If, like us, you've spent the past weekend binging on Netflix's second season of Daredevil and reveling in all the superhero exploits, ninja action and all-around punishment, you probably still haven't had your fill. While there are great Daredevil runs from the likes of Frank Miller and Mark Waid that you could read to get more of a hornhead fix, what are you supposed to do if you've read all of them too? We've got five of the best independent comics to try next if you can't get enough of the Man Without Fear.
This week saw the release of Daredevil #1, one of the latest launches in Marvel’s All New, All Different lineup. Given the critical success of the previous volume, which featured a “lighter” take on Matt Murdock by Mark Waid, Chris Samnee, Javier Rodriguez, Joe Caramagna, et al, the new series, written by Charles Soule, with art by Ron Garney and Matt Milla, and letters by Clayton Cowles, came with high expectations.
Lawyer. Ninja. Vigilante. These are just some of the two-dozen jobs held by Charles Soule, the new writer on the All-New All-Different relaunch of Daredevil, with art by Ron Garney. The latest iteration of the series sees Matt Murdock back in Hell's Kitchen and back in a black suit, though a rather more swish one than the stocking-over-the-head version made famous by the Netflix TV show. Check out a preview.
Created in 1964 by Bill Everett and Stan Lee --- with substantial input from Jack Kirby and Wally Wood --- Daredevil has been brought to life on the page by an extraordinary roster of comics greats, including Gene Colan, David Mazzucchelli, Frank Miller, Alex Maleev, and, in recent years, Chris Samnee, Paolo Rivera, and Marcos Martin. The striking red suit that he's worn since his seventh appearance is one of the best costumes in comics, and creates an irresistible contrast against the grime of Hell's Kitchen. For this special gallery, we've picked out some of our favorite Daredevil pin-ups and images to pay tribute to ol' hornhead.
You don't have to look too hard to see the prevalence of difficult father-son relationships in the work of Jason Aaron. In Scalped with R.M. Guera, Dashiell Bad Horse was adrift in a sea of father figures, unable to choose his own path and incapable of avoiding the same fates that befell the father who left him. In 2014, Aaron launched Southern Bastards with Jason Latour, about a conflicted man who returns to the home of his dead father, a legendary lawman; and Men of Wrath with Ron Garney, is about a father-to-be on the run from his own dad, a hired killer.
Despite the prevalence of the topic in comics, Aaron has carved out his own niche when it comes to father-son relationships, with an unflinching perspective that rings truer than most.
Since its inception, Marvel's Icon imprint has been a way for established Marvel creators to pursue creator-owned work while keeping things "in the family," so to speak, resulting in books like Kick Ass from Mark Millar and John Romita Jr., and Brian Bendis and Michael Avon Oeming's Powers. Now, though, Icon is adding another pair of long-time Marvel creators to its roster, as Jason Aaron and Ron Garney launch Men of Wrath, a comic with a title so metal that it actually rivals their previous collaboration, which was a comic about Norse gods bashing things with hammers.
Set in the South, the story is described by Aaron as an examination of a cycle of violence, from its beginning to its culmination as it's passed down through a family to "the worst of the bunch."
You might have heard that there's a new Captain America movie coming out on April 4. If Marvel's marketing department has gotten its way, this news may very well be tattooed on the inside of your eyelids in phosphorescent ink. Let's say, however, you've never read any Captain America comics before, but now that he's been legitimized as a multi-million dollar film franchise, you're suddenly very interested in that dude with little wings on his head carrying around one of Uncle Sam's rims.
Since being created by Jack Kirby and Joe Simon all the way back in 1941, the hero also known as the Sentinel of Liberty has passed through the hands of some eminently talented writers, artists and editors. Some of these creative teams depicted Cap's adventures for a few months -- some of them for a few years -- before passing the torch to the next creators to keep the flame (or trademark) alive. In comic books, these tenures are called "runs," "series" or "eras," and they're the readers' way of distinguishing one era of a character's saga from the next. Chances are you're not sure where to dive into a a publishing legacy that's spanned more than 70 years, so here is a list, in chronological order, of the Sentinel of Liberty's 10 most interesting and influential comic book runs.
The X-Men have been through some pretty rough stuff. That's actually kind of their deal; "going through rough stuff" is the default setting for those mutants, and the only time they're not going through rough stuff is when they've either just finished going through something terrible or are just about to go through something terrible, two states that tend to coexist on two or three pages about twice a year...
In January, Marvel is relaunching Uncanny X-Force as part of their "Marvel Now!" initiative with the new creative team of Sam Humphries and Ron Garney. For Humphries, it's a pretty big deal: Not only is this his second major gig at Marvel after landing the job on The Ultimates, but he's also taking over a book that he loves as a fan...