If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he sits in his living room under a framed portrait of Destro, drinking a cup of coffee and sharing his opinion on comic books.
On this week's show, Chris revisits a previous episode to examine why FrankenCastle, the story where the Punisher became a grumpy Frankenstein monster with a giant metal arm, works much better than Angel Punisher, the story where the Punisher became a grumpy angel with a coat full of heaven guns. Believe it or not, there is a difference.
You might have heard that there's a new Captain Americamovie coming out on April 4. If Marvel's marketing department has gotten its way, this news may very well be tattooed on the inside of your eyelids in phosphorescent ink. Let's say, however, you've never read any Captain America comics before, but now that he's been legitimized as a multi-million dollar film franchise, you're suddenly very interested in that dude with little wings on his head carrying around one of Uncle Sam's rims.
Since being created by Jack Kirby and Joe Simon all the way back in 1941, the hero also known as the Sentinel of Liberty has passed through the hands of some eminently talented writers, artists and editors. Some of these creative teams depicted Cap's adventures for a few months -- some of them for a few years -- before passing the torch to the next creators to keep the flame (or trademark) alive. In comic books, these tenures are called "runs," "series" or "eras," and they're the readers' way of distinguishing one era of a character's saga from the next. Chances are you're not sure where to dive into a a publishing legacy that's spanned more than 70 years, so here is a list, in chronological order, of the Sentinel of Liberty's 10 most interesting and influential comic book runs.
One of the most significant -- and to many readers, one of the most exciting -- developments in comics in the last few years has been the growth of Image Comics, with many of the most popular writers and artists in the industry currently producing much, if not all, of their creator owned work through the publisher. As such, Image Expo has become a highly anticipated event, as publisher Eric Stephenson uses the annual show to announce several upcoming books from both established and new talent.
Today's Image Expo continued that tradition, as more than a dozen new titles were announced, from Ed Brubaker, Grant Morrison, Kelly Sue DeConnick, Chris Burnham, Matt Fraction, Rick Remender and more.
Last week's Uncanny Avengers, by Rick Remender and Steve McNiven, killed off a whole bunch of characters. The last issue of Avengers Arena, by Dennis Hopeless and Kev Walker, came out the same day with that book's final death tally. It was a good day for funeral directors in the Marvel universe.
The deaths in these two titles ran the gamut from newly minted minor characters seemingly created just so they could die to major Marvel heroes with substantial fanbases and decades of history. Does that distinction matter in a genre that takes such a light view of death?
Spoilers for Uncanny Avengers and Avengers Arena follow.
There were three big announcements at this year's Cup O' Joe panel at San Diego Comic-Con - the return of Marvel UK, a sequel to Wolverine: Origin, and a Young Avengers jam story. As usual, however, the hour was dominated by questions from the audience.
Joe Quesada was on hand to answer questions, joined by Editor-in-Chief Axel Alonso, editors Steve Wacker and Nick Lowe, talent liaison CB Cebulski, writers Brian Michael Bendis, Rick Remender and Sam Humphries and artist Skottie Young.
Uncanny Avengers #5 was mostly a strong issue, the best of the series so far, in part because it gave readers the clearest sense of the team's dynamic and purpose, and in part because the guest art from Olivier Coipel was exceptional. Yet there was one part o
Of all the all the superhero comics restaffed and relaunched as part of the Marvel NOW initiative, I think Captain America is the one that most lives up to the bold promise of an all-new, all-different direction. Written by Rick Remender and illustrated by John Romita, Jr., Klaus Janson and Dean
Marvel's released a first look at the cover for Age of Ultron #7, written by Brian Michael Bendis and featuring art from Bryan Hitch, Brandon Peterson and Carlos Pacheco. The first three issues will be
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
For the past decade or so, it's almost been a necessity for Captain America to serve as a kind of barometer of the national mood. He fought terrorists in the Middle East, searched for weapons of mass destruction, dealt with angry protest groups, quelled election anxieties, and even surrendered and died when a political rift between heroes grew too wide. It's
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