I think we can all agree that Nextwave was the pinnacle of superhero comic books as an art form. Of course, while I'm not sure the world could have handled more than 12 issues of beautiful perfection, I will say that if Marvel isn't going to have more comics about Elsa Bloodstone beating broccoli monsters to death with a shovel and declaring herself to be President Frankenstein, the least they can do is give us more comics featuring the incredible art of Nextwave's Stuart Immonen.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
We've seen college course offerings focus on the 'Harry Potter' universe, comic books, and even one specifically for 'The Walking Dead,' but now it's Marvel's turn to educate younglings about the intricacies of their Cinematic Universe.
Marvel's Ultimate Spider-Man is kicking off a new season on Disney XD Sunday with a slightly modified title--it's now Ultimate Spider-Man: Web Warriors--and, from the looks of these clips, a somewhat modified tone.
The two-part season opener, titled "The Avenging Spider-Man," will follow Spidey as he joins up with the Avengers to take on a whole bunch of villains including Loki, Doctor Octopus, Fin Fang Foom, and Attuma. Things go awry when Loki takes control of Spider-Man's body, and the whole affair simply seems less goofy than the show's previous efforts.
Marvel is quietly making a big push to get its comics into mainstream retail -- the most mainstream retail -- at a hefty discount.
A report over at The Beat details how "exclusive" editions of Marvel trade paperbacks -- the key example is the Amazing Spider-Man "Big Time" trade from 2011 -- are selling at Walmart for $5 each. For comparison, the regular trade retails for $14.99 and is on sale at Amazon right now for $11.48.
The short, short version of both Captain America and The Incredible Hulk's origin stories is simply, "science." Steve Rogers got injected with a serum that made him the perfect human specimen; Bruce Banner absorbed a bunch of gamma radiation that made him turn into a big, green (or sometimes gray) guy.
For decades, comics fans have pretty much just accepted those origin stories as science fiction, but Stanford University biologist Sebastian Alvarado says there are for-real scientific explanations for how the two heroes got their powers.
Guardians Of The Galaxy just enjoyed a very successful weekend at movie theaters, taking home around $94m, far in excess of expectations. The movie also stands at 92% positive reviews on aggregator site Rotten Tomatoes, joining all previous Marvel Studios movies in receiving predominantly favorable notices.
Marvel Studios is doing very well. In six years and ten movies, it has avoided both critical and commercial disasters, and frustrated naysayers who hailed the demise of the superhero movie at every step. Marvel's rivals at Fox, Sony Columbia, and Warner Bros, have enjoyed commercial success as well -- but not with the acclaim, consistency, or proliferation of Marvel. So how does Marvel do it, and can they keep doing it?
Mighty Avengers is getting a new #1 and a new title this November. At the Avengers NOW panel at San Diego Comic-Con on Friday, Marvel announced that the series will relaunch as Captain America & The Mighty Avengers -- with former Falcon Sam Wilson taking point as the new Captain America. That means a second title series for Wilson's Cap, and a second chance for readers to discover the book.
Al Ewing continues as writer, with former Captain America artist Luke Ross taking over as regular series artist. ComicsAlliance spoke to Ewing to find out why the book is relaunching, how he plans to handle Sam's promotion, and what it means to write the only Avengers book with a predominantly non-white team.
Sam Wilson makes his first appearance as the new Captain America at the end of Rick Remender's current run on the book, Captain America #25, in October. Sam gets his own book in All-New Captain America #1 in November, by Remender and Stuart Immonen. But another story will bridge the gap between those two titles, and it will be released as a digital mini series.
The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it's disorganized and riddled with gaps, but it's also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
Jim Steranko's reputation as one of the great American comic book artists rests almost entirely on the comparatively tiny body of work he drew for Marvel between 1966 and 1970: nine complete comic books, eighteen "Nick Fury: Agent of S.H.I.E.L.D." episodes that each occupied half of an issue of Strange Tales, and a pair of seven-page stories from anthologies, as well as a handful of covers. All of his Marvel stories can now be read on the Unlimited app... except for Nick Fury #5, for whatever reason. If you've never gotten to sample Steranko's psychedelic delights, here are three excellent starting points.