In the mid-eighties, DC Comics tried a bizarre experiment known as the DC Challenge, a story told by twelve different creative teams over twelve comics, with the catch being that each issue would end on a cliffhanger that the next team would have to get themselves out of. Announced at Emerald City Comic Con, DC is reviving the series in the form of Kamandi Challenge, thirteen creative teams over twelve issues telling one complete story with the classic Jack Kirby character, Kamandi: The Last Boy On Earth.
The original DC Challenge featured the likes of Elliot S! Maggin, Mike W. Barr, Dave Gibbons, Gene Colan and so many more legendary creators. and featured the additional caveat that they could use any DC Comics characters, except ones they were currently working with elsewhere. The series culminated in a jam-packed final issue which was divided among six of the previous creative teams.
DC Comics hosted a special livestream event at WonderCon in Los Angeles on Saturday afternoon to unveil the creative teams behind its DC Rebirth event, which relaunches the entire DC Universe line with new issue #1s and multiple double-shipping titles. The relaunch will set the future course of DC Comics at a time when fans are wondering whether the company will embrace a new and diversifying audience or double down on serving a shrinking core audience.
The event was introduced by DC All Access host Tiffany Smith, with DC co-publishers Jim Lee and Dan DiDio and chief creative officer and Rebirth chief architect Geoff Johns introducing and interviewing the creative teams as they joined them on stage at the Los Angeles Convention Center.
Civil War II is just around the corner, and the news is starting to trickle in about what exactly it’s going to be, and what comics will be included in Marvel’s massive summer event. This past weekend at C2E2, Marvel unveiled a host of Civil War II news, including several brand-new miniseries, as well as announcing some of the details for crossovers that take place in regular books.
While there are many different qualities that a colorist brings to a comic book, one of the most beneficial and subtle effects is the effect a good colorist can have on the line art, shaping a good artist into a great artist and a great artist's work into something transcendent. Unless you're consistently comparing the black & white original pages to the finished color versions, it can occasionally be difficult to accurately assess what a colorist is really doing to change the work.
Thankfully, Nathan Fairbairn is not only one of the best collaborators in the comics industry, he also dedicates time to showing the color theory and thinking that goes into his process on his Tumblr; an indispensible resource for anyone interested in learning more about colorists and comics coloring.
Dan Abnett and I.N.J. Culbard's Wild's End is most aptly and succinctly described as War of the Worlds meets Wind in the Willows; a classic alien invasion tale set in an English village in the 1930s, with the unusual twist that all the characters are anthropomorphic animals --- an approach that allows readers to make a different kind of attachment to the book's beleaguered cast. Sometimes animal heroes are actually easier to identify with and sentimentalize.
In the first Wild's End story, the residents of Lower Crowchurch averted the threat of alien invasion --- or so they believed. The sequel, The Enemy Within, posits that the aliens may already be among us. Of course, the 'us' in this situation consists of adorable talking squirrels and cats and foxes as they wrestle with the paranoia, violence and horror of alien infiltration. Check out an exclusive preview.
The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
Hercules is getting another shot at an ongoing solo title this winter, courtesy of the creative team of writer Dan Abnett and artist Luke Ross. Debuting in November, the new series positions the hairy-chested demigod as a hero trying to recapture the glories of his past as a celebrated champion (not the glories of his past as a celebrated Champion). The series also sees Herc with a militarized new look courtesy of Ross.
A more appropriate name for DC Comics' Convergence event, at least the miniseries that will accompany the main series for two months next spring, may be "Nostalgia Trip."
DC has been rolling out titles and creative teams for the 40 planned series week by week. The first batch focused on the publisher's pre-New 52 continuity. The second focused on the 1990s (including WildStorm), and the third seemed to center on the 1980s.
The fourth and final group of miniseries, which DC announced Tuesday, covers a much wider time period: All of DC's pre-Crisis On Infinite Earths continuity. And there's another twist: They all take place on defined and listed alternate Earths which existed before the company's last line-wide reboot in the 1980s.
The Tangent universe is a recurring feature in the third week of titles for DC's spring 2015 Convergence event, cropping up by name in the solcitations for the Flash, Justice League of America, and New Teen Titans two-part minis -- and "tangent" seems like an apt term to describe DC's impenetrable two-month event that offers all the confusion and frustration of a reboot with none of the narrative consequence.
Besides the Tangent universe, the other unifying theme of the third wave of books is that dig into DC's pre-Crisis On Infinite Earths past, with writer Marv Wolfman returning to the New Teen Titans, Len Wein taking another swing at his own creation, Swamp Thing, Diana Prince back in her modish 1968 white jumpsuit, and the return of the mid-80s Detroit Justice League.
The way I've always understood anthology series is that you never want every story to end at the same time, because the idea is that by chaining everything together, the reader never has a chance to jump off. That might sound mercenary, but really, it's just simple economics: If everything you're into ends all at once, then you've got a lot less incentive to come back for the next issue. Right? Right.
Well, it seems that last week's issue of 2000 AD went against that little bit of conventional wisdom by capping off every story that they had going so that they could set up this week's offering: Their 1900th issue, which celebrates the milestone by launching three new stories, and provides a perfect jumping-on point. If you haven't been reading 2000 AD and want to see what all the fuss is about, this is the issue to get -- and you should definitely get it, because all three stories are pretty awesome.
It appears that you already have an account created within our VIP network of sites on .
To keep your personal information safe, we need to verify that it's really you.
To activate your account, please confirm your password.
When you have confirmed your password, you will be able to log in through Facebook on both sites.
It appears that you already have an account on this site associated with . To connect your existing account just click on the account activation button below. You will maintain your existing VIP profile. After you do this, you will be able to always log in to http://comicsalliance.com using your original account information.