 issue. Then they talk about Rat Queens #6 by Kurtis Wiebe and Roc Upchurch and Moon Knight #3 by Warren Ellis, Declan Shalvey and Jordie Bellaire!
Each week, ComicsAlliance's Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the show several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week, Matt and Chris are talking about some of the big comic releases of the week. They loved Moon Knight #1 by Warren Ellis, Declan Shalvey and Jordie Bellaire and She-Hulk #2 by Charles Soule, Javier Pulido and Muntsa Vicente. Forever Evil #6 by Geoff Johns, David Finch and Richard Friend, not so much.
The comic book, animation, illustration, pinup, mashup, fan art and design communities are generating amazing artwork of myriad styles and tastes, all of which ends up on the Internet and filtered into ComicsAlliance’s Best Art Ever (This Week). These images convey senses of mood and character — not to mention artistic skill — but comic books are specifically a medium of sequential narratives, and great sequential art has to be both beautiful (totally subjective!) and clear in its storytelling (not so subjective!). The words and the pictures need to work together to tell the story and create whatever tone, emotion and indeed world the story requires. The contributions of every person on a creative team, from the writer to the artist(s) to the letterers, are necessary to achieving a great page of sequential storytelling.
It is the special nature of comic books that we’re celebrating in this recurring feature: Best Sequential Art Ever (This Week).