Hub Comics (Somerville, MA) opened its annual Dark Knight on a Dark Night gallery this month, showcasing the work of local Bostonian artists paying homage to the Bat-universe. The Dark Knight on a Dark Night gallery features original Batman-related artwork and mixed media submitted by local artists, including Joe Quinones, Maris Wicks, and Erica Henderson. In keeping up with their yearly tradition of welcoming the gallery on the winter solstice, Hub Comics held an opening reception for artists and fans alike on Saturday, December 21, and ComicsAlliance was there to join in on the festivities.
Check out some of our favorite Batman pieces after the cut!
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
Originally launched in 1997, Batman: Black & White was an anthology in which DC Comics editor and art director Mark Chiarello got the best people he could find to draw and write new Batman stories with an emphasis on creative vision -- particularly that of the artists, whose contributions were enhanced both by the Dark Knight's compelling visual presence and the book's colorless format. The first run proved to be an award-winning and influential hit, bringing readers the first Batman work of Jim Lee, inspiring DC Collectibles' most popular line of statues, and leading to similarly tasteful, aesthetically sophisticated and critically acclaimed Chiarello-edited books like DC: The New Frontier, Solo, Wednesday Comics and Catwoman: Selina's Big Score.
Then after the last Black & White short story was published as a backup in Batman: Gotham Knights, Chiarello readied an all-new volume of Batman: Black & White that's basically the same deal but with different creators. As with the original, the new roster is a mix of the top artists of today and accomplished masters, including ComicsAlliance favorites like Joe Quinones, Sean Murphy, Neal Adams, Chris Samnee and Michael Cho, with covers by Marc Silvestri and Phil Noto. The book goes on sale this week but courtesy of DC, you can take an early look at some preview pages below.
Every year around this time, shops and advertisers start harshing the collective mellow of millions of youngsters by rolling out back-to-school gear. But have heart, students! There's still several weeks of summer left and you can readily savor the spirit of fun-in-the-sun with next Wednesday's Adventure Time: Summer Special 2013 #1. Containing stories by Noelle Stevenson, Ryan Pequin, Emily Partridge and the team of Frank Gibson and Becky Dreisdat, the issue promises sunburnless stories starring heroes who are on an eternal summer vacation (although Finn could probably use some math lessons, if we're all being honest with ourselves). Boom! has provided us with an early look at the special issue, and you can read it all after the jump.
Published in 1996, DC Comics' Batman: Black and White remains one of the most celebrated anthologies in the history of mainstream comics. Originally a four issue miniseries that was collected into one volume, its popularity spawned similarly styled back up stories in the pages of Batman: Gotham Knights, which led to two more collections.
If you expected Adventure Time's protagonist and noted last human on Ooo to adopt better bathing habits just by virtue of getting gender-swapped, you'd better think again. This week's Adventure Time With Fionna & Cake #2 backup
Superheroes like the Hulk and Wonder Woman never looked quite as fit as they do exercising in Maris Wicks' sketch work. She draws with a light, thoughtful quality that combines Chris Ware-like precision and simplicity with a kind of Alec Longstreth-meets-Kate Beaton air of rag-doll physics and whimsy
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