In a striking blend of female empowerment and corporate synergy, ESPN has teamed with Marvel to commission a variety of comics artists to draw superheroic portraits of the 2015 Impact 25, a list of women who have had an "impact" on sports in the past year.
The images are uniformly striking, but they vary in both the familiarity of the subjects and the level of "super heroification" of the art. So on one end of the spectrum you have a Tron take on tennis giant Serena Williams by Aspen Comics artist Elizabeth Torque, and a literally world-spanning Women's National Soccer Team by the Ghosted art team of Goran Sudzuka and Miroslav Mrva. And on the other end you have camera-wielding filmmaker Lauren Greenfield by Joelle Jones and Rachelle Rosenberg, who handled the art for the recent Mockingbird one-shot, and a moody take on prima ballerina Misty Copeland by Black Canary artist Annie Wu.
Azzarello and Chiang's Wonder Woman has been praised for putting forth an epic, cohesive and narratively self-contained superhero drama with flourishes of the urban fantasy that once defined DC's Vertigo imprint, but has also been criticized for the changes it made to Wonder Woman's core myth. What's not in dispute is that the pair have created the most memorable and talked about Wonder Woman story in years -- maybe in decades -- and to mark the conclusion of their work, we caught up with Chiang and Azzarello to look back at their run and talk about their novel take on the feminist icon.
Simon Oliver, best known for his work on Exterminators, is expanding his horizons--taking on a 6-issue arc of Wildstorm's Gen-13 (as revealed in San Diego), and just announced--writing a Hellblazer spinoff mini-series featuring Chas, John Constantine's long-suffering cab-driver friend...
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