You know how much we love cosplay at ComicsAlliance; we put a spotlight on it every week. Fans who create their own costumes and dress up as their favorite heroes are some of the most passionate and enthusiastic people in comics, and the level of talent and committment on display at conventions seems to get more impressive every year. If there isn't a Carol Corps cosplay meet-up or a whole dang Spider-Verse at a show, you'll probably go home disappointed.
So it's great to see Marvel paying tribute to these fans with a selection of cosplay variant covers on several of its All-New All-Different launches this fall. The Marvel Cosplay variants place fans of Spider-Gwen, Daredevil, Doctor Strange, Thor (both versions) and more on the covers of the books they love. Cosplay connoisseurs will see some familiar faces among the cosplayers, including Birds of Play's Amanda Lynne Shafer, cosplay legend Yaya Han, and Marvel's own in-house cosplay blogger Judy Stephens as Captain Marvel.
Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we’re asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we’ll compile a list of the greatest super-costumes of all time.
We're wrapping up our super-poll with a few unusual takes on classic superhero design, from a 00s Superman pastiche to a very 80s Green Lantern, plus an arguably under-appreciated Kirby classic, and two particularly quirky robots.
In advance of Matt Fraction and Joe Madureira's upcoming Inhuman series, this week Marvel released a new hardcover edition of the highly-regarded Inhumans by Paul Jenkins and Jae Lee. The twelve-issue Marvel Knights book, which won the 1999 Eisner Award for “Best New Series,” brought a new level of sophistication to the Lee/Kirby oddballs, activating in them the dormant metaphors of class separation and the coming-of-age ritual. At a time when superhero books seemed to be improving at an explosive rate, Inhumans was one of the most-talked-about comics on the stands; it’s certainly one of Marvel’s defining books of the era, and for most of its run, it was one of my favorites. But there’s something about it that keeps me from labeling it a classic. To quote Maximus the Mad, “there is a flaw.”
First issues of event comics have to accomplish a lot. They have to introduce a conflict, introduce a villain, give heroes memorable moments that bring the reader back to see more, set up side stories that can be fleshed out in other titles, have a big battle scene, and the list goes on.
Infinity #1 by writer Jonathan Hickman and artist Jim Cheung with a team of inkers, colorist Justin Ponsor and letterer Chris Eliopoulos, does some of those things, but in a sort of sidestep rather than a straight-ahead dash. And some of the items on the checklist, it willfully denies the reader. In the end, I wound up liking the approach, but getting there took a lot of trust not every reader may have.
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