A few leaked set photos marked the last we’d heard from Seth Rogen and Evan Goldberg’s AMC take on the iconic Preacher for some time, but Jesse Custer is finally ready to turn things upside down. The sinful comic-inspired series has officially set a mid-2016 premiere date, while the first poster certainly inverts expectations.
It’s been a good long while since we’ve heard from AMC’s Seth Rogen-Evan Goldberg shepherded Preacher, even as our first photo failed to shed much light on its characters. Now, new set photos have revealed a much clearer look at fan-favorite characters ‘Arseface’ and the vampire Cassidy, though you may wish to gird your stomachs.
Writers Seth Rogen and Evan Goldberg are slowly but surely working on the pilot for AMC's new TV adaptation of the Garth Ennis/Steve Dillon Vertigo series Preacher, and as they write, it appears they're also recruiting cool directors.
Rogen struck up a Twitter conversation with Duncan Jones, director of Moon (which is super great) and Source Code (which is flawed but well made) -- and also, incidentally, the son of David Bowie -- to gauge his interest. Right now, Jones is working on a Warcraft movie, but he seemed extremely enthusiastic about taking the reins on some Preacher episodes.
Q: I'm interested in Hitman as a character in the larger DCU, and "the area of Gotham so bad that Batman doesn't go there," because Batman is a dude that has paid multiple visits to a planet literally called Apokolips. -- @kingimpulse
A: For those of you who haven't been following the War Rocket Ajax podcast, Matt and I have been spending the entirety of 2014 ranking every single comic book story ever on a master list from the best (Amazing Spider-Man #33) to the worst (Identity Crisis). Last week, we finally got around to Hitman, and while it eventually fell between The Dark Knight Returns and Impulse #3, the conversation that we had about it involved me mentioning that Tommy Monaghan lived in a section of Gotham called "the Cauldron," which was so thoroughly lawless that they didn't even really notice when No Man's Land swept through.
There's a pretty obvious reason why it went down that way, of course, but the more I thought about your question, the more I realized that it's the core of Hitman's complicated relationship with the universe where it's set, which is one of the best things about that comic.
Comics have seized center stage at the venerable British Library in London this summer in an exhibition celebrating the history of British comics and the work of British creators. Subtitled, 'Art and Anarchy in the UK', the Comics Unmasked exhibition places an emphasis on protest, outsider culture, and anti-authoritarian voices.
Curated by Adrian Edwards, Paul Gravett, and John Harris Dunning, Comics Unmasked draws heavily on the British Library's own collection to establish and define Britain's relationship to the comics art form -- stirring up nostalgia, scandal, and some surprising discoveries along the way. And Kieron Gillen's giant head.
Q: Supposedly it takes three pages to hook a reader before they drop off, so what are the best opening three pages in a comic? -- @shutupadiran
A: Huh. I don't think it's going to surprise anyone to find out that I'm a dude who thinks a lot about how comic books are structured and what you can do within that structure, but I've never heard that bit about the first three pages being where you have to hook the reader. It makes sense, though -- when you look at it, those first three pages, along with the cover, form a distinct storytelling unit, and it's the first thing you see when you pick up and pop open a comic.
Thinking back on comics that I love, there's a really distinct pattern there. I like stuff that builds to a big last page just fine, but the ones that I tend to rave about when those first issues hit always open up strong. It's like the first five seconds of a song. Some of them might build to a crescendo as they go along, but when you have something like the famous beat from "Be My Baby" or the opening harmonics from "I Get Around," you know instantly that you've got something.
After years of rumors, speculation, and various stages of development hell, today AMC confirmed that the network will be adapting Garth Ennis and Steve Dillon's Preacher to television. Seth Rogen and Evan Goldberg are attached as executive producers, along with Sam Caitlin (Breaking Bad), who will serve as showrunner. The duo will also write the pilot.
With Breaking Bad now concluded, AMC needs a viable replacement for the series, and the network may have just found it. After years of unfounded rumors, and being stuck in various stages of development hell, Garth Ennis and Steve Dillon's Preacher may finally be coming to the small screen, as AMC has ordered a pilot for the series be filmed.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
Fans who are now accustomed to reading their Judge Dredd in color, thanks to IDW's new series by writer Duane Swierczynski and artist Nelson Daniel, can breathe easy. Starting with a Free Comic Book Day issue May 4, the publisher is reprinting an array of classic Dredd stories with colors by Charlie Kirchoff, who also is the colorist of the current series...