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Scott Snyder On ‘Death Of The Family’: ‘It’s A Love Letter To Batman From The Joker’ [Interview]

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After he began his tenure in DC's New 52 by cutting off his own face and tacking it to a wall -- hands down one of the weirdest things he's done, which is saying something -- it was pretty clear that when the Joker returned to the pages of Batman a year later, it was going to be a pretty big deal for readers. Now the time has come in "Deat

Scott Snyder And Sean Murphy Announce New Vertigo Title ‘The Wake’ [NYCC 2012]

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Scott Snyder has had a busy convention. Yesterday DC Comics announced that Snyder and Jim Lee will be collaborating, for the first time, on a new Superman title in 2013. And at today's Vertigo panel, it was revealed that Snyder will team-up with his friend and previous collaborator Se

Scott Snyder and Jim Lee Teaming Up For New Superman Title In 2013 [NYCC 2012]

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It's fairly safe to take the word "rising" out of the "rising star" description of Scott Snyder. After receiving critical acclaim for his award-winning American Vampire series for Vertigo, Snyder was hired to write Detective Comics, which was instantly considered one of the best super hero titles on the stands at the time. All of this led

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Mysterious Superhero Kids’ Book Cops Continue To Defy Dimensional Barriers

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Last April, Batman writer Scott Snyder stumbled upon a mystery of multiversal proportions: In the picture books for kids published by HarperCollins (but written and illustrated by a variety of creators), the same two characters -- one guy with brown hair and sideburns, the other with red hair, glasses and a soul patch -- show up in virtually every story. They're usually the cops that show up to haul the bad guys off to jail, but start flipping through those books and you'll see them as park rangers, bystande

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Becky Cloonan Draws New Jump-On Points For ‘Batman’ and ‘Conan The Barbarian’ [Previews]

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Fans of Becky Cloonan (like us) are in for an uncommon treat this week, as the artist's work can be seen in two new issues of two publishers' most high profile releases. For Dark Horse Comics, Cloonan rejoins writer Brian Wood for a new issue o

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DC NOW! Panel: Dystopian DC Future in ‘Rotworld’, ‘Trinity War’, and Still No Wally West [SDCC]

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The third and final DC Comics panel of Thursday's San Diego Comic-Con schedule, covering a wide array of creators and topics, was moderated by VP - Marketing John Cunningham and featured Geoff Johns, Scott Snyder, Brian Buccellato, Scott Lobdell, Rob Liefeld, Amanda Conner, Jimmy Palmiotti and editors Bob Harras and Bobbie Chase. Cunningham clarified that the panel was titled "D

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The Batman Panel:The Joker, Ed Benes and Frazer Irving Return to Gotham [SDCC]

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The Batman: Beyond the Night of the Owls panel kicked off on Thursday afternoon at Comic-Con International in San Diego, featuring moderator Bob Wayne (DC's VP - Sales), editor Mike Marts and writers Gail Simone, John Layman, Scott Lobdell, James Tynion IV, Scott Snyder, J.H. Williams III, David Finch, Gregg Hurwitz and Ky

A Brief (And Insane) History of Batman’s Newest Foe

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In this week's Batman #10, Scott Snyder, Greg Capullo and Jonathan Glapion have finally revealed the mastermind behind Batman's conflict with the Court of Owls -- and to say that it's a surprise is underselling things quite a bit. But while this is certainly a

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Breaking Down the Big Reveal in ‘Batman’ #10 [Spoilers]

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Themes of class, privilege and arrogance run deep in writer Scott Snyder's work with Bruce Wayne in DC Comics' Batman. The title has been the breakout hit of the New 52 initiative since it was relaunched last September with Snyder and artist Greg Capullo, featuring an uncommonly consistent aesthetic -- the book hasn't had a single fill-in creative team member in any capacity for ten issues -- courtesy of inker Jonathan Glapion and colorist FCO Plascencia. Batman's also been resolutely consistent in its storytelling, build

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‘Batman: Night of the Owls’ to be the New 52′s First Major Crossover Event

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If you were hoping that with a clean slate of continuity and a publishing initiative as aggressive as The New 52 -- designed, ostensibly, to bring new readers to DC Comics -- would come a reduction of old inconveniences like multi-title event storylines and $3

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