Metalocalypse director Jon Schnepp went well beyond his $98,000 Kickstarter goal earlier this year to produce a movie about the abandoned Tim Burton/Nicolas Cage film Superman Lives. Now, a new teaser trailer for the doc, The Death of Superman Lives, proves that at least the movie about the movie is really happening next summer, and will include interviews with Grant Morrison, Mark Waid, and perhaps even Cage himself. You can see the full video update about the upcoming documentary, after the jump.
Grant Morrison - Page 5
In case you haven't heard yet, Grant Morrison recently offered his take on the end of The Killing Joke, the seminal 1988 story from Alan Moore and Brian Bolland. Widely considered one of the greatest Batman stories -- and possibly the greatest Joker story -- of all time, the ending is, arguably, a bit ambiguous. In an interview on Kevin Smith's "Fatman on Batman," Morrison said he believes that one-shot was Moore and Bolland's take on what would be a final Batman story --similar to Moore's Superman: Whatever Happened To The Man Of Tomorrow? -- with the story ending when, in his mind, Batman chokes the Joker to death as he laughs maniacally.
The timing of this comment from Morrison is interesting, because I was talking about this scene a few days ago with a friend who I've been having this same argument with since 1998. She's on Team Morrison, believing that Batman kills the Joker as well. It's an interesting theory, and one I understand, but here's the thing: Not only do I think both my friend and Morrison are wrong, but I think Batman killing the Joker would make for a completely pointless story.
This past week, Grant Morrison's run on Batman came to a close after seven years. The run was mostly celebrated by readers and critics alike, with some calling it the greatest long-form story in the Dark Knight's history. But like anything else, the story had its detractors, largely from those who are not fond of Morrison's writing style. David Uzumeri offered his thoughts on both the final issue and the run as a whole, but now we want to know what you think.
This week, Batman Incorporated #13, by Grant Morrison, Chris Burnham and Nathan Fairbairn, wraps up Morrison's seven-year tenure on the character. It brings everything to a definitive close that leads to both the character's new era in the New 52 and to the core of the Batman myth itself. It closes not just one loop, but a number of loops, between the present and various points in the past -- the beginning of this volume, the beginning of Morrison's run and, indeed, to the very beginning of the character, way back in Detective Comics #27 in 1939. It's a heartfully written, beautifully drawn true creative collaboration between three of the best talents in comics, and can probably be best described as a frustrated and slightly resigned labor of love. I've been following this run since it started, and there's a solid argument to be made that this particular run, this particular story, has been the bedrock of my entire comics journalism career. So let's look back on the past seven years of headshots, time travel, evil gods, lapdancing pigs, father-son bonding, heartbreak, good art, bad art and, above all, mystery. Let's look, for the first time, as a whole, at Grant Morrison's run on Batman, and talk about the Hole in Things.
To commemorate the 75th birthday of the Man of Steel, Warner Bros. and DC Entertainment hosted the "Superman's 75th Anniversary Celebration" panel. On hand to discuss the history, legacy and cultural significance of Superman were a group of writers, artists, actors and filmmakers who've had a lasting effect on the character: Paul Levitz, former DC Comics president; Jack Larson, the original Jimmy Olsen from the 1950's Adventures of Superman; Superman Unchained aritst and DC Comics co-publisher Jim Lee; All-Star Superman and Action Comics writer Grant Morrison; Tim Daly, the voice of Superman in the 1990's Superman: The Animated Series; Molly Quinn, who voices Supergirl in Superman Unbound; long-time Superman writer and artist Dan Jurgens; Man of Steel co-writer David S. Goyer; and Man of Steel stars Dylan Sprayberry (teenage Clark Kent) and Henry Cavill.
As expected, the room where the panel was held was packed, and many attendees were not able to get in. Fortunately, courtesy of Superman Homepage, the entire panel is now available to view online, and you can check it out after the cut.
Looks like Stan Lee isn't the only comics creator getting into the growth market of Indian superheroes. Grant Morrison, who is wrapping up his years-long run on Batman with Batman Incorporated #13 tomorrow, has announced one of his next projects will be an animated superhero epic based on Indian mythology called 18 Days.
In one short month, Grant Morrison's eight-year run on Batman will come to an end with Batman Incorporated #13. Much of the the latter part of Morrison's run has featured art from collaborator Chris Burnham, who will finish out the run with the writer. DC Comics has released three inked preview pages from the concluding issue, which you can check out after the jump.
Years in the making, writer Grant Morrison and artist Yanick Paquette's Wonder Woman: Earth One graphic novel will finally hit shelves -- at a still-unspecified date. But at least Morrison is offering up some details about the book. We grabbed a few quotes from his interview with the LA Times' Hero Complex blog, as well as the one piece of preview art for the book so far. You can see it all after the jump.
After more than six years writing the adventures of Batman, it was doubtful that the climax of Morrison's run was going to end without some casualties. Now, DC is prominently teasing the outright death of a character in this week's release of Batman Inc. You can
With the 300th and final issue of Vertigo's Hellblazer, out this week, several tumblers shift and lock into place. John Constantine moves to the New 52 on a full-time basis, with a new title beginning in March; the reset button is pushed on his continuity, and the most writer-driven character of the last thirty years is yanked from the comfort and promise of a Mature Readers label and forced to grow up again in a PG-13 world; and the longest-running title in the Vertigo line concludes a twenty year run, as the imprint focuses exclusively on creator-owned comics. It's a sad time for misfits everywhere, as Hellblazer is o