Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
Ravage 2099 and Stripperella co-creator Stan Lee has been channeling Andy Rooney in a series of videos on World of Heroes called "Stan's Rants." Like those missives of the late American broadcaster, these clips are mostly benign "cranky old man" bits. His newest one is about how he hates being on hold, for example.
But the video above, which is from last week, is a knife in the guts of less famous comics creators -- which is to say, nearly all of them. In the video, Lee complains about having to sit through long credits at the end of movies, including superhero movies.
"Nobody knows who [these people] are, nobody can read them and nobody cares," he says, astonishingly.
But here's the problem: Those credits are usually where the names of comics creators who wrote and drew the characters the movies are based on actually get seen.
The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it’s disorganized and riddled with gaps, but it’s also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
Ego the Living Planet is one of Stan Lee and Jack Kirby's trippier creations: introduced in 1966 in Thor #132, he is literally a planet who is also a dude. With a face. (His first appearance was one of the photo-collages that Kirby was occasionally doing in those days; the gaunt, bearded face that Kirby pasted onto a planet shape was significantly different from most of the characters he designed.) Understandably, it's a little bit hard to do much with a planet-sized character who has to interact with humans, but nearly every artist who's gotten to work with Ego over the years has clearly relished the chance to draw his massive, scowling visage.
I didn't make it out to the theater to see The Amazing Spider-Man 2 this weekend -- I had some crucial paint drying that needed to be watched -- but all the hype surrounding it actually did make me want to go back and read some classic Spider-Man stories. The only question was which one would have everything that I wanted, which was pretty tricky since I've only really seen Andrew Garfield and Emma Stone lately thanks to their appearances on The Tonight Show.
But then I found one of the all-time classics, Amazing Spider-Man #89, the one where Spider-Man has to go to the laundromat with a bag on his head because he's trying to get money by appearing as a guest on a talk show. It's even got Electro in it -- although I don't think any of the other 83 villains from the movie make an appearance.
On the off chance that you want to kick off your weekend by going into a blinding rage, I have some good news! Stan "The Man" Lee, one of the founding fathers of Marvel Comics and the co-creator of characters like Spider-Man and Thor, recently did an interview with Bloomberg Television where he said the phrase "I wish my friend Bob Kane were still with us — he’s the fellow who created Batman," a collection of words that I do not understand.
Unfortunately, the report transcribing the quote did not mention whether Lee was rolling his eyes and making a wanking motion while he said this, so we're forced to assume he was sincere.
You might have heard that there's a new Captain America movie coming out on April 4. If Marvel's marketing department has gotten its way, this news may very well be tattooed on the inside of your eyelids in phosphorescent ink. Let's say, however, you've never read any Captain America comics before, but now that he's been legitimized as a multi-million dollar film franchise, you're suddenly very interested in that dude with little wings on his head carrying around one of Uncle Sam's rims.
Since being created by Jack Kirby and Joe Simon all the way back in 1941, the hero also known as the Sentinel of Liberty has passed through the hands of some eminently talented writers, artists and editors. Some of these creative teams depicted Cap's adventures for a few months -- some of them for a few years -- before passing the torch to the next creators to keep the flame (or trademark) alive. In comic books, these tenures are called "runs," "series" or "eras," and they're the readers' way of distinguishing one era of a character's saga from the next. Chances are you're not sure where to dive into a a publishing legacy that's spanned more than 70 years, so here is a list, in chronological order, of the Sentinel of Liberty's 10 most interesting and influential comic book runs.
Feast your eyes on Friday's links after the jump.
Listen, I've been reading comic books a long time, and if there's one thing I've learned, it's that if you want a package to get to its destination safely, the absolute last person you want handling it is Spider-Man. Best case scenario -- best case, mind you -- is that it's going to be crushed when he stops to fight the Rhino. Worst case? Incinerated by a pumpkin bomb and then thrown off a bridge. Just ask Aunt May's last 51 birthday cakes.
And yet, he is the hero that The United States Postal Service has turned to for an ad tying into the upcoming The Amazing Spider-Man 2, set to hit theaters this summer with more of Spidey's adventures in a universe where people actually use Bing. Check it out below, and be advised there's a special twist ending!
Describing Stan Lee as "the original genius behind Marvel Comics and most of the superheroes you've ever loved or watched on the big screen" probably isn't doing the 91-year-old comic book veteran any favors as he tries, seemingly, to rehabilitate his reputation for glory-hogging in a wide-ranging conversation to be published in this Friday's new issue of Playboy. Indeed, the (in)famously self-promoting Lee uses the interview to deliberately undermine the public perception -- one he worked hard to create, as recently as last year with his reality show Fangasm -- that he's a tremendously wealthy comic book mogul primarily responsible for the success of some of Marvel Comics' most iconic -- and profitable -- superhero characters.
Q: Why do you think the X-Men didn't find their audience until two decades after they were created? -- @godofthunder851
A: I've got a minor quibble with your timing in this question -- it was more like 12 or 15 years, really -- but you've got an interesting point there. I think most comics readers are well aware of that piece of trivia about how the X-Men were about to get the axe before Giant Size X-Men #1 breathed new life into the franchise and set them on the path of becoming what was probably the single most popular and influential franchise of the '80s and '90s, and that's not really how things usually work. In comics, you tend to either come out of the gate to massive, enduring popularity (like Batman or Spider-Man), come out strong and then fade away for whatever reason (like, sadly, Shazam!), or just sort of flounder in the midcard. It's rare that something sticks around on the edge of being canceled for a solid decade before it finds its footing, and nobody bounced back harder than Marvel's Merry Mutants.
But really, what you're asking here is two separate questions: Why didn't the X-Men take off in 1963, and why did they in 1975? So let's look at the history and see if we can't figure it out.