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women in comics

Hire This Woman: Artist Chrissie Zullo

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In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”

Artist Chrissie Zullo got her break in comics via the DC Comics Talent Search in 2008 and has been working consistently ever since. She has worked for a variety of major comics publishers, including Archie, Dark Horse, IDW, and Vertigo, on covers and interiors for series including Cinderella: From Fabletown With Love, Fairest In All The Land, Womanthology: Space, Madame Xanadu and Life With Archie.

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Hire This Woman: Artist Robin Robinson

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In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”

Cartoonist Robin Robinson writes and draws her own comics, including the currently ongoing webcomic Ushala at World's End. In addition to her work in comics, she's also an experienced picture book and middle grade book illustrator and sells prints on Etsy.

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Hire This Woman: Writer Erica Schultz

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In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”

Writer Erica Schultz has worked on her creator-owned crime comic, M3, as well as The Unauthorized Biography of Winston Churchill: A Documentary with previous Hire This Woman featured artist Claire Connelly. Next up she has Revenge: The Secret Origin of Emily Thorne coming out for Marvel and ABC Studios, which readers can see a preview of at San Diego Comic-Con next week.

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Comics Alliance Presents ‘Kate Or Die’ In ‘Girl Power’

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Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate offers some words of encouragement to the creators and publishers putting forth new women-friendly superhero comics, including Ms. Marvel, Captain Marvel, and the ferociously well received news of a Batgirl revamp by Cameron Stewart, Babs Tarr and Brendan Fletcher.

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Nostalgia As A Weapon: The Sailor Moon Renaissance Is A Feminist Mission Behind The Lines Of Pop Culture

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Sailor Moon is inescapable. There’s the new anime of course, and the new musicals, the merchandise, and the retranslation of the manga. But it’s the emblem of a wider renaissance as well, a resurgence of love for mahou shoujo, or magical girl anime and manga — a movement led by women well out of their childhood years. A quick stroll through Tumblr reveals Sailor Moon cupcakes, punky Sailor Moon jackets, heartfelt essays about what the portrayal of lesbianism in Sailor Moon meant to the reader, dozens of artists working together to reanimate an episode of the anime, Sailor Moon nail art tutorials, cats named Luna, Beryl, Haruka and everything in between, hand-sculpted figurines, ornate embroidery projects, and an endless avalanche of fanart. Sailor Moon as an Adventure Time character. Sailor Moon cheekily clutching a Hitachi Magic Wand. Sailor Moon as a vicious biker chick. Sailor Moon protesting the Supreme Court's Hobby Lobby ruling.

Sailor Moon fans have not so much rediscovered their love for Naoko Takeuchi’s sword-and-sparkle epic as they have elected her queen mother of their imaginations and ultimate aspirational self. She is, simultaneously, symbol, cause, and leader.

This resurgence is animated by more than typical fannish passion. This is a need to return to a world where young women are in charge. This is an anger at the pabulum of Good Role Models for Girls, at boob windows and “fridging" and “tits or gtfo.” This is 15-year-olds covering their notebooks in “MERMAIDS AGAINST MISOGYNY” stickers, yet also gravely serious grad students applying bell hooks to Takeuchi’s use of Greco-Roman myth. This is a collective invoking of spirits, made more potent in their absence — Usagi Tsukino and all her friends as saints and saviors, carrying the light of childhood optimism to an adulthood in sore need of it. This is nostalgia as a weapon. “Pretty soldiers” indeed.

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Hire This Woman: Cartoonist And Letterer Aubrey Aiese

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In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”

Illustrator Aubrey Aiese is the letterer of beloved new series Lumberjanes as well as some of the Adventure Time comics and graphic novels from Boom! Studios. She's also an artist who has made her own mini-comics and co-writing a comic with Zachary Sterling.

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Past Obsession: An Interview With ‘Photobooth: A Biography’ Author Meags Fitzgerald

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Last week Meags Fitzgerald's new graphic memoir Photobooth: A Biography debuted and completely blew me away. Fitzgerald is an artist who works in a variety of mediums, including improv, comics, and photobooth photography.

Photobooth, published by Condundrum Press, is not just Fizgerald's love letter to the seemingly dying phenomenon of the chemical photobooth. The author intertwines historical information about the creation and evolution of the photobooth with stories about her interactions with them, and how they changed her life. It's a book about a woman who has come to passionately love something so much that it takes over too much of her life -- an idea that should resonate with many readers.

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Hire This Woman: Artist Claire Connelly

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In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”

Speedster artist Claire Connelly can complete three-to-five pages per day, so it's no surprise that she's consistently busy with projects like her own webcomic The Last Outpost, Animals with writer Eric Grissom, and The Unauthorized Biography of Winston Churchill: A Documentary with writer Erica Schultz. In addition to being a penciller and inker, she's also a writer, letterer, and painter.

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Stop The Press: Vicki Vale And The Superficial ‘Strong Female Character’

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Ah, I thought, as the camera panned lovingly down Vicki Vale’s high-heeled, black-pantyhose-clad legs — here she is. The Strong Female Character. The 1989 model had fluffier hair than her successors, but that's really the only significant difference. She establishes her Totally Empowered cred early, makes eyes at the hero, then gets the hell out of the way as he and the (male, naturally) villain go about the business of advancing the plot. She snaps a photo once or twice to remind us that she's a globe-trotting photojournalist — the kind of photojournalist with no compunction toward sleeping with her subjects, but hey, whatever. She ends the film in the hero’s arms, fulfilling her role as reward for his victory, with nary a whisper of the professional goals that drove her to him in the first place. She is pretty and in need of rescue and almost entirely in service to the male characters’ plot and characterization—but she gets to be vaguely spunky and is slapped with a typically male career, so it’s totally okay.

I can only imagine the interviews that took place upon the release of Batman, touting her modernity, her break with the damsels of the past, her ineffable 1989-ness. I’m sure the crew patted themselves on the back heartily for providing the women and girls of America with such a vibrant reflection and role model.

I'm sure of these things because 25 years later, very little has changed regarding how women like Vicki are portrayed: superficially empowered and ultimately disposable.

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Hire This Woman: Letterer Kuen Tang

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In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”

Kuen Tang has been a busy activist since becoming a quadriplegic in 2001, including work with organizations like the Canadian Paraplegic Association, filming documentaries with Oprah Winfrey Network Canada, and teaching courses on any number of subjects. In between all of that, she's discovered a passion for lettering comics and has worked on comics for Zuda and as a staff letterer for Affinity Press. She's also an artist and a writer.

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