Writer Scott Snyder and artist Jock collaborated on what will likely go down as the best Dick-Grayson-as-Batman story, 'The Black Mirror,' so it just makes sense for them to work together again.
Their new series, Wytches, isn't quite what you might expect. It's a horror story -- about witches, if you haven't guessed -- though Jock is often thought of as an artist who specializes in action. And it's published by Image Comics, despite Snyder seeming firmly entrenched at DC for the past several years (though his series Severed was also at Image).
This week, Chris and Matt dig deep into Superman Unchained #7 by Scott Snyder and Jim Lee, and how it compares to last week's Superman #32. After that, they discuss the first issue of the new Legendary Star-Lord series by Sam Humphries and Paco Medina, and then they talk about the very weird new Robocop series by Joshua Williamson and Carlos Magno.
Let it never be said Scott Snyder and Sean Murphy's Vertigo Comics series The Wake didn't keep readers on their toes. From issue one, the creators have seemingly been committed to pivots, swerves, and complete turnarounds. It's even changed genre a few times.
This week, in the series' penultimate issue, readers will find Leeward, the heroine of the series' second half, about to reach a big breakthrough after traveling the globe seeking a connection to Lee Archer, the heroine of the first five issues. Just FYI, they two characters are separated by about 200 years and one giant, apocalyptic, flood, so it's quite an adventure.
If you're like me, the start of summer means unbearable heat and the switch over from hot coffee to iced coffee, and that's pretty much it. Like pro wrestling, thinking about Batman has no off-season. This year, however, Comixology is looking to make the summer months a little more pleasant with their Summer Reading List.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about...
In the pages of Batman, Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia are retelling the origin of Batman for the modern DC Universe with "Zero Year." Told over the course of a year, "Zero Year" is divided in to three arcs, each representing a facet of Gotham City and Batman's growth into a superhero, and it's been wild right from the start. For each arc, ComicsAlliance is going in-depth with Snyder to find out more about how the story came together and what these elements mean, and with "Dark City" finishing just a few weeks ago, it's time once again for our conversation to resume.
Today, in the first part of our interview, Snyder discusses the return of Dr. Death, why he wanted to pay homage to Frank Miller's Year One and Dark Knight Returns while at the same time breaking away from them as much as possible, and why "Dark City" was the most challenging part of the story to write.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. Com...
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week, it's an extra-special, ComicsAlliance-exclusive set of comics reviews. Chris and Matt are chatting about the brand-new Daredevil #1 by Mark Waid and Chris Samnee, Superman Unchained #6 by Scott Snyder and Jim Lee, and Matt Fraction and Chip Zdarsky's Sex Criminals #5.
One of the things The Wake does so, so well is it constantly upends audience expectations. One way it does that, issue by issue, the genre seems to change. It isn’t just horror. That’s the easiest way to categorize it, but Snyder and Murphy work within the established tropes of multiple genres to, for lack of a better word, toy with the audience. What they’re doing goes beyond homage to film. It sets an expectation in the reader’s mind so that, when the big surprise comes, it’s all the more jarring. As the series digs into its second half, here’s a quick -- and slightly spoilery -- rundown of all the touchstones the series has hit so far.
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