Universal Cable Productions, the cable and digital arm of NBCUniversal, announced three new projects rooted in the comic book realm, including what will be Planetary and Transmetropolitan writer Warren Ellis' first original series developed especially for television. Additionally, UCP optioned Night Mary, a 2005 IDW drama by Rick Remender and Kieron Dwyer about a young woman trained to enter the dreams of serial killers; and Five Ghosts, the recent critical hit from Image Comics/Black Mask Studios and creators Frank Barbiere and Chris Mooneyham, who tell the story of Fabian Gray, a 1930s adventurer possessed by the spirits of five literary ghosts — Merlin, Robin Hood, Sherlock Holmes, Miyamoto Musashi, and Dracula. Five Ghosts began as a miniseries but its success resulted in an upgrade to ongoing, and now, it seems, an "upgrade" (because comics are the best, obviously) to television.
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On Tuesday morning Whoopi Goldberg and the hosts of The View announced that Marvel will relaunch Thor this October with a 'worthy' woman brandishing the hammer. Marvel followed that announcement with two more high profile switcheroos on Wednesday night as Entertainment Weekly revealed a new-ish and possibly superior Iron Man, and Marvel Chief Creative Officer Joe Quesada joined comedian Stephen Colbert on The Colbert Report to announce that a new guy will take up Captain America's shield.
That in itself isn't much of a surprise -- original Cap Steve Rogers has passed on his mantle a few times, before eventually yanking it back. After spending some time in Dimension Z and fighting the Iron Nail and whatnot, he's now too old to Avenge from the front lines. The big reveal is that the new Captain America will be Sam Wilson, the African-American superhero currently known as Falcon.
Over the past couple of years, Rick Remender has done a pretty solid job of balancing his work for Marvel with creator-owned titles. In addition to his work on Captain America, he's launched Black Science with Matteo Scalera and Deadly Class with Wesley Craig and Lee Loughridge, and now, he and artist Greg Tocchini are reuniting for a new sci-fi series called Low.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he sits in his living room under a framed portrait of Destro, drinking a cup of coffee and sharing his opinion on comic books.
On this week's show, Chris revisits a previous episode to examine why FrankenCastle, the story where the Punisher became a grumpy Frankenstein monster with a giant metal arm, works much better than Angel Punisher, the story where the Punisher became a grumpy angel with a coat full of heaven guns. Believe it or not, there is a difference.
You might have heard that there's a new Captain America movie coming out on April 4. If Marvel's marketing department has gotten its way, this news may very well be tattooed on the inside of your eyelids in phosphorescent ink. Let's say, however, you've never read any Captain America comics before, but now that he's been legitimized as a multi-million dollar film franchise, you're suddenly very interested in that dude with little wings on his head carrying around one of Uncle Sam's rims.
Since being created by Jack Kirby and Joe Simon all the way back in 1941, the hero also known as the Sentinel of Liberty has passed through the hands of some eminently talented writers, artists and editors. Some of these creative teams depicted Cap's adventures for a few months -- some of them for a few years -- before passing the torch to the next creators to keep the flame (or trademark) alive. In comic books, these tenures are called "runs," "series" or "eras," and they're the readers' way of distinguishing one era of a character's saga from the next. Chances are you're not sure where to dive into a a publishing legacy that's spanned more than 70 years, so here is a list, in chronological order, of the Sentinel of Liberty's 10 most interesting and influential comic book runs.
One of the most significant -- and to many readers, one of the most exciting -- developments in comics in the last few years has been the growth of Image Comics, with many of the most popular writers and artists in the industry currently producing much, if not all, of their creator owned work through the publisher. As such, Image Expo has become a highly anticipated event, as publisher Eric Stephenson uses the annual show to announce several upcoming books from both established and new talent.
Today's Image Expo continued that tradition, as more than a dozen new titles were announced, from Ed Brubaker, Grant Morrison, Kelly Sue DeConnick, Chris Burnham, Matt Fraction, Rick Remender and more.
Last week's Uncanny Avengers, by Rick Remender and Steve McNiven, killed off a whole bunch of characters. The last issue of Avengers Arena, by Dennis Hopeless and Kev Walker, came out the same day with that book's final death tally. It was a good day for funeral directors in the Marvel universe.
The deaths in these two titles ran the gamut from newly minted minor characters seemingly created just so they could die to major Marvel heroes with substantial fanbases and decades of history. Does that distinction matter in a genre that takes such a light view of death?
Spoilers for Uncanny Avengers and Avengers Arena follow.
There were three big announcements at this year's Cup O' Joe panel at San Diego Comic-Con - the return of Marvel UK, a sequel to Wolverine: Origin, and a Young Avengers jam story. As usual, however, the hour was dominated by questions from the audience.
Joe Quesada was on hand to answer questions, joined by Editor-in-Chief Axel Alonso, editors Steve Wacker and Nick Lowe, talent liaison CB Cebulski, writers Brian Michael Bendis, Rick Remender and Sam Humphries and artist Skottie Young.
Uncanny Avengers #5 was mostly a strong issue, the best of the series so far, in part because it gave readers the clearest sense of the team's dynamic and purpose, and in part because the guest art from Olivier Coipel was exceptional...