With Agents of SHIELD taking a much-needed winter break, Marvel's other spy adventure series, Agent Carter, is back for a two-month engagement, with Hayley Atwell reprising her role as Peggy. Our AoS recappers Agent Ziah Grace and Agent Chris Haley are on hand to review the highs and lows as Agent Carter relocates to Los Angeles to bring down new foes.
We were treated to two episodes of Agent Carter this week to kick off the second season; “The Lady in the Lake” was directed by Lawrence Trilling from a script by Brant Engelstein, and “A View in the Dark” was directed by Trilling from a script by Eric Pearson and Lindsey Allen.
The roster for Lego Marvel's Avengers is going to be one of the largest yet for TT Games' Lego series. With each passing entry, the developer tries its hardest to outdo itself, and it's not all that hard when you have as vast a catalog of heroes and villains as Marvel has built up over the years. TT Games has also always prided itself in being able to mix in a lot of the more popular characters, such as your Iron Mans and your Captain Americas, with some lesser-known deep cuts like Damage Control and Mastermind in the previous game, Lego Marvel Super Heroes.
With this upcoming entry, that same attention to detail on both sides of the character coin is returning. A lot has happened in the Marvel Universes, both comic and cinematic, since TT last dabbled with the brand, and today's new character reveals show that there's not a single stone the developer won't unturn if it makes for a fun new addition to the roster.
Heading into November, we’re closer than ever to the 2016 return of Agent Carter and Peggy’s big Season 2 move to sunny Los Angeles. That hasn’t stopped even more major additions to the series however, as Veronica Mars and Party Down favorite Ken Marino finally enters the MCU for a recurring role.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
The comics, sci-fi, gaming and fantasy communities’ talents for homemade disguises, craftsmanship, and sartorial superheroics are definitely on display this weekend at Boston Comic Con, and we were there to check out the show as well as capture some of the stellar cosplay on display.
Fresh off the news the baddest lady in the Marvel Cinematic Universe will get a second season of adventures, Funko has revealed its Agent Carter Peggy Carter Pop figure. Funko also announced some other things in a new blog post today, but sorry Spider-Man, you've had your chances; it's Peggy's time to shine.
The end has come upon us. The eighth and final episode of Agent Carter has aired, and a show that was perhaps too beautiful for this world may have seen its last over-the-shoulder goon-toss with a finale that brought Peggy's war against Leviathan to an at times thrilling, and at times perhaps too-familiar conclusion --- featuring Dottie, Faustus, Jarvis, Howard, and all the gang. (Except Dooley. Sorry, Dooley.)
Episode 8, 'Valediction,' was directed by Christopher Misiano and written by Michele Fazekas and Tara Butters. Was it a fitting end to the show, and is it really the end?
In last week's recap of Agent Carter I posited that this penultimate episode would see the cast largely confined to the SSR offices, which seems rather less interesting than seeing a rogue Peggy kicking ass at-large on the streets of 1940s New York City. And lo, the prophecy came to pass, with Peggy almost entirely sidelined in her own show, and no-one really stepping up to fill the void.
As a result, episode 7, "Snafu," directed by Vincent Misiano and written by Chris Dingess, was a bit of a disappointment --- though it did offer some top quality Dottie (Bridget Regan), an actual super-villain, and a very welcome character development for Chief Dooley (Shea Whigham).
Agent Carter heads towards its end game with its sixth episode, 'A Sin To Err', directed by Stephen Williams and written by Lindsey Allen. The sad news is that it may be a permanent end, as the show hasn't been delivering ratings that would guarantee a second season -- but I'm not ready to rule it out. I'm hoping DVR numbers will save it.
The good news is, with a tight eight episodes, the show is clearly structured as a self-contained story, and assuming a strong ending, this one season will endure as a solid installment in the Marvel canon. I think the Agent Carter model is a much stronger one for future Marvel TV shows on ABC -- the Netflix model on network, in essence -- than the meandering anticlimactic flab of Agents of SHIELD. Which is a show I don't want to have to think about yet. So let's talk about Agent Carter!
Ahem. Also; 'The Iron Celing' is the fifth episode of Agent Carter, and quite comfortably the best, not just because of Dum Dum, but also because it changes the scenery, places Peggy on a real mission, fleshes out Chad Michael Murray's Agent Jack Thompson, and gives us a real taste of the breadth and color of this Marvel Universe. The only thing I didn't really like was the title, a too-cute hybridization of Iron Curtain and Glass Ceiling that doesn't ultimately capture what the episode was about.
'The Iron Ceiling' was directed by Peter Leto and written by Jose Molina. And Dum Dum Dugan was in it. Let's recap it, SSR-style.
We're halfway through the eight episode run of Agent Carter, and it's now very clear that this show isn't aiming to be a procedural, and that's both a strength and a weakness. Agent Carter has a clear idea what it's about and where it's going, with this week's episode focused on moving all the characters forward (and helping us to better get to know a few of them), but the lack of a 'monster of the week' structure leaves the show -- and this episode -- feeling unfocused.
'The Blizkrieg Button' is directed by Stephen Cragg and written by Brant Englestein, and has easily the best title of the show's run; but sadly the Blizkrieg Button proves to be a bit of a decoy duck, both in the title and in the episode itself.
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