Aside from the obvious, I don't usually like to refer to things as being my "favorites." I talk about so much stuff that I love all the time that every time I settle on a favorite, I almost immediately end up contradicting myself when I remember something else that I love, like when I went on and on about how Impulse #3 is my favorite single issue of all time right before I re-read G.I. Joe #21. There's just so much out there that's great that nine times out of ten, settling on a single thing as my favorite ends up being pretty limiting, and if there's one thing I hate, it's having to go back and admit that I might've been wrong about something. For me to actually settle on something as a favorite, it has to be so obvious that it's above and beyond everything else out there that it's self-evident.
So with that in mind, believe me when I say this: Gotham Academy is, without question, my favorite comic on the stands right now, and it just keeps getting better.
Boom Studios has a reputation in the comics industry for publishing an increasingly diverse group of books and creators. This commitment to diversity in genre and people is reflected in an all-new initiative the publisher announced today in Previews with a letter from founder Ross Richie. While 2015 is the 10th anniversary of Boom, the publisher wants to talk about what's next rather than what's come before. They call this discussion of the future Push Comics Forward and they don't want it to be only about Boom.
Push Comics Forward is Boom's way of focusing on the ongoing conversation about diversity and the future of the industry. To learn more about this initiative and what to expect from Boom for the next ten years and beyond, we spoke with Editor-in-Chief Matt Gagnon.
For the past few days the comics internet has been abuzz with the news out of the 2015 Image Expo, but there's something that was announced at last year's that I'm every bit as excited for as the new batch: Southern Cross, the new sci-fi horror comic from writer-artist Becky Cloonan, artist Andy Belanger, and colorist Shari Chankhamma.
Originally announced at Image Expo 2014, Southern Cross is set for release in March, and to get people excited, Cloonan and Belanger have been posting designs from the series on a Tumblr dedicated to the comic -- and clearly, it's working, largely because they are awesome.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Listen, Gotham Academy: I already liked you. You had me hooked from the very first promise of teen boarding school drama in a city full of supervillains with Batman showing up to try to reach these kids. That is exactly what I am into in virtually every way, and with the first issue being as good as it was, you didn't have to sell me on the series any harder than you already did.
But then you brought back Bookworm, and cemented your place as the single best comic on the stands today.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
Fear, passion, beauty, love, and monsters. There's a feast of wonders in the best of October's comic book covers, with exceptional work from Becky Cloonan, Jorge Molina, Megan Hutchison, Kyla Vanderklugt and more -- taking us to some extraordinary places, and showing us some incredible sights.
Gotham Academy is exactly the comic book I want to read.
That probably doesn't come as a surprise to anyone who's been reading ComicsAlliance for any significant amount of time. I mean, if you made a list of the things I like seeing in my comics, then Batman, teenage mystery solvers, and high school drama set in a superhero universe are all things that are going to land pretty close to the top of the list, and those three elements form the exact core of Gotham Academy's premise. It's so perfectly designed to fit my very specific tastes that you'd actually have to work hard to combine them into something that I wouldn't like.
Because of that, it might be tempting to write off anything nice I have to say about the book, but trust me: this first issue of Gotham Academy is great, not just because it's got a bunch of stuff I want to see, but because Becky Cloonan, Brenden Fletcher, Karl Kerschl, Geyser, and Dave McCaig, have produced one of the most solid starts of the year.
Becky Cloonan, Brenden Fletcher and Karl Kerschl's Gotham Academy is the comic I never knew I wanted until it was announced, and every moment since then has been an eternity of waiting for it to actually hit shelves. Now, with the book set for release this Wednesday, we are finally on the verge of living in a world where there is a high school adventure drama that also has Batman in it.
If, however, you can't wait, then I have some good news. Today, DC released a five-page preview of the new series, in which our lead characters, Olive SIlverlock and Maps Mizoguchi, take a tour of the ominous and imposing Gotham Academy, before immediately being caught in an equally ominous and imposing thunderstorm. Because of course there's a thunderstorm; heavy rain and blood-red skies are the only two types of weather allowed in Gotham City.
In the process of writing my article about muscles vs curves, and how the big dudes of superhero comics typically fail to represent the tastes of most androphile women, I gathered a collection of images and recommended artists from my correspondents that illustrate the sort of art they'd love to see more of -- but which there's sadly very little of compared to all the T&A fan-service targeted at straight men.
I had far too many recommendations to put in the article, so I've compiled the collection (and a few personal favorites) into a very special one-off post. The collection includes pin-ups, fan art, sketches, and some traditional superhero art from artists who aren't afraid to put a little male eye candy in their work!
As a man who reads superhero comics, I confess that I share a commonly-held prurient interest in big-chested, long-legged heroes in skin-baring costumes that barely cover their naughty bits -- or as I like to call him, Namor.
Sadly, Namor is pretty much alone in his category. Contrary to the perception that male heroes in comics are frequently sexually objectified, it's my experience that even Namor is only rarely presented as someone to lust over. Yet I'm fortunate that my tastes run towards the Hemsworth end of the scale. Like many straight men, I admire the kind of buff dudes that are the staple of superhero comics, even though they are rarely sexualized. If I shared the tastes of most of the women I know, I think I'd find superhero comics an even more frustratingly sexless wasteland.
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