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12 Facts You May Not Have Known About The Powerpuff Girls

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Everyone loves trivia about their favorite animated features and series, but with over 100 years of animation history behind us right now, there’s always some new obscure fact to learn. That’s why ComicsAlliance is going deep into the minutiae of your favorite names in cartoons in this continuing video series. You think you know cartoons? Well, here’s a few things you might not know!

This week we're taking a look at Blossom, Bubbles, and Buttercup, the Powerpuff Girls!

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‘Foster’s Home For Imaginary Friends’ Could’ve Had The Greatest Action Figure Line Of All Time

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Cartoon Network/Craig McCracken

Despite the popularity of Craig McCracken's Foster's Home for Imaginary Friends on Cartoon Network, the show has only been adapted a few times in comic form as part of DC's Cartoon Network 2-in-1 in 2010 and as part of IDW's upcoming massive CN Super Secret Crisis War crossover. Similarly, although the show did get some toys, it never received a proper action figure line. But it almost did. And in the most intensely awesome way imaginable. The show's comedic character Bloo was transformed into a titan of toyeticism in the name of pure fun.

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‘Powerpuff Girls’ Creator Craig McCracken’s ‘Wander Over Yonder’ Gets Stunning Title Sequence, Infectious Theme Song

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We've been looking forward to Powerpuff Girls creator Craig McCracken's new animated series Wander Over Yonder since it was first announced early last year. The show, McCracken's first since Foster's Home For Imaginary Friends concluded in 2009, follows the space-faring adventures of an uncommonly cheerful alien called Wander and his distinctly downbeat sidekick Sylvia as they travel the universe fighting the forces of hatred -- embodied by the villainous Lord Hater. 30 Rock's Jack McBrayer voices the title role.

This week the Disney Channel released an early look at the Wander Over Yonder title sequence. Featuring a kind of crazy original theme song by Two Man Gentleman Band (whose Andy Bean also composes the series' music), the intro is a frenzy of textured, otherworldly imagery and gradient-heavy color, signifying an ambitious step up from McCracken's typically flatter palette and rendering style.

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