Comic creator. Playwright. Historian. Screenwriter. Political commentator. Novelist. Illustrator. Educator. Cartoonist. Jules Feiffer has worn all these hats and more over his storied career, and in the process, become one of the most influential, versatile, and celebrated figures that the comics medium has ever known.
He's won an Oscar, a Pulitzer, an Obie, and received numerous lifetime achievement awards. He's written acclaimed R-rated movies, produced one of the first proper graphic novels, authored a long-running and hugely popular comic strip, and provided the art for one of the true classics of children's literature. His 1965 book The Great Comic Book Heroes pioneered the concept of reprinting classic comic book stories in a high-quality format, and is generally acknowledged as the first major historical work about the comic book industry. And he still produces vital and groundbreaking work today, some seventy years after taking on his first professional comics job.
Any look back over Alan Moore's career is likely to overlook a lot of really great comics. Beyond the usual works that are typically rattled off as the highlights of his career are British works that never got big in America, independent comics that never got wide distribution, and reams of short stories that have fallen between the cracks. You might have read a few of them, but they're all worth a look.
Alan Moore's greatest hits include Watchmen, Saga of the Swamp Thing, From Hell, Marvelman, The Killing Joke, V for Vendetta, Tom Strong, Supreme, Top Ten, Promethea, the hundreds of pages of The League of Extraordinary Gentlemen, and a couple of the best Superman stories of all time, but as this list proves, there's a lot more to Moore.
Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we’re asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we’ll compile a list of the greatest super-costumes of all time.
For our seventh day of polls, we're looking at the designs of some of the most celebrated pulp heroes ever to grace the comics page. They don't have to have originated in comics, or to have originated in the pulp era, and they don't have to wear a domino mask or a red scarf or a gun belt. But it does look pretty cool when they do. Or does it?
Every now and then, an announcement comes along that seems so perfectly natural that you start to wonder why it hasn't happened before. Case in point: Dynamite announced today that they are reviving Will Eisner's The Spirit as an ongoing series written and drawn by Matt Wagner, set to launch at this year's Comic-Con International in San Diego.
The Spirit is, of course, one of the most groundbreaking comics of all time, originally appearing as a newspaper strip that in many ways reads like it was 20 years ahead of its time (while also, it should be noted, featuring the problematic elements of its era). With over 30 years of experience writing and drawing some of the best comics around, Wagner is a natural choice to put his spin on the character.
The 2014 Will Eisner Comic Industry Awards ceremony took place Friday 25th July in the Indigo Ballroom at the Hilton San Diego Bayfront, as part of San Diego Comic-Con. It was a good night for Saga, Hawkeye, and the Hernandez brothers. Presenters included Orlando Jones, Reginald Hudlin, Matt Fraction and Kelly Sue DeConnick, Sergio Aragonés, Phil LaMarr, and Kevin Eastman. ComicsAlliance has a full list of winners, as well as the other nominees in each category.
In a surprising coup, Dynamite Entertainment announced that it has acquired the rights to Will Eisner's legendary domino-masked crimefighter The Spirit. The rights were previously held by DC Comics, which published both a comprehensive collection of the original strips and new adventures from creators such as Mark Evanier, Sergio Aragones, Darwyn Cooke and J. Bone.
Dynamite plans to publish new stories for the character, but has not yet announced creative teams or indicated when these comics might see print. Whether Dynamite has the rights to any archive material or plans to do anything with it remains to be seen. Dynamite Entertainment publisher and CEO Nick Barrucci called the acquisition, "a lifelong dream come true."
Halloween is just around the corner, and here at ComicsAlliance, and one of the best parts of the month is gearing up for a night of costumes! It’s the one time of year when even people like me who could never cut it in our Best Cosplay Ever feature can drop by the local department store and walk out with the ability to dress up as our favorite characters.
But is that really a good thing? I have my doubts, which is why I’m spending every day taking on the store-bought costumes inspired by our favorite things. Today, we're having a look at a few of the more obscure selections, because tomorrow's Halloween and everyone's going to be sold out of Batman costumes by now.
Well... this is going to be hard to top.Commissioned by IDW Publishing for its forthcoming The Rocketeer/The Spirit: Pulp Friction miniseries by Mark Waid and Paul Smith, what you see below is, in my view, just about the coolest variant cover ever...
Confirming what many fans have speculated about the fate of the three popular pulp heroes, Dan Didio revealed on his Facebook page that DC Comics no longer owns the rights to Doc Savage, The Avenger and, perhaps most significantly, The Spirit...
Following Eisner wins for Best Graphic Album - Reprint and Best Publication Design for Dave Stevens' The Rocketeer Artist's Edition, IDW Publishing has announced three more products in the prestigious Artist's Edition line: Will Eisner's The Spirit, John Romita, Sr...
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