The Fantastic Four have some of the best villains in comics, in part thanks to Stan Lee and Jack Kirby's 100+ issue run on the title, which was ceaselessly creative and inventive. However, which of the FF's many enemies is their ultimate nemesis?
OK, obviously it's Doctor Doom. So... who is their second greatest enemy?
If there’s one thing we’ve learned from our years on the Internet, it’s that there’s no aspect of comics that can’t be broken down and quantified in a single definitive list, preferably in amounts of five or ten. And since there’s no more definitive authority than ComicsAlliance, we’re taking it upon ourselves to compile Top Five lists of everything you could ever want to know about comics.
He's the best there is at what he does, and even though Wolverine fancies himself quite a loner, he's also pretty great at doing team-ups with just about everyone under the sun.
It seems that at least once a year the Big Two superhero publishers push for a major relaunch of their titles with a wave of new number ones that often feature characters that haven’t had an ongoing series in a long while. The choices are sometimes baffling, but the relaunches usually result in at least a few surprise hits, like The Unbeatable Squirrel Girl, and Moon Girl and Devil Dinosaur.
Marvel is currently in the process of launching an all-new, all-different Marvel Now with characters like Foolkiller and Solo, but there are a lot of great characters that just aren't being used to their full potential. We’ve put together a list of five ideal candidates for the next big Marvel relaunch, or the next phase of the current one.
In Cinemautopsy, we look back at a recent, high-profile failure and ask a simple question: What the hell happened? In this installment... the comic that launched Marvel Comics. A cast of beloved up-and-comers. One of the hottest young directors in Hollywood. A bold attempt to reinvent the superhero genre. What could possibly go wrong?
On August 8, 1961, Fantastic Four #1 changed superhero comics forever, and yet it's barely a superhero comic at all.
Legend has it the book was inspired by the success of rival DC's Justice League of America. That book is a superhero comic through and through, and apparently its team of heroes inspired Marvel publisher Martin Goodman to ask his top creators, Stan Lee and Jack Kirby, to create a superhero team of their own. But while DC gathered its Justice League from their other superhero titles, Marvel was publishing no superhero books at that time.
So Lee and Kirby created a team from scratch. But springing from the minds of Lee, who was by all accounts terribly burnt out on comics at the time, and Kirby, who had done everything in comics, but was then the master of monsters, Fantastic Four #1 was a weird, dark superhero book, about a weird, dark team
Over the weekend, I saw Ghostbusters. I loved it, but I’m not here to review it. Obviously one of the things that everyone has talked about is the female cast. There’s been a lot of backlash against it, and a lot of people defending the choice, and a plenty saying it shouldn’t matter. But honestly, I think it does matter, and I’m all in favor of it. In fact, I want to see more women-dominated reboots of previously male-dominated properties.
Here’s the thing: We need more movies with woman-led casts, and that makes a movie like this even more exciting, but there’s more to it than that. Changing up the cast automatically gives the movie a freshness it wouldn’t have had with men.
John Byrne is a controversial figure in comics, all the more so as he's moved to disavow his work with mainstream publishers, yet his legacy within the industry is undeniable, and his contributions to iconic franchise properties and to early creator-owned independent work are worthy of celebration.
Born on this day in 1950, John Byrne moved from England to Canada at the age of eight, and it was here that he first encountered American superhero comics. He enrolled in --- but dropped out of --- the Alberta College of Art and Design in Calgary, and began contributing to Roger Stern and Bob Layton’s Contemporary Pictoral Literature. Their character Rog-2000 was spotted by Charlton Comics, and the team began contributing back-up stories in the pages of E-Man.
Things are messed up right now, so let’s talk about comfort comics. Comics as escapism. There are a lot of current and recent comics that could work for this — All-Star Superman, Lumberjanes, and Squirrel Girl come to mind — but I want to go back a little farther.
Because here’s the cool thing about comics: They all used to be for kids. Which means that a lot of the classic comics, the influential ones that made the medium what it is, are also escapist fun. So when you want to read something that’s going to let you forget your problems and get lost in fantasy, you can also read something that will help you become well versed in comics canon. This is literally how I became who I am today.
A lot of people were disappointed by last summer’s Fantastic Four. The reboot, directed by Josh Trank, was supposed to relaunch one of the most popular comic-book series in history, and erase the memory of two previous, unpopular Fantastic Four movies in the process. It had a great cast, including Miles Teller, Kate Mara, and Michael B. Jordan. It had Trank, coming off his acclaimed superhero film Chronicle. It should have been the start of something huge.
Last year’s Fantastic Four reboot was beset with problems before it even hit theaters, from the highly-publicized conflict between Josh Trank and the studio to rumors of the director’s behavior on-set and reports of an unusual amount of reshoots. When the actual film arrived, it was…disappointing, to say the least. And although producer Simon Kinberg has remained optimistic about a sequel somewhere down the line, even he’s finally admitting that Fantastic Four had some serious issues — as in, it was too serious.
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