Test footage from the unlikely-but-not-impossible Deadpool movie has been appearing and disappearing all over the Internet for the past few days, with a high-res version popping up on Vimeo (since deleted) and DailyMotion (the player above).
Here's what we know about it: director Tim Miller and actor Ryan Reynolds made the two minutes or so of footage back in 2012 to convince 20th Century Fox to greenlight a film. It hasn't convinced them yet, and Reynolds has been less than optimistic about the movie's chances in recent interviews. Fans can assume that if there had been (or could be) a Deadpool movie, it would have looked a lot like this. There's a lot to like about what's in here, and a few things that seem to be missteps. Let's take a look.
Spotted by ComicsAlliance photographer Pat Loika walking away from the San Diego Convention Center this week was doubtlessly the most Deadpoolish bit of Deadpoolery we've ever seen in 3D space (today). It's not hard to imagine Usagi Tsukino and the rest of the Sailor scouts enjoying their day before Sailor Deadpool jumps into the scene and just Deadpools all over the place as they watch completely speechless and aghast.
The Marvel Comics press release that announces the above, 3D motion variant cover for September's Deadpool #34 doesn't mention the publisher's rivals at DC Comics, but it doesn't have to. For the second time in as many years, DC will be releasing a slew of 3D lenticular covers tying into a September event -- this year, it's a Futures End tie-in; last year, it was Villains Month -- so this is clearly Marvel have a laugh at DC's expense, and it wears the face of the House of Ideas' most enduringly popular troll.
Offering a notably comics-specific, distinctly warm and fuzzy vibe that's not to be found at some of the massive and monstrous, comics-suppressing conventions here in the US, Seattle's Emerald City Comicon feels a lot more like comics summer camp than it does a media trade show. Comics professionals from all dimensions of the industry -- creators, publishers, press and beyond -- all look forward to ECCC for the same reasons attendees do; it's a great weekend to meet your readers, meet your favorite authors, and celebrate the medium we all love.
Also, buying cool stuff.
That same summer camp quality that makes ECCC worth attending may also make it worth commemorating, which is why it makes sense that geek fashion hausWe Love Finehas made its first ever partnership with a convention with a limited edition line of t-shirts. Featuring Marvel characters like Captain Marvel, Hawkeye and Deadpool as well as other We Love Fine licenses like My Little Pony, Transformers, ElfQuest, Bravest Warriors, Adventure Time and Bee & Puppycat alongside Seattle iconography (very cute), the ECCCxWLF collection will be available exclusively for $25 each at the Seattle show from March 27-30.
Over the past few years, WeLoveFine has pretty steadily become our site of choice for the clothing we need to survive the harsh elements and hide our shame. This is largely thanks to great designs featuring stuff we love, like Adventure Time, My Little Pony and Marvel Comics, but one of the most fun things about the site has been seeing what fans have done with their design contests.
The latest contest? Deadpool, with the winners picked by Deadpool writers Brian Posehn and Gerry Duggan. Check out the winners (including the one picked by the staff of WLF) below!
Even though I've got a stack of 'em sitting next to me, I'll admit that I'm more than a little behind on the current run of Deadpool. As a result, I've been completely unaware that they've been doing flashback stories set in past eras of the Marvel Universe, until the moment I saw the preview for #13, in which Brian Posehn, Gerry Duggan, Scott Koblish and Val Staples reveal an untold tale of everyone's favorite mercenary mixing it up with Power Man, Iron Fist, and best of all, the Baseball Furies.
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