This week, we're talking about the Avengers, a team that you might've heard of thanks to a movie that made literally all the money in the entire world a few years ago. But while you might know all about Steve Rogers, Tony Stark, and, uh, Thor, they weren't the only characters to fill those suits. This week, we dust off a few obscurities to show you other heroes who had those famous identities, from the good (Bucky Barnes as Captain America) to the best-left-forgotten. That's right -- it's TEEN TONY, Y'ALL!
I'm not excited for Sam Wilson as Captain America, and I'm not excited for a female Thor.
Now, I don't think these are totally wrongheaded things to do. I admire the impulse behind these changes, and I believe they come from a good place. In the abstract sense, I love the idea of Marvel featuring, in big, bold style, the adventures of a black man and a woman against the hordes of iniquity. I believe at least part of the motivation behind these changes is genuine in its altruism, and that it is not entirely invalidated by profit-seeking impulses. I want to believe in this initiative. I want to be excited. I do not want to be the curmudgeon in the corner, needlessly nitpicking everyone else's good time to pieces.
But it feels like a gimmick, and functions like a gimmick, and that’s because it is a gimmick. I give it perhaps two years — two years that only the most hard-core aficionados will end up able to recall, alongside their recollections of the foil covers era and that one time Doc Ock was Spider-Man.
If you're a fan of the King of Sports, professional wrestling, then you may have wondered what CM Punk has been up to since he left the WWE the day after last January's Royal Rumble. Punk, occasionally known outside the ring as Phil Brooks, has been quiet about his plans for the future, but this week it was announced that he'll be writing a story for February's Thor Annual #1, with art by Chew's Rob Guillory, who will also be making his debut at Marvel.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
September's covers include masterclass composition from Genndy Tarkakovsky and Noelle Stevenson, some beautiful uses of light, color, and contrast, and some very different portraits of gods, old and new.
If you're picking up Thor #1 this week, by Jason Aaron and Russell Dauterman, to see the much-hyped new Thor in action, you're going to be a little disappointed. While it's a very good comic that promises great stories to come, the new Thor only appears in two pages that you might already have seen floating around online.
Rather than launch straight in to the new Thor's adventures, this first issue teases her arrival, leaving the action for next month -- presumably in an effort to hold as much of the first issue readership as possible. As a result this issue feels more like the end of the last Thor title than the start of a new one.
We've seen college course offerings focus on the 'Harry Potter' universe, comic books, and even one specifically for 'The Walking Dead,' but now it's Marvel's turn to educate younglings about the intricacies of their Cinematic Universe.
The great thing about Fox News is that it's only Tuesday and you're already about to see the dumbest thing you'll see all week.
In this case, it's a clip from Fox's weekend morning show, where three people with the collective brains of a sack of doorknobs turn their reasoned and well-thought out opinions to the world of comic books. Specifically taking on Jason Aaron and Russell Dauterman's upcoming run on Thor, where the iconic Marvel hero will get a new identity as a woman, and complaining about Wonder Woman's costume in the upcoming Batman v. Superman: Dawn of Justice film by comparing it to Jim Lee's redesign from four years ago that, according to them, appears to be a product of what they characterize as fundamentalist Sharia Law.
No, really, this dope on the left actually says that.
Guardians Of The Galaxy just enjoyed a very successful weekend at movie theaters, taking home around $94m, far in excess of expectations. The movie also stands at 92% positive reviews on aggregator site Rotten Tomatoes, joining all previous Marvel Studios movies in receiving predominantly favorable notices.
Marvel Studios is doing very well. In six years and ten movies, it has avoided both critical and commercial disasters, and frustrated naysayers who hailed the demise of the superhero movie at every step. Marvel's rivals at Fox, Sony Columbia, and Warner Bros, have enjoyed commercial success as well -- but not with the acclaim, consistency, or proliferation of Marvel. So how does Marvel do it, and can they keep doing it?
Saga co-creator Fiona Staples is one of the best cover artists in the industry, so it's no surprise that Marvel should want to borrow some of her magic for their new Thor series, by Jason Aaron and Russell Dauterman. And it's no surprise that the result is awesome, with the new Thor wielding the mighty Mjolnir to smash a frost giant right in his big frosty face.