It might seem hard to believe, but there was once a time when Archie Comics was the only publisher that didn't do variant covers. If memory serves --- and I might be wrong about this --- it took until 2010 for them to do their first one ever on Jughead #200. Now, though, with the high profile relaunches that we've seen over the past year, it looks like they're making up for lost time.
When Betty & Veronica #1 hits shelves on July 20, it's coming with twenty-five different covers, including covers from Colleen Coover, Bilquis Evely, Chip Zdarsky, Veronica Fish and many more. Check out the entire roster!
DC Comics hosted a special livestream event at WonderCon in Los Angeles on Saturday afternoon to unveil the creative teams behind its DC Rebirth event, which relaunches the entire DC Universe line with new issue #1s and multiple double-shipping titles. The relaunch will set the future course of DC Comics at a time when fans are wondering whether the company will embrace a new and diversifying audience or double down on serving a shrinking core audience.
The event was introduced by DC All Access host Tiffany Smith, with DC co-publishers Jim Lee and Dan DiDio and chief creative officer and Rebirth chief architect Geoff Johns introducing and interviewing the creative teams as they joined them on stage at the Los Angeles Convention Center.
Not everyone can make it to San Diego Comic-Con to see what's happening in person, but ComicsAlliance has you covered! We know that it's not just about the news that comes out of the biggest con of the year --- it's also about seeing the booths, checking out new collectibles, and putting faces to names of your favorite creators. Thankfully talented photographer Pat Loika is on hand to document as much as he can for your enjoyment.
Image Comics held its now traditional pre-San Diego one-day show on Thursday at the Yerba Buena Center for the Arts in San Francisco, and unveiled an impressive roster of new titles for the coming year that includes new work by familiar names such as Warren Ellis, Jason Aaron and Gail Simone; plus an encouraging number of relative newcomers and unknowns. Check out our rundown of all the news and announcements.
Image has confirmed today that it will be returning for another Image Expo this July, which will take place one week before San Diego Comic-Con. Typically the home for a deluge of announcements from a wealth of both billed and surprise guests from the world of comics, the Expos have become a widely anticipated part of the comics calendar --- not least because publisher Eric Stephenson usually offers a keynote speech in which he criticizes everybody else in comics. It's ace.
If you have fond childhood memories of those times you were so immersed in the fantastical world of a favorite book that a whole day seemed to pass you by, Curt Pires and David Rubín's The Fiction, from Boom Studios, may be the perfect series for you. Then again, it may make you rethink where that time went.
The intriguing premise of The Fiction takes that idea of getting lost in a fictional world to an extreme and sinister conclusion. It's the story of a group of friends who once found a set of books that actually allowed them to explore other worlds. But one of them never came back. And now that they're adults, another member of the group has gone missing...
Who doesn't love a good postmodern murder mystery? Boring people, that's who. Dull, uninspired, abandoned buildings pretending to be human beings who prefer their detective stories to be streamlined and logical, with a series of clues that can be interpreted to lead to a definite answer, and no funny business with fragmentation, parallel narratives, or the sudden appearance of the author in their own story.
If, however, you're an interesting, exciting, attractive person with an undeniable elan, Vertigo's Bodies might be more your style. Written by Si Spencer and drawn by a team of four artists, Bodies takes place in four distinct time periods ranging from the 19th century to the far future, where four detectives investigate four identical murder cases. Not just identical in that it's the same M.O., with the exact same injuries and found in the exact same spot throughout time; identical in that, over a span of 160 years, it's the same body.
This week, Boom! Studios announced Curb Stomp, a new four-issue miniseries from the team of Ryan Ferrier, Devaki Neogi and Neil Lalonde. Taking place in a city divided up by four gangs, Curb Stomp shows what happens when the five women who make up one of those gangs, the Fever, are pushed into a war by an act of violence meant to defend their turf. On sale in February, issue one comes with cover art by Tula Lotay, Trevor Hairsine and Marie Bergeron.
Curb Stomp arrives in the midst of comics readers' increasingly vocal desire for more diverse stories featuring women protagonists. Boom! has been attempting to service this audience with books like Lumberjanes, Bee and Puppycat and Butterfly, and Curb Stomp would seem to speak to the call for more strong, action-based heroines in particular. With that in mind we spoke to Ferrier and Neogi about the feeling that they're trying to get from the series, the challenge of designing characters for a life of brutal violence, and just why it is that the gang is called "The Fever."
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
August offers a feast of shape and color, with striking covers by Scott Fischer, Victor Santos, Chrystin Garland, and Tula Lotay, some bold juxtaposition, and a quirky take on a pulp archetype or two -- including a Nazi airship and some poor sap being held in a giant hand. It's a classic!
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