At the time Netflix first confirmed an animated Castlevania series on its roster, it was a fair question how the animated venture might handle the video game franchise’s gorier elements. Well, if the first official poster is any indication, things are going to get real red, real fast.
It’s election season in book three of Transmetropolitan, "Year Of The Bastard," and the worst sicknesses of politics are bubbling to the surface. There’s reactionary monsters in suits, there’s heartbreak for Spider, and there’s the hot question of the moment: which politician in Transmet most resembles the current US head of state, and is the answer less obvious than it appears?
Q: Why aren't the Wildstorm characters a comfortable fit in the modern, edgier DC Universe? — @jdkrach
A: With Warren Ellis and Jon Davis Hunt reviving it in the pages of The Wild Storm --- and with characters like Midnighter and Apollo experiencing some of their best stories ever in the core DC Universe right now --- it seems like the WildStorm characters have been on everyone's mind lately. And Real talk? I kinda love the WildStorm Universe.
It's a universe built on an interesting twist on what it means to be a superhero, shaped by creators like Alan Moore, Warren Ellis, Ed Brubaker, and Adam Warren, a roster of world-builders that somehow came together beautifully to make it all work. But the flipside to that is that a lot of what I love about it comes from the nature of the universe itself, and when you remove them from that kind of thematic setting, it makes it a lot harder for them to fit anywhere else.
On February 16, 1968 in Essex, England, Warren Ellis materialized fully-formed, flicked a lit cigarette at the world, and went off to write brilliant comics, essays and stories that read like compressed and condensed versions of the man himself, full of all the prescience, bile, and heart that flows out of this creative giant.
This week's debut of The Wild Storm is pretty interesting for a lot of reasons, but chief among them is the return of Warren Ellis to the superhero universe that he helped to shape into the setting of some of the most compelling superhero stories of the past 20 years. Well, kind of a return, I suppose, but while the new series is a reboot from the ground up, there's definitely a history there. And with that history, as ever, comes a sale on Comixology.
Every month, Comixology adds more titles to its burgeoning all-you-can-eat subscription service Comixology Unlimited, which allows readers access to a virtual library of comics for a flat monthly fee. February’s update goes live today, and the service is set to be bolstered by a new wave of awesome comics for you to peruse, including Danger Girl, Harbinger Wars and Lady Snowblood.
Comics are too expensive, and run for too long, and are basically evil super operas that cost a dollar for every half second we read them. You can't miss an issue, or else you're out of the loop for it all, but that also means that almost nothing happens in each comic, so you might as well wait for the graphic novel collection, but oh wait, if you do that it increases the odds of the comic being cancelled! Comics are great, but also completely broken.
That's where Fell should have come in.
In the 1990s, Warren Ellis and Darick Robertson foresaw a future of twisted behavior, renegade politics, and uncontrollable technology in Transmetropolitan. We're revisiting the series book by book, because in a time of unrest and uncertainty we could all use some Filthy Assistance.
In book two, Lust For Life, the world is brought into sharper relief as the new and the old crash into each other repeatedly, leaving our characters dealing with the fallout. Spider Jerusalem also confronts assassins putting a hit on his life as part of a convoluted scheme tied up in a messy divorce --- in a storyline that may go a bit too far...
Blood Blister, the new horror comic from writer Phil Hester and artist Tony Harris debuting this week from AfterShock, tells the story of Brandon Hull, a man whose soul becomes so corrupted by the banal evil of the superficial choices he makes that it begins to manifest on his previously flawless physical form, launching him into a hellish world of monstrous evil. Hester is also currently drawing Shipwreck, an AfterShock comic by writer Warren Ellis about a man who finds himself in a surreal wasteland after (possibly) surviving a crash.
ComicsAlliance sat down with Phil Hester to talk about horror, collaborating on comics as both a writer and an artist, and the nature of evil in the world today.
Today is Inauguration Day, and Donald Trump is the 45th president of the United States. And really, it's obvious why he won. After eight years with one of the most qualified and accomplished presidents in generations, what America really needed was a vain, egotistical, thin-skinned braggart with a long history of bullying and abusive statements, absolutely no experience in public service, and a track record of astonishing failure.
If you voted to Make America Great Again, here are some comics to dig into while you wait for all those manufacturing jobs to come back, and for those pesky SJWs to finally be put in their place.