Cecil Castellucci, noted young adult novelist of such books as Boy Proof and Tin Star is also renowned for her music career with the band Nerdy Girl, and for her exemplary graphic novels such as The PLAIN Janes. Next year, Castellucci will team with artist Jose Pimienta for a depression-era graphic novel of self-discovery titled Soupy Leaves Home, to be published by Dark Horse.
Since it was announced at Emerald City Comic Convention, details have been relatively scarce surrounding Gerard Way's so-called "pop-up imprint" at DC, Young Animal. We know the four comics that will make up the line, the creators involved, and tidbits of individual synopses, but not much else.
Last night, Way took to his blog to give fans the first of what will seemingly be a weekly sneak peek behind the curtain of Young Animal, discussing the creative and collaborative processes that went into the genesis of each title. He also unveiled brand new art for each series by the likes of Tommy Lee Edwards, Nick Derington and Michael Avon Oeming.
DC has made some interesting moves since its relocation from New York City to Burbank, California, last year, including the upcoming line-wide relaunch DC Rebirth, and a notably uneven line of Hanna-Barbera-inspired comics. Perhaps the most surprising announcement came at Emerald City Comicon earlier this month, when DC unveiled Young Animal, a new line of superhero comics masterminded by Umbrella Academy writer and musician and My Chemical Romance frontman Gerard Way.
Described as a "pop-up imprint," Young Animal includes a new Doom Patrol series by Way and Nick Derington; a Shade relaunch, Shade the Changing Girl, by Cecil Castellucci and Marley Zarcone; Cave Carson Has A Cybernetic Eye, by Way, Jon Rivera and Michael Avon Oeming, and the Gotham-set Mother Panic, concceived by Way and written by Jody Houser, with art by Tommy Lee Edwards. But that's just the start. ComicsAlliance sat down with Way to find out how Young Animal came to be, what his longterm plans are for the imprint, and how involved he is with all the books across the line.
To mark First Second's ten year anniversary, ComicsAlliance is spending this week talking to cartoonists, creators and talents associated with the publisher, to look back at their own past ten years in the industry.
Today we speak to Sara Varon, a cartoonist, children's picture book author, and illustrator who has been with First Second since the publisher's inception. She created two original graphic novels for First Second, Robot Dreams and Bake Sale; she collaborated with writer Cecil Castellucci on another, Odd Duck; and First Second just republished a new version of her short story collection Sweaterweather, and will publishing Varon's next work as well. In addition to her comics work, Varon has published two picture books for Scholastic Press: Chicken and Cat and Chicken and Cat Clean Up.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cecil Castellucci is a creator of comics, novels, music and film who's probably best known to ComicsAlliance readers for her work with Jim Rugg on The PLAIN Janes graphic novels. Commissioned by DC Comics for its young adult comics line Minx, Castellucci's work earned her the Joe Shuster award for Outstanding Canadian Comic Book Writer. She collaborated with March artist Nate Powell on The Year Of The Beasts, a hybrid prose/graphic novel; her book Odd Duck, with Sara Varon, was nominated for an Eisner award for Best Publication for Early Readers; and is a contributor to DC's new Wonder Woman anthology, Sensation Comics.
If you've been following the story of Vertigo -- the DC Comics mature readers imprint that's home to The Sandman, Preacher, Scalped and much, much more -- you know that there was a time in the recent past when it seemed the once legendary label had lost its prestige, especially when founder Karen Berger left the company. Thankfully that downward trend has been steadily reversed with the progress of JH Williams III and Neil Gaiman's new Sandman project, critically acclaimed new titles like FPB: Federal Physics Bureau, The Wake and Trillium, and promising books to come like Hinterkind. All these projects speak to the variously dark and wild-eyed visions that defined the Vertigo line at the height of its influence, but what you may not recall is that this creative refocusing began in earnest where so many great comics do: within the pages of relatively innocuous anthologies.
On sale this week, The Unexpected is a paperback collection of The Unexpected #1 and Ghosts #1, two Vertigo anthology one-shots released in 2011 and 2012, respectively, that signaled the imprint's aesthetic resurrection. The book compiles done-in-one horror shorts from the imaginations of some of comics' most enduring talents as well as promising newcomers, including one of the final works of master cartoonist Joe Kubert and a rare mature readers outing from DC's top superhero writer Geoff Johns.
On sale now from Vertigo is Ghosts #1, a new anthology one-shot produced specifically for the Halloween season. The book features new work from Gilbert Hernandez, Al Ewing & Rufus Dayglo, Paul Pope & David Lapham, Neil Kleid & John McCrea, Toby Litt & Mark Buckingham with Victor Santos, Mary H.K. Choi & Phil ...
With Comic-Con mere days away, the Comic Book Legal Defense Fund is raising the stakes with three incredible exclusives and a slate of amazing signings!
EXCLUSIVE: STARDUST VIP PACK!
Be among the first to experience the film magic of Neil Gaiman & Charles Vess' Stardust at Comic-Con! Th