Fashion brand Shoes of Prey used its customizable design website to style some superhero-inspired heels and flats as examples of footwear that customers can tweak and purchase for themselves with the Shoes of Prey 3D Designer, which gives the wearer selection of colors, materials, and alter various detailing parameters such as heel height, toe and heel detailing.. Each pair of shoes is handmade to fit the customer's chosen aesthetics and run at least $100 per pair.
As a fan of both Shoes of Prey and comics, customer Mandy Kerr designed some heels and flats inspired by Batman, Iron Man, and more (seen in the grahguc below). Inspired by Kerr's excellent Robin-inspired oxfords, I utilized the Shoes of Prey 3D Designer to create a few of my own shoe designs, including flats and platformed wedges inspired by Wonder Woman, Captain Marvel, Batwoman, and more.
Offering a notably comics-specific, distinctly warm and fuzzy vibe that's not to be found at some of the massive and monstrous, comics-suppressing conventions here in the US, Seattle's Emerald City Comicon feels a lot more like comics summer camp than it does a media trade show. Comics professionals from all dimensions of the industry -- creators, publishers, press and beyond -- all look forward to ECCC for the same reasons attendees do; it's a great weekend to meet your readers, meet your favorite authors, and celebrate the medium we all love.
Also, buying cool stuff.
That same summer camp quality that makes ECCC worth attending may also make it worth commemorating, which is why it makes sense that geek fashion hausWe Love Finehas made its first ever partnership with a convention with a limited edition line of t-shirts. Featuring Marvel characters like Captain Marvel, Hawkeye and Deadpool as well as other We Love Fine licenses like My Little Pony, Transformers, ElfQuest, Bravest Warriors, Adventure Time and Bee & Puppycat alongside Seattle iconography (very cute), the ECCCxWLF collection will be available exclusively for $25 each at the Seattle show from March 27-30.
Since it's launch in 2012, Kelly Sue DeConnick's run on Captain Marvel has engendered a fan base unlike any other in comics. The Carol Corps does anything and everything it can to promote the series they love, and that passion shows up everywhere from comic shops to Tumblr to convention floors across the country. Simply put, they are well organized, and they come correct.
So when Marvel announced that the title would be relaunched with a new Captain Marvel #1, as part of the publisher's All-New Marvel NOW initiative, it meant the series' fans would have one more opportunity to spread the love for a number one issue. And helping to further the excitement is the presence David Lopez, who'll be taking over as series artist while also providing cover art for issue #1.
Today Marvel has provided ComicsAlliance with the first look at Lopez's two covers for the issue, both the standard and the animal variant featuring Carol Danvers as a cat, which somehow feels like an appropriate spirit animal for the popular Avenger.
The New York Times broke news today of a new solo superhero title launching from Marvel early next year -- and this one comes as a welcome change of pace for readers who want to see more diversity in their super-books.
Ms Marvel #1, from writer G. Willow Wilson (Cairo) and artist Adrian Alphona(Runaways), introduces the world to the young Muslim woman who takes on the mantle of Ms. Marvel formerly held by Carol Danvers, the current Captain Marvel. The new Ms. Marvel will be the first Muslim character to get her own ongoing solo series at Marvel, one of a growing number of female solo leads, and the only person of color headlining a solo book in the Marvel Universe.
After a long month of obsessing over various spooks, ghouls and haints, it is finally Halloweek -- which basically means that next Monday, I start thinking about Christmas. But before I do, I wanted to make sure that I gave you a glimpse of the ultimate in harrowing horror. A story designed to chill you to the bone, to bring the fear of the dark back into your life, to remind you that there are things out there, unknowable and unstoppable, waiting for you. It would have to be a story with not one monster, not two, not even three, but five unstoppable terrors that could fill even the world's mightiest mortal with fear.
And, you know, it would also be nice if at least one of those monsters got punched in the face with a windmill while we were at it. Fortunately, I found one that fits the bill, just in time for our final trick-or-treat!
Last week ComicsAlliance published an editorial by Matt D. Wilson's titled What Does A Number One Issue Mean? In that piece, Matt criticized American comic book publishers' reliance on the "all-new #1 issue" scheme, describing it as a "myth" with respect to creative direction and a "stunt" with respect to sales.
After reading Matt's piece, Brandon Schatz of Wizard's Comics in Edmonton penned an insightful look at the topic from the point of view of the retailer, to whom the shiny new #1 issue is also squarely aimed. It's with Schatz's gracious permission that we're publishing his words, which have been edited only slightly so as to add images, relevant links and conform to CA's style guide.
I was pleasantly surprised by just how much pure comics news came out of New York Comic Con this year. It really felt like a show that seemed to revolve around comics (I say as an online observer who didn't attend). Even the panels about non-comics stuff, for example, the Batman: Arkham Origins panel, included moments like readings from The Killing Joke.
As for the comics news itself, well, it was more of a mixed bag. On the one hand, a ton of new series with tons of potential got announced. On the other, we had announcements like the one about Captain Marvel, a book that's only been coming out for about 15 months, restarting with a new number one issue. I'm more than pleased that Captain Marvel will continue. But that odd announcement--and the fact that nearly every other announcement was about a new first issue of a series--got me thinking about what a number-one issue of a comic even means anymore.
Marvel's final panel at New York Comic-Con this year was billed as “Superior Spider-Man & Friends," which does not mean Iceman and Firestar, but rather all the books coming out of the Spider-office led by line editor Steve Wacker – which include the last new "teased" titles to be unveiled at the show.
Wacker was on hand to lead the panel, joined by writers Dan Slott, Kelly Sue DeConnick and Nick Spencer, editors Sana Amanat, Ellie Pyle, Jake Thomas and Tom Brennan, and artist Humberto Ramos.
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