A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month
November's covers include some superb compositions, some new twists on familiar iconography, a Catwoman, a Batgirl, and an enormous killer whale. Check out some excellent comic covers from familiar names like Michael Del Mundo and David Nakayama, and some new names for this column, like Butch Guice and David Rapoza.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Azzarello and Chiang's Wonder Woman has been praised for putting forth an epic, cohesive and narratively self-contained superhero drama with flourishes of the urban fantasy that once defined DC's Vertigo imprint, but has also been criticized for the changes it made to Wonder Woman's core myth. What's not in dispute is that the pair have created the most memorable and talked about Wonder Woman story in years -- maybe in decades -- and to mark the conclusion of their work, we caught up with Chiang and Azzarello to look back at their run and talk about their novel take on the feminist icon.
Is she a being of love adrift in darkness, as portrayed by Brian Azzarello and Cliff Chiang in their recently ended run? A dowdy wallflower, eternally at war with her own glamorous alter ego for Steve Trevor’s affection? George Pérez’s goddess of truth? Robert Kanigher’s wannabe wife? Greg Rucka’s diplomat? Gail Simone’s savior? Robert Valley's hot rod heroine? The Justice League’s secretary? Superman’s girlfriend? Batman’s girlfriend? Lynda Carter in satin tights? William Moulton Marston’s herald of benevolent matriarchy or the sexed-up uberbabe I met as a comics-curious child? Or, in the most macro sense—the one that most of the public operates on, when it comes to Wonder Woman—is she merely the century’s most generic t-shirt symbol of girl power?
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
For the most part, mainstream comics don’t care about fashion. But sometimes, something sneaks through and reminds us all of why this matters. Sensation Comics #7, illustrated by Marguerite Sauvage from a script by Sean E. Williams, is that rare, trembling shaft of light into the dank, Dragon Ball Z-print-button-downed basement that is the state of fashion in comics.
One of the most discussed news items from last month's Comic-Con International was the first look at Wonder Woman as she will appear in Batman V. Superman: Dawn of Justice, the new DC Entertainment film by Zack Snyder. Played by Gal Gadot, this will be the first cinematic appearance of William Moulton Marston's Amazonian princess and feminist icon in her nearly 75-year history, and naturally fans have had a lot to say about the portrait debuted in San Diego. In reaction to the image, members of the ComicsAlliance staff assembled to discuss and critique Gadot's costume, depictions of super-women on film, and the current state of superheroine fashion in general.
Today's participants include CA's superheroic sartorialist Betty Felon; clinical psychologist and Arkham Sessions co-host Dr. Andrea Letamendi; comic book editor Janelle Asselin; journalist Juliet Kahn; comics writer/artist Kate Leth; and blogger/vlogger Angelina L.B. aka ALB, who makes her CA debut in this in-depth analysis. Join us for our roundtable discussion on Wonder Woman's newest live-action steez, high heels, and the balance between practicality/realism and style in superheroine costume design.
For many collectors, Comic-Con International means an opportunity to get stuff, and DC Collectibles seems more than happy to oblige. This week the company revealed a truly massive amount of toys and other products that will be available later this month in San Diego, including a super-posable Harley Quinn action figure in Bruce Timm's Batman: The Animated Series style and a new Wonder Woman statue designed by current series artist Cliff Chiang.
Other offerings include a series of Batman figures designed by Greg Capullo that include Zero Year's purple-gloved Batman, a line of Arkham Knight action figures in which Harley Quinn is rocking a truly hilarious tutu, a line of action figures for the CW's Arrow that will feature both a shirtless and hoodie-wearing version of the vigilante archer, and a piece we're nicknaming "The Hills Are Alive With the Sound of Superman."
DC has a Wonder Woman problem. Or perhaps more accurately, Wonder Woman has a DC problem. The idea of Wonder Woman as a feminist icon is so imprinted in her history, and in analysis of the character, that separating her from feminism should be near impossible. But that hasn’t stopped people trying.
Much has been written over the years about the ebb and flow of feminism in the Wonder Woman comics, the relative feminism of her appearances on the small screen, and her role as an icon for the movement. A recent interview with the new Wonder Woman creative team of Meredith Finch and David Finch has brought the topic back into focus.
Publisher Locus Moon press has been working on the new anthology book, Little Nemo: Dream Another Dream, for about two years now, and it's asking for fans to help make the long journey come to fruition.
The book,which tasks creators including Paul Pope, John Cassaday, Jill Thompson, Cliff Chiang, J.H. Williams III, Craig Thompson, Carla Speed McNeil, Mike Allred and Roger Langridge, with drawing new, full-page Little Nemo strips in the style of series creator Winsor McCay, will come out in the fall if Locus Moon can raise $50,000 via Kickstarter. The project launched Monday morning, and by mid-afternoon, it was at around $13,000. Not a bad start.
It appears that you already have an account created within our VIP network of sites on .
To keep your personal information safe, we need to verify that it's really you.
To activate your account, please confirm your password.
When you have confirmed your password, you will be able to log in through Facebook on both sites.
It appears that you already have an account on this site associated with . To connect your existing account just click on the account activation button below. You will maintain your existing VIP profile. After you do this, you will be able to always log in to http://comicsalliance.com using your original account information.