Comics coloring is one of the most unappreciated aspects of the medium, despite enhancing the thematic subtext of a work and just making it look better. In this series I'm going to shine a spotlight on some of the best and most interesting colorists in comics.
Rico Renzi is one of the most recognizable colorists in the business. Whether he's working on Marvel comics like Unbeatable Squirrel Girl, She-Hulk, and Howard the Duck, or a Vertigo title like FBP, it's easy to spot a Renzi-colored comic. Renzi always employs a striking color palette. His backgrounds and spot colors take advantage of the fact that comics don't always need to be realistic. While Marvel and DC comics are often colored in a more orthodox style, Renzi employs bold contrasts even there.
That fan response to Marvel's Spider-Gwen one-shot Edge of Spider-Verse #2 was so profound can be chalked to a number of important factors that we've covered before, but perhaps none as crucial as the exhilarating visuals created by artist Robbi Rodriguez and colorist Rico Renzi. The duo earned praise from us and others for introducing a kind of crackling, almost reckless sense of energy and fun into an already aesthetically diverse Marvel Universe (or alternate universe, as the case may be).
But this came as no surprise to readers of FBP: Federal Bureau Of Physics, the Vertigo series Rodriguez and Renzi launched last year with writer Simon Oliver. FBP's mantra is "the impossible is always possible" thanks to its universe's occasional and frequently catastrophic breakdown of all known laws of physics. It's a premise that allows artists to be artists, and Rodriguez and Renzi dive wildly into their talents for hugely expressive, hypercolored images that -- along with routinely gorgeous covers by Nathan Fox -- have made FBP one of the most visually compelling American comics around at the moment.
Deadline reports that Justin Marks, writer of the upcoming live-action Jungle Book movie and of the screenplay for Street Fighter: The Legend of Chun-Li, is adapting a treatment written by Oliver. David S. Goyer, who has been a driving force behind a good many DC Comics movie properties over the past several years, will produce.
With hundreds of comics released to stores every month, a great cover can make a big difference. That tiny rectangle needs to grab the eye, set a mood, convey an idea, and entice a reader to pick the book up and look inside. It takes a great cover artist to get all of that right.
ComicsAlliance continues its look back at some of the best cover work in 2013 from some of the most talented cover artists in the industry. This week we pick highlights from the work of Nathan Fox (Collider/FBP), Francesco Francavilla (Black Beetle), Chip Zdarsky (Sex Criminals) and John Paul Leon (The Massive).
It's fairly commonplace for comics to change creative teams or other details early on in their runs, but it's pretty rare for a comic to change its actual title between the first and second issues.
That's exactly what's happening with Simon Oliver, Robbi Rodriguez, and Rico Renzi's Vertigo series formerly known as Collider, though. Starting with issue #2, which comes out August 28, the series will be known as FBP:Federal Bureau of Physics.
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