One of my resolutions this year was to widen my comics reading horizons and try to get a little more into manga, and one of the titles that came most highly recommended, particularly from former ComicsAlliance writer David Brothers, was One-Punch Man. It sounded good, but I'll admit that I was a little reluctant to dive in with a title like that. I mean, I like comic books about punching a lot, so I wasn't sure that I was going to be satisfied with a comic that only promised one. If I'm only getting one punch, I need at least a couple of kicks and maybe someone throwing auto parts at another person. That's just the rules.
Fortunately, last week saw the release of a $6.99 digital collection of the first 200 pages of One-Punch Man, and when I took the risk to see what it was all about, I learned a very valuable lesson: It's not the quantity of punches that's important, it's the quality. And also the quantity of internal organs that go flying out of whoever's getting punched. That's a pretty big deal too.
It's weird being black sometimes. People have expectations that they just assume are true, you know? People at parties want to discuss race relations and Obama all the time for some reason, your non-black friends will grade your blackness, people want to touch your hair, and worse. There a
Over the past few years there's been a lot of dicussion about what you can do with the "infinite canvas" of digital comics that you just cannot do with traditional paper and ink. It's worth remembering, however, that there are things you can do with those traditional tools that you can't do with anything else -- and in an amazing comic posted to his Twitter account, Eyeshield 21 artist Yusuke Murata has done 'em all.
As spotlighted at CrunchyRoll