Most anime is adapted from manga, often produced by the manga publisher to raise awareness and sell it overseas. But what about the anime shows or films that go the other way, adapted from the screen to the page? How do those works hold up, and what changes or stays the same? That’s what Screen & Page aims to explore.
Today, we're looking at the feature film that launched the legendary Hayao Miyazaki's career, and the acclaimed manga that inspired it: Nausicaa of the Valley of the Wind!
While on the surface, popular manga often seems to be action-oriented, there are a lot of big horror titles out there that are all immensely scary and well-liked. The latest in a legacy that includes Naoki Urasawa's Monster and the work of Junji Ito is Tokyo Ghoul, a manga that combines angst over the nature of existence and what it means to live with moments of lushly illustrated, shocking terror.
After delivering two great genre features back to back with the subversive horror flick You’re Next and throwback thriller The Guest, director Adam Wingard definitely has our full attention, regardless of what he does next. His new project is Death Note, based on the popular Japanese manga, with The Leftovers star Margaret Qualley now in talks to join the cast of the U.S. adaptation.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
As horrifying as it is has become to utter the words "Dragon Ball" and "Evolution" in the same sentence since the 2009 live action film, I've got to say, Viz's new Dragon Ball Color (which begins at Dragon Ball chapter 195 a.k.a. Dragon Ball Z chapter 1) feels like the natural next step for Akira Toriyama's beloved 30-year-old manga. After reading the story of Goku in almost half a dozen different formats since Viz began localizing the manga in 1998, I was skeptical about whether reprinting the manga in color would do anything for me -- especially since the anime served to bring the story to life in living color already. Turns out, it scratches a certain kind of Saiyan itch. You can watch my full video review after the cut.
The manga business has seemed like a rocky sea over the several years, but if there's one publisher that's gotten in front of the waves to surf with the changes it's been Viz Media. The first major manga publisher to debut a content-loaded app with less-than-print pricing on the iPad back in 2010, Viz continued to expand its efforts in the digital space on top of its print foundation and now offers a continually growing list of material on everything from the Kindle to Google Play. The business has continued to shift, however, and the following year Viz implemented a digital price increase to facilitate its own needs as a publisher as it looked ahead to 2014 and beyond. To learn more about how Viz spent 2013 and its publishing plans the coming year, CA got in touch with Eric Eberhardt, Senior Digital Marketing Manager and Kevin Hamric, Sr. Director Publishing Sales & Marketing. Read the full interview, after the jump.
In celebration of Eiichiro Oda's pirate manga achieving more than 345 million combined volumes of manga in print worldwide, America's link to the material, publisher Viz Media, has released a digital One Piece Restrospective.
Fans may want to buy up all the digital Viz Media manga they can while it can still be purchased for around $4.99 a volume, because the price is going up to $6.99 starting October 1, the publisher announced over the weekend.
Print volumes will retain their price point of $9.99.
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